Extract from Miles Cameron's THE FELL SWORD


Thanks to the folks at Orbit Books, here's an extract from Miles Cameron's upcoming The Fell Sword. It's the sequel to The Red Knight. For more info about this title: Canada, USA, Europe.

Here's the blurb:

Loyalty costs money.

Betrayal, on the other hand, is free.

When the Emperor is taken hostage, the Red Knight and his men find their services in high demand - and themselves surrounded by enemies. The country is in revolt, the capital city is besieged and any victory will be hard won. But The Red Knight has a plan.

The question is, can he negotiate the political, magical, real and romantic battlefields at the same time - especially when intends to be victorious on them all?

---------------------------

Liviapolis – Morgan Mortirmir

As the Red Knight left the abode of the Wyrm of the Green Hills and rode south to the Inn of Dorling, Morgan Mortirmir, late of Harndon, sat in class in the Imperial capital of Liviapolis.

The classroom in which he sat was over a thousand years old; it featured dark oak benches and solid desks that sat four students per bench. The benches had, carved in so deeply you had to wonder how the professors and tutors had missed the vandalism, the graffiti of a hundred generations of would-be magisters in ten languages and in Archaic itself. The windows were mullioned and leaded and offered only the haziest glimpse of the outside world to the bored or frustrated mind.

Morgan shared his bench with three other students: two of the religious sisters from one of the great cities dozens of convents for women of noble blood, sisters Anna and Katerina, almost invisible in long brown gowns and wimples, and his sole near-friend, the Etruscan whose father was Podesta of the foreign merchants, Antonio Baldesce.

The logik master looked over the class.

‘Someone who is not Mortirmir,’ he said. ‘Tell me why.’

Sixteen students in advanced hermetical thaumaturgy squirmed.

‘Come, come, my children,’ Magister Abraham said. He was a Yahadut– the first Morgon had ever met. He was one of the kindest of the masters – until he felt he had been ignored.

His eyes locked on the young Etruscan. ‘Baldesce?’ he asked, his voice rising a half-octave in academic impatience.

The silence was painful.

‘Let me restate the problem,’ Magister Abraham said in an increasingly dangerous tone. ‘Why can you not wield the hermetical power directly inside your own memory palace?’

Sister Katerina made a slight sound – more like a moan than anything. Sister Anna bit her lips.

Baldesce was not the sort of boy – young man – to writhe. ‘No idