Win an Advance Reading Copy of Guy Gavriel Kay's CHILDREN OF EARTH AND SKY


I received a second ARC of Guy Gavriel Kay's Children of Earth and Sky, so I'm giving it away to one lucky winner! For more info about this title: Canada, USA, Europe.

Here's the blurb:

The bestselling author of the groundbreaking novels Under Heaven and River of Stars, Guy Gavriel Kay is back with a new novel, Children of Earth and Sky, set in a world inspired by the conflicts and dramas of Renaissance Europe. Against this tumultuous backdrop the lives of men and women unfold on the borderlands—where empires and faiths collide.

From the small coastal town of Senjan, notorious for its pirates, a young woman sets out to find vengeance for her lost family. That same spring, from the wealthy city-state of Seressa, famous for its canals and lagoon, come two very different people: a young artist traveling to the dangerous east to paint the grand khalif at his request—and possibly to do more—and a fiercely intelligent, angry woman, posing as a doctor’s wife, but sent by Seressa as a spy.

The trading ship that carries them is commanded by the accomplished younger son of a merchant family, ambivalent about the life he’s been born to live. And farther east a boy trains to become a soldier in the elite infantry of the khalif—to win glory in the war everyone knows is coming.

As these lives entwine, their fates—and those of many others—will hang in the balance, when the khalif sends out his massive army to take the great fortress that is the gateway to the western world…

The rules are the same as usual. You need to send an email at reviews@(no-spam)gryphonwood.net with the header "CHILDREN." Remember to remove the "no spam" thingy.

Second, your email must contain your full mailing address (that's snail mail!), otherwise your message will be deleted.

Lastly, multiple entries will disqualify whoever sends them. And please include your screen name and the message boards that you frequent using it, if you do hang out on a particular MB.

Good luck to all the participants!

More inexpensive ebook goodies!


You can now get your hands on the digital edition of Trudi Canavan's Priestess of the White, first volume in the Age of the Five Gods trilogy, for only 2.99$ here.

Here's the blurb:

In a land on the brink of peace—watched jealously by a ruthless cult from across the sea and beset by hidden enemies—five extraordinary humans must serve as sword and shield of the Gods.

Auraya is one.

Her heroism saved a village from destruction; now Auraya has been named Priestess of the White. The limits of her unique talents must be tested in order to prove her worthy of the honor and grave responsibility awarded to her. But a perilous road lies ahead, fraught with pitfalls that will challenge the newest servant of the gods. An enduring friendship with a Dreamweaver—a member of an ancient outcast sect of sorcerer-healers—could destroy Auraya's future. And her destiny has set her in conflict with a powerful and mysterious, black-clad sorcerer with but a single purpose: the total annihilation of the White. And he is not alone . . .

And you can download the sequel, Last of the Wilds, for 3.99$ here.

The Darkness That Comes Before


The long-awaited (and what should have been the final installment in The Aspect-Emperor trilogy, but has since then been split into two volumes) The Great Ordeal by R. Scott Bakker will finally be released this summer. It's been five years since The White-Luck Warrior, the second volume, saw the light, so you can understand why Bakker fans are rejoicing. Problem is, it's been a very long time in between books. And for a midlist genre author, one that never was marketed much by his publishers to begin with, this can make things difficult. Sadly, it appears that an entire generation of SFF readers have never heard of him and some of us have been wondering about what we can possibly do to give Bakker some much-deserved exposure.

I'm not sure what sort of impact this will have down the line, but I've decided to reprint my reviews of R. Scott Bakker's first two series to help raise awareness in what I consider to be one of the more ambitious fantasy sagas ever written. Hence, every couple of days for the next little while I'll post reviews of all three installments of the Prince of Nothing trilogy and the first two volumes of The Aspect-Emperor series.

Hopefully, these reviews will entice potential readers to give these novels a shot. Love them or hate them, these are powerful works of fiction that deserve to be more widely read than they are at the moment. Check them out!

So here's my review of Bakker's debut and opening chapter in the Prince of Nothing trilogy, originally posted on May 5th, 2005. For a more recent take on The Darkness That Comes Before, fantasy author Mark Lawrence reviewed it on Goodreads a few weeks back. Follow this link to see what he thought about the book.

Here's the blurb:

A score of centuries has passed since the First Apocalypse. The No-God has been vanquished and the thoughts of men have turned, inevitably, to more worldly concerns...Drusas Achamian, tormented by 2,000 year old nightmares, is a sorcerer and a spy, constantly seeking news of an ancient enemy that few believe still exists. Ikurei Conphas, nephew to the Nansur Emperor, is the Exalt-General of the Imperial Army and a military genius. He plots to conquer the known world for his Emperor and dreams of the throne for himself. Maithanet, mysterious and charismatic, is spiritual leader of the Thousand Temples. He seeks a Holy War to cleanse the land of the infidel. Cnaiur, Chieftain of the Utemot, is a Scylvendi barbarian. Rejected by his people, he seeks vengeance against the former slave who slew his father, and disgraced him in the eyes of his tribe. Into this world steps Anasurimbor Kellhus, the product of two thousand years of breeding and a lifetime of training in the ways of thought, limb, and face. Steering souls through the subtleties of word and expression, he slowly binds all - man and woman, emperor and slave - to his own mysterious ends. But the fate of men - even great men - means little when the world itself may soon be torn asunder. Behind the politics, beneath the imperialist expansion, amongst the religious fervour, a dark and ancient evil is reawakening. After two thousand years, the No-God is returning. The Second Apocalypse is nigh. And one cannot raise walls against what has been forgotten...


When I held a poll which was to determine the best "ongoing" fantasy series, I was expecting some surprises. Indeed, that was the very reason which encouraged me to organize the poll. As expected, I wasn't disappointed. But one series in particular received a vast number of votes, especially from the members of the wotmania.com "Other Fantasy" message board. R. Scott Bakker's The Prince of Nothing garnered so many rave reviews that I knew I had to inquire about this one. For, like most fantasy fans, I had never heard of him or his books. Several people were more than a little surprised by his series' presence in our list of top "ongoing" series.

Nearly everyone on wotmania.com encouraged me to read Bakker's novels. I was thus quite happy when Penguin Canada accepted to send me review copies of both The Darkness that Comes Before and The Warrior-Prophet. Hence, it was with eagerness that I plunged into this one, especially since the author is Canadian. And as a fellow Canuck, it's the least I can do to promote the great works of my countrymen!;-)

So what's the verdict? Well, to put it simply, this is an impressive debut. One of the very best debut novels I have read in years. An intelligent work, in every run of the mill. Which is probably satisfy purists in a way that is seldom seen. Bakker has created something quite special. But the philosophical and religious aspects of this tale will indubitably prevent the series from becoming mainstream. Which, in the end, might allow it to retain its uniqueness in the fantasy genre.:-)

The Darkness that Comes Before is a rare cross between Dune and The Lord of the Rings. It's obvious that Frank Herbert's epic has been a major influence on Bakker, both in form and on a deeper level. The format also follows that of the Dune books. But fear not, this is by no means a Dune rip-off. Bakker, although influenced by the master, has created a truly original universe.

It is quite apparent that the author has worked on this book for well over a decade. To claim that it's richly detailed would be a gross understatement. It's a lot more than that. The worldbuilding is of the highest order. Bakker has created a living and breathing universe, detailed and authentic. Not since I've read Robert Jordan's The Eye of the World in the early 90s have I come across a work that resounds with such depth. And it promises a lot more to come! At times, the back story appears to be fascinating enough that one wishes he could learn more. The few glimpses the author provides pertaining to the past and the Apocalypse bring even more depth to his work.

The prose is of high quality, for those few of us who actually attach some importance to this detail. The dialogues ring true. While the narative is consise and flows well, a barbarian actually sounds like a barbarian. The problem with most good writers is that a simple villager often speaks like a doctor. Not so here.

One of the only problems with this novel is that the pace is at times very slow. That wasn't a problem for me, because I could still appreciate the content, the worldbuilding, and everything else there is to like about this book. And the author has a lot of groundwork to initially set up, especially with the characters. But this could be a problem for a number of people, especially those who like a lot of action, fight scenes and brisk rhythm.

The characters are well developed. Each has his or her own back story, and those who can read between the lines know that there is a lot more to come. I can't say that one is more memorable than the others. To me, it was the tapestry that these characters and their actions wove that kept me turning those pages.

As I mentioned, this is an intelligent work, one that will appeal to readers who need more than the fluff produced by a majority of fantasy writers today. Philosophy and religion play a big role in this tale, which imbues it with a depth that is seldom encountered on the current market. The Darkness that Comes Before is for a mature audience. As a matter of fact, I think that only such an audience can appreciate the novel at its just value.

As is often the case nowadays, this book is one vast introduction for a much larger story. The ending offers little in the way of resolution, providing us with more questions than answers. But it certainly opens the door for a lot more to come! Indeed, I can't wait to read The Warrior-Prophet, especially since everyone appears to agree that it's much better than its predecessor. If true, that makes it quite a novel!

So if you are looking for a new voice, an original series, set in a world that is fascinating and different than what is currently the norm in the fantasy genre, populated by deeply realized characters and societies, then The Darkness that Comes Before is definitely for you!

This could well be the beginning of a saga that could become a "must read!" work. . . We will have to wait and see if it lives up to those high expectations.

The final verdict: 8/10

For more info about this title: Canada, USA, Europe


Win an Advance Reading Copy of Richard Kadrey's THE EVERYTHING BOX


I'm giving away my ARC of Richard Kadrey's The Everything Box to one lucky winner! For more info about this title: Canada, USA, Europe.

Here's the blurb:

Reminiscent of the edgy, offbeat humor of Chris Moore and Matt Ruff, the first entry in a whimsical, fast-paced supernatural series from the New York Times bestselling author of the Sandman Slim novels—a dark and humorous story involving a doomsday gizmo, a horde of baddies determined to possess its power, and a clever thief who must steal it back . . . again and again.

22000 B.C. A beautiful, ambitious angel stands on a mountaintop, surveying the world and its little inhabitants below. He smiles because soon, the last of humanity who survived the great flood will meet its end, too. And he should know. He’s going to play a big part in it. Our angel usually doesn’t get to do field work, and if he does well, he’s certain he’ll get a big promotion.

And now it’s time . . . .

The angel reaches into his pocket for the instrument of humanity’s doom. Must be in the other pocket. Then he frantically begins to pat himself down. Dejected, he realizes he has lost the object. Looking over the Earth at all that could have been, the majestic angel utters a single word.

“Crap.”

2015. A thief named Coop—a specialist in purloining magic objects—steals and delivers a small box to the mysterious client who engaged his services. Coop doesn’t know that his latest job could be the end of him—and the rest of the world. Suddenly he finds himself in the company of The Department of Peculiar Science, a fearsome enforcement agency that polices the odd and strange. The box isn’t just a supernatural heirloom with quaint powers, they tell him.

It’s a doomsday device. They think . . .

And suddenly, everyone is out to get it.

The rules are the same as usual. You need to send an email at reviews@(no-spam)gryphonwood.net with the header "BOX." Remember to remove the "no spam" thingy.

Second, your email must contain your full mailing address (that's snail mail!), otherwise your message will be deleted.

Lastly, multiple entries will disqualify whoever sends them. And please include your screen name and the message boards that you frequent using it, if you do hang out on a particular MB.

Good luck to all the participants!

This week's New York Times Bestsellers (April 11th)

In paperback:

Stephen King's Finders Keepers is down two spots, finishing the week at number 4.

Andy Weir's The Martian is down four positions, ending the week at number 11 (trade paperback).

Stephen King's 11/22/63 is down five positions, ending the week at number 12.

Ernest Cline's Ready Player One is down one spot, finishing the week at number 13 (trade paperback).

More inexpensive ebook goodies!


You can now download Tanya Huff's Sing the Four Quarters for only 2.51$ here.

Here's the blurb:

The Bards of Shkoder hold the country together. They, and the elemental spirits they Sing – earth, air, fire, and water - bring the news of the sea to the mountains, news of the mountains to the plains. They give their people, from peasant to king, a song in common.

Annice is a rare talent, able to Sing all four quarters, but her brother, the newly enthroned King Theron, sees her request to study at the Bardic Hall as a betrayal. To his surprise, Annice accepts his conditions, renouncing her royal blood and swearing to remain childless so as not to jeopardize the line of succession. She walks away from political responsibilities, royal privilege and her family.

Ten years later, Annice has become the Princess Bard and her real life is about to become the exact opposite of the overwrought ballad her fellow students at the Bardic Hall wrote about her. Now, she's on the run from the Royal Guards with the Duc of Ohrid, the father of her unborn child, both of them guilty of treason – one of them unjustly accused. To save the Duc's life, they'll have to cross the country, manage to keep from strangling each other, and defeat an enemy too damaged for even a Bard's song to reach.

Alan Smale contest winner!

Thanks to the generosity of the folks at Del Rey, to celebrate the release of Alan Smale's Eagle in Exile (Canada, USA, Europe), this lucky winner will receive a set of the first two volumes in the series! The prize pack includes:

- Clash of Eagles
- Eagle in Exile

The winner is:

- Nick Guido, from Allen, Texas, USA

Many thanks to all the participants!

Win the digital edition of T. Frohock's Los Nefilim trilogy


To help promote the release of T. Frohock's The Second Death, final installment in the Los Nefilim trilogy, I have a full set up for grabs, compliments of the folks at Harper Voyager: Impulse. The prize pack includes digital editions of:

- In Midnight's Silence
- Without Light or Guide
- The Second Death

Each installment is available for 0.99$ through these links.

Here's the blurb for the first volume:

Born of an angel and a daimon, Diago Alvarez is a singular being in a country torn by a looming civil war and the spiritual struggle between the forces of angels and daimons. With allegiance to no one but his partner Miquel, he is content to simply live in Barcelona, caring only for the man he loves and the music he makes. Yet, neither side is satisfied to let him lead this domesticated life and, knowing they can’t get to him directly, they do the one thing he’s always feared.

They go after Miquel.

Now, in order to save his lover’s life, he is forced by an angel to perform a gruesome task: feed a child to the daimon Moloch in exchange for a coin that will limit the extent of the world’s next war. The mission is fraught with danger, the time he has to accomplish it is limited…and the child he is to sacrifice is the son Diago never knew existed.

A lyrical tale in a world of music and magic, T. Frohock’s IN MIDNIGHT’S SILENCE shows the lengths a man will go to save the people he loves, and the sides he’ll choose when the sidelines are no longer an option.

The rules are the same as usual. You need to send an email at reviews@(no-spam)gryphonwood.net with the header "DEATH." Remember to remove the "no spam" thingy.

Second, your email must contain your full mailing address (that's snail mail!), otherwise your message will be deleted.

Lastly, multiple entries will disqualify whoever sends them. And please include your screen name and the message boards that you frequent using it, if you do hang out on a particular MB.

Good luck to all the participants!

Extract from Todd Lockwood's THE SUMMER DRAGON


Thanks to the generosity of the folks at Daw Books, here's an extract from Todd Lockwood's The Summer Dragon! For more info about this title: Canada, USA, Europe.

Here's the author's blurb:

Maia and her family raise dragons for the political war machine. As she comes of age, she anticipates a dragon of her own to add to the stable of breeding parents. But the war goes badly, and the needs of the Dragonry dash her hopes. Her peaceful life is shattered when the Summer Dragon—one of the rare and mythical High Dragons— makes an appearance in her quiet valley. The Summer Dragon is an omen of change, but no one knows for certain what kind of change he augurs. Political factions vie to control the implied message, each to further their own agendas.

Maia heads into the wilderness in search of the dragon qit that she believes will solve her problems. She doesn't expect to encounter the enemy of her people, the Harodhi, or an angry wilding father...

Enjoy!
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The valley floor at the base of the cliffs was stony and difficult, and short on cover, but the moon was still low in the sky, and the nearby trees were tall. I allowed my eyes to adjust to the deeper darkness in their shadows. I needed to get close enough to the poacher’s cave to assess things and devise a plan. But I knew that once I reached its mouth, there would be guards and precious little cover for me. I was operating on instinct alone—instinct and blind desperation. I struggled to control my racing thoughts. Darian’s barb drifted into my mother’s last words, then into the arguments of Bellua and Mabir.

Curse. It was distracting, maddening. Curse. Over and over again the litany turned, illustrated with images of the ravening Horrors eating the Harodhi dead. Doubt crept into my resolve, but the chorus of damning words always forced me back to the same place: a qit.

I located the trail the Harodhi had used and quickly realized that I’d come upon the scene of their battle with the father dragon. Spatters and puddles of blood showed as ebony in patches of moonlight.

My heart skipped a beat. He was out here still, somewhere. I listened, studied the blackness between the trees, but caught no sight of him. Cautiously I crept into the denser shadows and started up the trail. I stumbled across an abandoned crossbow and examined it. The stock was broken. I set it down again quietly. But here was a perfectly good arrow and another nearby. The arrowheads weren’t like the ones we used to hunt deer, with flat triangular blades. They were of military design, square and dart-like, meant to pierce armor. Common to every army that fought against dragons. Even so, dragon-skin is thick and covered with hard plates on the neck, chest, and shoulders—many of their shots had simply glanced off. Would one bow in the hands of a girl be enough to offer a defense? I stuck the arrows in my quiver anyway. They would still kill a man.

Night made the going slow, but I inched my way up the hill, stopping frequently to listen and look all around, in every direction—uphill, downhill, clifftop, forest, sky.

Grunts and moans ahead stopped me in my tracks. Low keening and quiet, sorrowful chuffing indicated a dragon in deep despair. I crouched and shielded my face from the moonlit cliff face and sky, so that my eyes could adapt to the murky shadow. I scanned the forest for a visual cue, finally detecting a bright glimmer ahead and to the right, like moonlight on scales.

Father dragon was in bad shape. He tried to pluck crossbow bolts from his chest with his teeth, but growled in pain and frustration with each failed attempt. His posture was slumped—head down, right wing dragging, left wing held up and back at an odd angle. Several feathered shafts protruded from the alar pectoral, caked with drying blood. It was no wonder he couldn’t fly.

He had to be in great pain, yet he’d fought to free his baby from its captors. He’d somehow avoided their snares and traps, and sent a number of Harodhi to their deaths. It reminded me of the tale of one of my ancestors, Malik, who fought off an invading tribe alone, just him and his dragon mount, to rescue his kidnapped daughter. It was nothing less than heroic. My heart went out to him. It would be hard not to think of him now as Malik. But he was also a wounded predator, and I was a girl with a single crossbow, wearing a knapsack full of meat. It was a thin arsenal, a thinner defense. And he was blocking my path.

I knelt behind a rock to watch, and wait. Shortly, he moved up the hill again, slowly and painfully, stepping gingerly on his right forefoot. When he had advanced twenty yards or so, I crept to another hiding place. Little by little I followed him up the slope. He paused often to worry at the arrows in his chest. They didn’t look deeply imbedded, but several were oozing black runnels of blood. Walking had to be excruciating.

From up the hill came the bleating of his baby, distant and plaintive. My heart sank at first, but I recognized the call—loneliness and fear, not outright terror. Safe, for the moment.

Malik’s head came up and he froze, listening until the cries dwindled. Then he tipped his head back and called twice with a dragon-word, a phrase of his wilding tongue that I could not know. It sounded for all the world like the call of a gigantic hawk.

Baby responded from the cave with another unhappy wail, but it was growing faint, and I realized that the Harodhi were taking it deeper into the cave. When it ended, silence enveloped the forest. Malik started up the slope again, grunting each time he planted his right forefoot. Suddenly he paused, raised his head, and looked back in my direction.

The hairs on the back of my neck stood up. I was sure I hadn’t made a sound, but I glanced around for a defensible position, just in case.

He made a sharp whuffing noise—a warning threat, prelude to attack. My head snapped in his direction, and he charged.

Fear shot through my limbs. I turned and dashed for the trees.

Crashes and heavy footfalls behind me drew nearer. He roared, now fully engaged in the chase.

I screamed, leapt a log, landed badly. I bounced to my feet and darted around a tree. Ahead of me, a dense stand of fir trees surrounded a jumble of boulders. I would have to cross thirty feet of open space to reach it. I glanced back over my shoulder.

Malik rounded some large trees into the open space, closing fast. He roared again, trampled a sapling, then tucked his wings close, ready to pounce.

I sprinted across the gap, leapt between two trees and onto the nearest boulder. A crash resounded at my heels and splinters of wood flew past me. I vaulted a branch, stumbled, felt something swipe at my hair, fell past another trunk into the deep crack between two boulders. I landed on my back, looking up, the wind knocked out of me.

Malik tried to crawl between the trees surrounding the boulders, but the arrows in his side snagged against the trunks. He bellowed angrily and withdrew, stalked around to my left and swiped into my enclosure with a giant forepaw. I scrabbled backward as far as I could, gasping for breath, as he tested the strength of the tree with teeth and claws. It shook but did not give. He growled again in frustration and prowled around behind me, where a single slender tree protected my small redoubt. He pushed against it once, twice, three times. Needles and twigs and cones showered down. Roots groaned and snapped, and the tree fell inward.

I covered my face with my arm, but the boulders and the surrounding trees caught the falling timber by its branches. It settled at an angle like a roof across my crevice, still held by its toes to the earth. Malik bit and scratched at broken roots. He could do no more than shake it, but now he could step onto the boulders that shielded me. A set of talons quested between tree and rock. I scrambled back. He tried the other side, but arrows in his chest and legs snagged on the stout branches. Finally he backed off the rock, to circle and study my defenses.

I fell back, gasping deeply, tears streaming down my face. “Go away,” I whispered hoarsely. “Sweet Avar. Avar Avar Avar . . .”

Suddenly he roared in fury and leapt up onto the rocks again. He clawed frantically at the boughs of the fallen tree. Branches cracked and splintered. The trunk groaned as he stood on it and bounced. Shards of wood pattered all around me.

“Go away go away go away…”

Again he backed off, then raised his head and roared in utter frustration, shaking the trees and rocks with the thunder of his outrage. I heard his footfalls circling my enclosure, accompanied by low snarling. The undergrowth and trees diffused sound, and I couldn’t tell exactly where he was. I pushed myself to a sitting position, brushed hair out of my eyes, removing twigs and leaves with shaking hands. Thankfully, the meat in my knapsack had cushioned my backward fall, but knees, elbows, and palms were scraped and bleeding.

The footsteps moved away and the snarling ceased, but I heard him panting and whuffing aggressively. Twice more he tried to breech the upright trees around my fortress but fell back with painful cries. Long minutes passed in which only his labored breathing disturbed the deep night stillness. Still trembling, I stood up, my head between branches of the fallen tree.

Malik stood in the clearing, head down, panting. He saw me and growled, a deep menacing rumble that I’d never heard in the aeries, not even when Audax was testing Shuja’s seniority. This was feral and certain in its intent; he wanted to kill me.

I was trapped there, for as long as I concerned him.

I dropped out of sight again, heart pounding. I needed to convince him that I was not a threat. But how could I do that? He was a wilding—intelligent, but a creature of instinct and emotion nonetheless. He was unfamiliar with any of the commands or dialect that our aerie-born dragons spoke. All I had to work with was my knowledge of dragons, my crossbow, and a backpack full of food.

Oh, High Ones,” I muttered.

I studied my narrow haven quickly. Two large boulders defined it, capped by a third on one end. There was a skinny gap like a short, constricted hallway between that third boulder and the one to my right. A natural entrance. Malik’s tail was visible beyond it.

I breathed deeply in hopes of calming myself. I shook so violently that it took several tries to cock my bow and load an arrow. I set it down and removed the knapsack. There were some choice cuts of meat remaining, plus the entire haunch and a few large potatoes.

This was no time for half-measures. I pulled out the haunch and laid the knapsack behind me. Then I picked up the crossbow and crept to the threshold of the crack. Malik was tugging at one of the arrows in his chest with his teeth. He groaned as it drew the flesh around it outward, the barbs on the arrowhead clutching at the plate it had pierced. When it ripped free, he snarled, bit it in three, spat out the remnants as he roared in pain, then licked at the freely bleeding wound.

I took a deep breath and tiptoed slowly out into the clearing. As I was laying the haunch of venison down, Malik spotted me and charged.

But I was prepared. I darted back into the crack between the boulders. He swiped into it with his long arm, but I was out of range, and the arrows still in his chest and legs shortened his reach. He growled furiously, pacing back and forth across the entrance but then stopped to glare in at me balefully.

As much as I wanted—needed—to make a connection with him, Father had warned us many times that a wild dragon will see eye contact as a threat or challenge. I averted my gaze and showed him the crossbow, then laid it down and raised my empty hands. Whether that would mean anything to him or not I didn’t know.

He returned to licking his wound until the bleeding had slowed, though he looked up to check on me several times. Many long, excruciating minutes later he sniffed at the air, turned, and found the haunch of venison.

He stepped on it and removed half with a single bite. The remainder disappeared with scarcely more caution, though he worried the bone a little bit before crunching it into shards and swallowing it all.

Damn.” I’d hoped it would last a bit longer. I dug into the knapsack and pulled out two large potatoes. I showed them to him, then lobbed them gently out through the opening.

He sniffed at them, then swallowed them whole.

“High ones . . . you must be starving!” I tried to keep my voice low and calm.

He snarled at me, rumbling low in his chest. But the timbre had changed slightly, and it wasn’t all threat now. It made me think of our dragons when they came across something new and foreign. I retreated into the crevice a little further before I caught myself. I’m certain he could smell my terror, but I didn’t want to show fear, even though I was trembling and pouring sweat.

“Please leave me alone. I don’t want to be your food.” Trying to calm him. Trying to calm myself. I recalled Father two days ago telling Darian it doesn’t matter what you say. Tell him a story. Describe the weather. Babble like a lunatic. Tone was far more important than content. I took a deep breath.

“Avar, but you are terrifying. I mean gorgeous. What a handsome sire you are.” He stood panting, studying me. “Normally, a dragon sire is keeping the perimeter, ensuring a food supply for momma and her babies. But here you are, alone, stalking the men who stole your baby. Was that your mate I found? Or is she,” I swallowed, “in the cave?”

He stared at me inscrutably.

Despite myself, I snatched glimpses of his eyes: silver, like the stripes in his markings. He was beautiful, and it pained me to see the arrows in his flesh, the black rivulets of blood beneath them. Despite my fear and sadness and hurt, I found a well of empathy for this noble, wilding sire. I purred for him as best I could with dry lips and parched tongue. He tilted his head briefly. Encouraged, I tried to imitate the guttural rumble of contentment that our dragons made as they tucked into a meal. He tilted his head again.

“I want to save your baby too. Will you let me help? Look . . .” I fished a piece of meat out of the pack and showed it to him. Then I looked pointedly up the hill and mimicked the mewling bark that qits make when they’re hungry, what we called mowping. “This is for your baby.” Then I put the meat away.

He studied me, not moving.

“Oh, sweet Avar, but you are a mess! I wish I could help you, too.” His liquid eyes met mine, and his pupils dilated. Before I could avert my traitorous gaze he growled in rage and leapt atop the fallen tree again.

He ripped it in a frenzy, snapping limbs, pulling upward on the trunk, biting at the smaller boughs. The main beam of the tree groaned and shivered. Bark rained down on me.

I screamed, but then, almost without thought and using all the power in my lungs, tapping all the sadness I felt for this courageous wilding and the full depths of my terror, I did my best to mimic Grus’s sad keening. I sustained it at full volume for as long as I could, and finished each wail with a dragon’s mournful chuffing.

Malik paused, stared at me, panting heavily. His head tilted sideways.

Baby called back from the Harodhi camp—a long and desolate cry, barely audible.

Malik snarled at me again, then paced back and forth from boulder to boulder above. When he stopped, he threw his head back and called keirr! keirr!

Baby answered again.

He stuck his big head as far as he could between tree trunk and boulder, and roared at the top of his lungs. His warm, stinking breath washed over me, and I cowered in it.

Then he was gone.

Suicide Squad: Blitz trailer



Really not feeling this flick. Too much Will Smith and I'm afraid it will be a stinking turd. . . :/

More inexpensive ebook goodies!


A bunch of SFF authors have teamed up and created the "Escape your taxes sale"!

Tax season is officially upon us, and what better way to escape that bitter, bitter pain than by nabbing a few sweet books on the cheap? From April 12th – 16th, you can get any of the 21 books the participating authors are offering at steep discounts, some at up to 70% off! A few of our books are even FREE!

Here’s a rundown of what everyone’s offering:

Bradley P. Beaulieu

To the Towers of Tulandan, a Lays of Anuskaya novella – FREE!
The Winds of Khalakovo – $1.99
The Straits of Galahesh – $2.99
The Flames of Shadam Khoreh – $2.99

Gwenda Bond

The Woken Gods – $2.99

Jeff Carlson

Plague Year – $1.99
Plague War – $1.99
Plague Zone – $1.99
Long Eyes – $1.99

Matt Forbeck

Brave New World: Revolution – $2.99
Hard Times in Dragon City – $2.99
Dangerous Games: How to Play – $2.99

Brian McClellan

Murder at the Kinnen Hotel, a Powder Mage novella – FREE!
Ghosts of the Tristan Basin, a Powder Mage novella – $1.99
Forsworn, a Powder Mage novella – $1.99
Servant of the Crown, a Powder Mage Novella – $1.99
The Powder Mage Novella Collection #1 – $5.99

Michael J. Sullivan

The Death of Dulgath – $2.99

Martha Wells

Wheel of the Infinite – $1.99
City of Bones – $1.99

Chuck Wendig

Blue Blazes – $2.99
Hellsblood Bride – $2.99

Game of Thrones, Season 6 trailer



Hmmm, to watch the new season, or not to watch. . .

More inexpensive ebook goodies!


You can now download C. S. Friedman's Black Sun Rising, the first volume in the Coldfire trilogy, one of the best dark fantasy series ever written, for only 1.99$ here!

Here's the blurb:

The Coldfire trilogy tells a story of discovery and battle against evil on a planet where a force of nature exists that is capable of reshaping the world in response to psychic stimulus. This terrifying force, much like magic, has the power to prey upon the human mind, drawing forth a person's worst nightmare images or most treasured dreams and indiscriminately giving them life. This is the story of two men: one, a warrior priest ready to sacrifice anything and everything for the cause of humanity's progress; the other, a sorcerer who has survived for countless centuries by a total submission to evil. They are absolute enemies who must unite to conquer an evil greater than anything their world has ever known.

Quote of the Day

And that’s the riddle of existence for you. When to move and when to stay. Dwell too long and we become the prisoner of our dreams, or someone else’s. Move too fast, live without pause, and you’ll miss it all, your whole life a blur of doing. Good lives are built of moments - of times when we step back and truly see. The dream and the dreamer. There’s the rub. Does the dream ever let go?

- MARK LAWRENCE, Road Brothers (Canada, USA, Europe)

The Second Apocalypse: Full Trailer



Can't wait to sink my teeth into R. Scott Bakker's The Great Ordeal!!!

More inexpensive ebook goodies!


For a limited time, you can get your hands on the digital edition of George R. R. Martin's Dreamsongs, Volume 1, an excellent collection of short fiction, for only 1.99$ here.

Here's the blurb:

Even before A Game of Thrones, George R. R. Martin had already established himself as a giant in the field of fantasy literature. The first of two stunning collections, Dreamsongs: Volume I is a rare treat for readers, offering fascinating insight into his journey from young writer to award-winning master.

Gathered here in Dreamsongs: Volume I are the very best of George R. R. Martin’s early works, including his Hugo, Nebula, and Bram Stoker award–winning stories, cool fan pieces, and the original novella The Ice Dragon, from which Martin’s New York Times bestselling children’s book of the same title originated. A dazzling array of subjects and styles that features extensive author commentary, Dreamsongs, Volume I is the perfect collection for both Martin devotees and a new generation of fans.

Musical Interlude



Now THAT'S the shit! =)

More inexpensive ebook goodies!


You can now download Emma Jane Holloway's A Study in Silks for only 1.99$ here.

Here's the blurb:

Evelina Cooper, the niece of the great Sherlock Holmes, is poised to enjoy her first Season in London Society. But there’s a murderer to deal with—not to mention missing automatons, a sorcerer, and a talking mouse.

In a Victorian era ruled by a council of ruthless steam barons, mechanical power is the real monarch and sorcery the demon enemy of the Empire. Nevertheless, the most coveted weapon is magic that can run machines—something Evelina has secretly mastered. But rather than making her fortune, her special talents could mean death or an eternity as a guest of Her Majesty’s secret laboratories. What’s a polite young lady to do but mind her manners and pray she’s never found out?

But then there’s that murder. As Sherlock Holmes’s niece, Evelina should be able to find the answers, but she has a lot to learn. And the first decision she has to make is whether to trust the handsome, clever rake who makes her breath come faster, or the dashing trick rider who would dare anything for her if she would only just ask.

This week's New York Times Bestsellers (April 4th)

In hardcover:

Patricia Briggs’ Fire Touched is down nine spots, finishing the week at number 20.

In paperback:

Stephen King's Finders Keepers debuts at number 2.

Andy Weir's The Martian is down two positions, ending the week at number 7 (trade paperback).

Stephen King's 11/22/63 is down one position, ending the week at number 7.

Ernest Cline's Ready Player One is down two spots, finishing the week at number 12 (trade paperback).

Andy Weir's The Martian is up one position, ending the week at number 12.

Richard A. Knaak contest winners!

Our two winners will get their hands on a copy of Richard A. Knaak's Black City Saint, courtesy of the folks at Pyr. For more info about this title: Canada, USA, Europe.

The winners are:

- George Kalogeris, from Brossard, Québec, Canada

- Ashley Sowa, from Pittsburgh, Pennsylvania, USA

Many thanks to all the participants!

Children of Earth and Sky


Every two or three years or so, Canadian speculative fiction author Guy Gavriel Kay releases a new book that never fails to amaze me. For some unfathomable reason, though the man is definitely one of the very best fantasists of his generation, if not the best, I can't help but feel that he remains, at least outside of Canada (where he is a bestselling author), one of the genre's best-kept secrets. With unforgettable titles such as Tigana, The Lions of al-Rassan, Under Heaven, and River of Stars, Kay has set the bar rather high throughout his career. And I'm pleased to report that Children of Earth and Sky is another memorable read that remains with you long after you've reached its ending.

Like the majority of his novels, Kay's latest is another captivating blend of history and fantasy. As such, it makes for a very accessible work of fiction and the perfect opportunity for newbies to discover why the author's books usually garner such rave reviews. Having read Sailing to Sarantium and Lord of Emperors is not a prerequisite for enjoying Children of Earth and Sky to the fullest. It is indeed a stand-alone tale which takes places centuries later. Having said that, there are a few nuances that might resonate a little more with readers familiar with the Sarantine Mosaic.

Here's the blurb:

The bestselling author of the groundbreaking novels Under Heaven and River of Stars, Guy Gavriel Kay is back with a new novel, Children of Earth and Sky, set in a world inspired by the conflicts and dramas of Renaissance Europe. Against this tumultuous backdrop the lives of men and women unfold on the borderlands—where empires and faiths collide.

From the small coastal town of Senjan, notorious for its pirates, a young woman sets out to find vengeance for her lost family. That same spring, from the wealthy city-state of Seressa, famous for its canals and lagoon, come two very different people: a young artist traveling to the dangerous east to paint the grand khalif at his request—and possibly to do more—and a fiercely intelligent, angry woman, posing as a doctor’s wife, but sent by Seressa as a spy.

The trading ship that carries them is commanded by the accomplished younger son of a merchant family, ambivalent about the life he’s been born to live. And farther east a boy trains to become a soldier in the elite infantry of the khalif—to win glory in the war everyone knows is coming.

As these lives entwine, their fates—and those of many others—will hang in the balance, when the khalif sends out his massive army to take the great fortress that is the gateway to the western world…

Long-time Kay fans will be pleased to learn that the tale occurs about 900 years following the events chronicled in the Sarantine Mosaic books, twenty-five years after the fall of Sarantium. The worldbuilding was inspired by the Renaissance era, during the heydays of the republic of Venice. A commercial powerhouse, it must nevertheless deal with Croatian pirates, the Ottoman Empire, the Habsburg Dynasty and the Holy Roman Empire, as well as the city-state of Dubrovnik. Richly detailed, Children of Earth and Sky enthralls you from the very beginning. I'm not sure how he does it, but Guy Gavriel Kay once again came up with an incredibly evocative narrative and an arresting imagery. It's probably due to the extensive amount of research that the author puts into every project, but I feel that Kay captured the moods and nuances of his chosen setting to perfection.

I've said it before and I'll surely say it again. Kay's talent and imagination allow him to create a living and breathing environment that draws you in and refuses to let go. I don't know how he manages to do it, but Kay's worldbuilding is almost always a subtle thing. The setting never takes precedence over the story and he never relies on info-dumps and other such contrivances. Still, somehow, seemingly effortlessly, as the tale progresses Kay ends up with an elegantly crafted setting that never fails to dazzle the eye. Few authors can immerse readers in such a vivid manner, and Kay's eye for historical details and traditions imbues Children of Earth and Sky with a realism that is seldom seen in works of speculative fiction.

Guy Gavriel Kay has always possessed a deft human touch and his past novels are filled with memorable characters. And once more, it's the superb characterization which makes this book impossible to put down. As is usually his wont, the author came up with a group of disparate men and women, whose paths will cross unexpectedly and whose fates will be spun into a vast tapestry of love and tragedy. There is Danica Gradek, who lost her family to the Osmanlis and who will stop at nothing to become a raider and earn her revenge against those who took everything from her. There is Leonora Valeri, disgraced woman sent to spy in Dubrova by the Seressan government. There is Pero Villani, a young artist sent to Asharias to paint the portrait of the grand khalif and with a spying mission of his own. There is Damaz, a young slave now part of the elite djanni soldiers. And there is Marin Djivo, a merchant's son who'll be swept away by events he can't control. All of these protagonists are well-defined and three-dimensional. Each of them is going through important changes in their lives. Kay told me that as much as anything, he wanted this novel to be about non-powerful (not same as ordinary) people on borderlands in a time of war, trying to shape their lives (very differently) in difficult times. They intersect, some of them, with power, but that isn't the heart of the story. It was also important for Kay to balance the five of them, not let one character take over the book. Add to that his usual desire to also balance awareness of history and themes against characters, narrative drive, etc, and you have a complex and satisfying plot on your hands.

Although it's not evident at first, and it does take some time of the various storylines to come together, in typical Kay fashion all these threads do come together beautifully at some point and the author closes the show with style and aplomb. I loved how the decisions of minor players can nonetheless have grave repercussions that will shake the world and echo down the centuries. This being a stand-alone novel, the author does tie up all the loose ends before one reaches the last page. Though some endings are in truth new beginnings. . . Returning to the universe of The Lions of al-Rassan and the Sarantine Mosaic series was quite a treat and I wish Kay will consider giving us a book on the Fall of Sarantium one day. I did ask him about this, but he offered no answer. We can only hope. . .

Children of Earth and Sky may not be as sprawling a novel as Under Heaven and River of Stars turned out to be, yet it is one that still takes a some time to get into. Though the rhythm can be slow-moving at times, it is never dull. Indeed, I felt that the book was paced perfectly. The story progresses exactly as it should. From start to finish, with Kay's lyrical prose the narrative is a joy to read. I don't know how he does it, but it often feels as though Kay can convey more in a single sentence than most of his peers can in a full paragraph or a full page. Once again, Kay demonstrates that he is a master storyteller in complete control of his craft.

Award-winning author Guy Gavriel Kay has been one of my favorite writers for years. Hence, it came as no surprise that Children of Earth and Sky turned out to be another gorgeous and extraordinary work. Truth be told, I expected no less from Kay. No matter how lofty the expectations, he always delivers. I'm aware that it's still early in the year, and that authors such as Steven Erikson, R. Scott Bakker, Robin Hobb, Naomi Novik, and maybe even George R. R. Martin will have something to say about this. But as things stand, Children of Earth and Sky is now in pole position and will be the speculative fiction title to beat in 2016.

The final verdict: 9/10

For more info about this title: Canada, USA, Europe

More inexpensive ebook goodies!


You can now download Joel Shepherd's Sasha, the first volume in A Trial of Blood and Steel series, for only 3.99$ here.

Here's the blurb:

SASHA IS A FIGHTER, THE LIKES OF WHICH THE HIGHLAND COUNTRY OF LENAYIN HAS NEVER SEEN.

Spurning her royal heritage to be raised by the great warrior Kessligh, Sasha's exquisite swordplay astonishes all who see it. But she is young, untested in battle and often lead by her rash temper. In the complex world of Lenayin loyalties, her wilfulness is attracting the wrong kind of attention.

Lenin is a land divided by its beliefs: the Verenthane of the ruling class and the pagan Goeren-yai, amongst whom Sasha now lives. The Goeren-yai value swordplay and honour, and have come to see Sasha as the great spirit who will unite them. But Sasha is still searching for what she believes and must choose her side carefully.

Soon she will face her moment of testing. Is she ready to lead? Can she be the saviour the Goeren-yai want her to be?

The three sequels, Petrodor, Tracato, and Haven, are also available for the same price.

Star Wars: Rogue One trailer



This actually looks pretty good!

UK cover art for Peter F. Hamilton's NIGHT WITHOUT STARS


The folks at torbooks.co.uk recently unveiled the cover art for Peter F. Hamilton's Night Without Stars by Larry Rostant.

The official blurb is not ready yet, but they also provided a teaser:

The planet of Bienvenido is on its own, isolated from the rest of the universe. And it’s waging war against the ruthless Fallers, aliens which have evolved to conquer whole worlds. Kysandra is leading an underground resistance, aided by biological enhancements that give her a crucial edge. But she fears she’s fighting a losing battle. This is especially as the government hampers her efforts at every turn, blinded by crippling technophobia and prejudices against enhanced 'Eliter' humans. However, if the resistance and government can’t work together, humanity on this planet will face extinction – for the Fallers are organizing a final, decisive invasion. Bienvenido badly needs outside help. But the Commonwealth, with all its technological expertise, has been lost to them for generations. Desperate times will call for desperate measures, or humanity on Bienvenido will not survive.

Richard Morgan on gratuitous sex and violence


SFF bestselling author Richard Morgan wrote an interesting piece on gratuitous sex and violence in fantasy and science fiction novels. Here's a teaser:

Because the real issue, in the end, is simply this – Who Desires This Content?

Is it the author? The readership? The gate-keeper criterati? Who? Because recriminations of gratuity are only going to arise when there’s a mismatch between those different constituencies. The author likes something, the readership don’t. The readership desire something, the gatekeepers demur. The gatekeepers love something, no-one else can work out what the fuck the big deal is. And so on. Look at most accusations of gratuitous content, and you’ll find them being made by people who don’t especially like the type of content they’re commenting on at all. The people who didn’t like the gratuitous sex in my books, when you scratched the surface, turned out by and large not to like sex in their science fiction full stop. Comments like if I want porn, I’ll go on the internet were commonplace. By definition, the appearance of any explicit sex was going to be too much/gratuitous for these people, because this was not the content they wanted. On a broader canvas, most complaints about gratuitous sex (and its darker, uglier twin gratuitous violence) come from defined constituencies – pressure groups, concerned parents, politicians in search of an easy soapbox, broadsheet critics of a genteel arthouse persuasion. People who would really rather prefer there not to be any of that sort of thing in their entertainment at all. Or at least, people who would prefer some other content instead.

The implications of this for the literary community are explosive, and they touch pretty much everything. Once I started to get it straight in my head, corollary burst everywhere around me like fireworks. I remembered Chimamanda Ngozie Adichie’s short story Jumping Monkey Hill, in which young African writers on a prestigious residential writing course are made to understand (by a white middle class teacher) that African stories need to contain certain elements to be authentic – grim and war-torn is in; middle class workplace sexual harassment not so much. Because western middle class readers want their fix of developing world misery. I recalled Raymond Chandler’s rejoinder on noir storytelling – if in doubt, send a man with a gun through the door. It’s a quote much agonised over by critics, written off as facetious or ironic, when to me it rings anything but. Because the noir form thrives above all on kinetic incident and menace – that’s what people go to it to enjoy. Margaret Atwood’s inexplicable contention, way back when, that she didn’t write science fiction, because in SF you had rockets and chemicals; a statement previously mocked and decried and agonised over, now obviously just a wobble over content and the perception that genre is where the colourful exploding shit is, while ring-fenced-in-panic speculative literature is about far graver, weightier business. I look at the big critical kerfuffle last year over Kazuo Ishiguro’s The Buried Giant, and I see the same thing; the stumbling of reviewers as they attempted to deal with a content anomaly – a pure fantasy novel almost entirely devoid of the kinetic elements the fantasy genre habitually contains. And finally, coming home, I find myself staring into the abyss of the awful, endless, graceless milking of genre franchises ’til they’re bled dry and screaming for mercy – and I see it for what it is. The repeat content addiction of fixating nerd hordes who will keep on stumping up cash for yet more of what they’ve already seen a dozen times, however dilute and weak-ass the carrier wave for the next helping inevitably turns out to be. It doesn’t matter how poor the movie (or series novel) is – it’s got my desired content in, and lots of it!

Content. Gratuitous fucking content. Time and again, that’s what it comes back to. That’s all it comes down to.

Follow this link to read the full essay.

More inexpensive ebook goodies!


You can now download Michael Moorcock's Elric: The Stealer of Souls for only 4.99$ here.

Here's the blurb:

When Michael Moorcock began chronicling the adventures of the albino sorcerer Elric, last king of decadent Melniboné, and his sentient vampiric sword, Stormbringer, he set out to create a new kind of fantasy adventure, one that broke with tradition and reflected a more up-to-date sophistication of theme and style. The result was a bold and unique hero–weak in body, subtle in mind, dependent on drugs for the vitality to sustain himself–with great crimes behind him and a greater destiny ahead: a rock-and-roll antihero who would channel all the violent excesses of the sixties into one enduring archetype.

Now, with a major film in development, here is the first volume of a dazzling collection of stories containing the seminal appearances of Elric and lavishly illustrated by award-winning artist John Picacio–plus essays, letters, maps, and other material. Adventures include “The Dreaming City,” “While the Gods Laugh,” “Kings in Darkness,” “Dead God’s Homecoming,” “Black Sword’s Brothers,” and “Sad Giant’s Shield.”

An indispensable addition to any fantasy collection, Elric: The Stealer of Souls is an unmatched introduction to a brilliant writer and his most famous–or infamous–creation.

Win an Advance Reading Copy of Todd Lockwood's THE SUMMER DRAGON


I'm giving away my ARC of Todd Lockwood's The Summer Dragon to one lucky winner! For more info about this title: Canada, USA, Europe.

Here's the blurb:

The debut novel from the acclaimed illustrator–a high fantasy adventure featuring dragons and deadly politics.

Maia and her family raise dragons for the political war machine. As she comes of age, she anticipates a dragon of her own to add to the stable of breeding parents. Her peaceful life is shattered when the Summer Dragon–one of the rare and mythical High Dragons–makes an appearance in her quiet valley. Political factions vie for control of the implied message, threatening her aspirations, her aerie, her entire way of life.

The bond between dragons and their riders is deep and life-long, and Maia’s desire for a dragon of her own to train, ride, fly, and love drives her to take a risk that puts her life at stake. She is swept into an adventure that pits her against the deathless Horrors, thralls of the enemy, and a faceless creature drawn from her fear. In her fight to preserve everything she knows and loves, she exposes a conspiracy, unearths an ancient civilization, and challenges her understanding of her world–and of herself.

The rules are the same as usual. You need to send an email at reviews@(no-spam)gryphonwood.net with the header "DRAGON." Remember to remove the "no spam" thingy.

Second, your email must contain your full mailing address (that's snail mail!), otherwise your message will be deleted.

Lastly, multiple entries will disqualify whoever sends them. And please include your screen name and the message boards that you frequent using it, if you do hang out on a particular MB.

Good luck to all the participants!

More inexpensive ebook goodies!


You can now get your hands on the digital edition of The Apex Book of World SF, Volume 1, an anthology edited by Lavie Tidhar featuring science fiction and fantasy short stories from Asia, Eastern Europe and the rest the world for only 0.99$ here.

Here's the blurb:

The Apex Book of World SF edited by Lavie Tidhar, features award-winning science fiction and fantasy short stories from Asia, Eastern Europe and around the world.

The world of speculative fiction is expansive; it covers more than one country, one continent, one culture. Collected here are sixteen stories penned by authors from Thailand, the Philippines, China, Israel, Pakistan, Serbia, Croatia, Malaysia, and other countries across the globe. Each one tells a tale breathtakingly vast and varied, whether caught in the ghosts of the past or entangled in a postmodern age.

Among the spirits, technology, and deep recesses of the human mind, stories abound. Kites sail to the stars, technology transcends physics, and wheels cry out in the night. Memories come and go like fading echoes and a train carries its passengers through more than simple space and time. Dark and bright, beautiful and haunting, the stories herein represent speculative fiction from a sampling of the finest authors from around the world.

Table of Contents:

S.P. Somtow(Thailand) — “The Bird Catcher”
Jetse de Vries(Netherlands) — “Transcendence Express”
Guy Hasson (Israel) — “The Levantine Experiments”
Han Song (China) — “The Wheel of Samsara”
Kaaron Warren (Australia/Fiji) — “Ghost Jail”
Yang Ping (China) — “Wizard World”
Dean Francis Alfar (Philippines) — “L’Aquilone du Estrellas (The Kite of Stars)”
Nir Yaniv (Israel) — “Cinderers”
Jamil Nasir (Palestine) — “The Allah Stairs”
Tunku Halim (Malaysia) — “Biggest Baddest Bomoh”
Aliette de Bodard (France) — “The Lost Xuyan Bride”
Kristin Mandigma (Philippines) — “Excerpt from a Letter by a Social-realist Aswang”
Aleksandar Žiljak (Croatia) — “An Evening In The City Coffehouse, With Lydia on My Mind”
Anil Menon (India) — “Into the Night”
Mélanie Fazi (France, translated by Christopher Priest) — “Elegy”
Zoran Živković (Serbia, translated by Alice Copple-Tošić)—“Compartments”

(Note: Digital edition does not contain the Zoran Živković's story)

Cover art and design by Sarah Anne Langton.

Quote of the Day

"Goblin, you've been everywhere. You ever seen a religion that can't be picked to shreds by any nonbeliever with brains enough to tie his own bootlaces?"

- GLEN COOK, The Return of the Black Company (Canada, USA, Europe)

Russian cover for Steven Erikson's GARDENS OF THE MOON


Wow! This is so bad. . . I'm speechless. . . =(

Quote of the Day

"Hey, Bubba-do," I shouted at a soldier, "who's got tonight in the pool?"

There is the Black Company for you. We've got a pool on what night the city will fall. I guess the winner gets to die with a smile on his ugly mug.

- GLEN COOK, The Return of the Black Company (Canada, USA, Europe)

Marc Turner contest winner!

This lucky winner will get his hands on a set of Marc Turner's The Chronicles of the Exile, courtesy of the folks at Tor Books. The prize pack includes:

- When the Heavens Fall (Canada, USA, Europe)
- Dragon Hunters (Canada, USA, Europe)

The winner is:

- Tom Ballinger, from Columbus,Ohio, USA

Many thanks to all the participants!

This week's New York Times Bestsellers (March 28th)

In hardcover:

Patricia Briggs’ Fire Touched is down nine spots, finishing the week at number 11.

In paperback:

Andy Weir's The Martian is up one position, ending the week at number 5 (trade paperback).

Stephen King's 11/22/63 is up one position, ending the week at number 6.

Ernest Cline's Ready Player One is up one spot, finishing the week at number 10 (trade paperback).

Andy Weir's The Martian returns at number 13.

Win a copy of Steven Erikson's FALL OF LIGHT


Thanks to the generosity of the folks at Transworld, I have a copy of Steven Erikson's eagerly anticipated Fall of Light up for grabs! For more info about this title: Canada, USA, Europe.

Here's the blurb:

It is a bitter winter and civil war is ravaging Kurald Galain. Urusander’s Legion prepares to march on the city of Kharkanas. The rebels’ only opposition lies scattered and weakened - bereft of a leader since Anomander’s departure in search of his estranged brother. The remaining brother, Silchas Ruin, rules in his stead. He seeks to gather the Houseblades of the Highborn families to him and resurrect the Hust Legion in the southlands, but he is fast running out of time.

The officers and leaders of Urusander’s Legion, led by the ruthless Hunn Raal, want the Consort, Draconus, cast aside and their commander to marry Mother Dark and take his place at the side of the Living Goddess. But this union will be far more than simply political. A sorcerous power has claimed those opposing Mother Dark: given form by the exiled High Priestess Syntara, the Cult of Light rises in answer to Mother Dark and her Children.

Far to the west, an unlikely army has gathered, seeking an enemy without form, in a place none can find, and commanded by a Jaghut driven mad with grief. It seems Hood’s call has been heard, and the long-abandoned city of Omtose Phellack is now home to a rabble of new arrivals: Dog-Runners from the south, and Jheck warriors. From the Western Sea strange ships have grounded upon the harsh shore bearing blue-skinned strangers to offer Hood their swords. And from mountain fastnesses and isolated valleys of the North, Toblakai arrive to pledge themselves to Hood’s seemingly impossible war. Soon, they will set forth – or not at all – under the banners of the living. Soon, weapons will be drawn, with Death itself the enemy.

Beneath the chaos of such events, and spanning the realm and those countless other realms hidden behind its veil, magic now bleeds into the world. Unconstrained, mysterious and savage, the power that is the lifeblood of the Azathanai, K’rul, runs loose and wild - and following its scent, seeking the places of wounding and hurt where the sorcery rushes forth, entities both new and ancient are gathering . . . and they are eager to feed.

Understanding at last what his gift of blood has unleashed, a weakened K’rul sets out, in the company of a lone guardian, to bring order to this newborn sorcery and in the name of order seeks its greatest avowed enemy…


The rules are the same as usual. You need to send an email at reviews@(no-spam)gryphonwood.net with the header "FALL." Remember to remove the "no spam" thingy.

Second, your email must contain your full mailing address (that's snail mail!), otherwise your message will be deleted.

Lastly, multiple entries will disqualify whoever sends them. And please include your screen name and the message boards that you frequent using it, if you do hang out on a particular MB.

Good luck to all the participants!

More inexpensive ebook goodies!


You can now get your hands on the digital edition of Peter F. Hamilton's Pandora's Star for only 1.99$ here!

Here's the blurb:

Critics have compared the engrossing space operas of Peter F. Hamilton to the classic sagas of such sf giants as Isaac Asimov and Frank Herbert. But Hamilton’s bestselling fiction—powered by a fearless imagination and world-class storytelling skills—has also earned him comparison to Tolstoy and Dickens. Hugely ambitious, wildly entertaining, philosophically stimulating: the novels of Peter F. Hamilton will change the way you think about science fiction. Now, with Pandora’s Star, he begins a new multivolume adventure, one that promises to be his most mind-blowing yet.

The year is 2380. The Intersolar Commonwealth, a sphere of stars some four hundred light-years in diameter, contains more than six hundred worlds, interconnected by a web of transport “tunnels” known as wormholes. At the farthest edge of the Commonwealth, astronomer Dudley Bose observes the impossible: Over one thousand light-years away, a star . . . vanishes. It does not go supernova. It does not collapse into a black hole. It simply disappears. Since the location is too distant to reach by wormhole, a faster-than-light starship, the Second Chance, is dispatched to learn what has occurred and whether it represents a threat. In command is Wilson Kime, a five-time rejuvenated ex-NASA pilot whose glory days are centuries behind him.

Opposed to the mission are the Guardians of Selfhood, a cult that believes the human race is being manipulated by an alien entity they call the Starflyer. Bradley Johansson, leader of the Guardians, warns of sabotage, fearing the Starflyer means to use the starship’s mission for its own ends.

Pursued by a Commonwealth special agent convinced the Guardians are crazy but dangerous, Johansson flees. But the danger is not averted. Aboard the Second Chance, Kime wonders if his crew has been infiltrated. Soon enough, he will have other worries. A thousand light-years away, something truly incredible is waiting: a deadly discovery whose unleashing will threaten to destroy the Commonwealth . . . and humanity itself.

Could it be that Johansson was right?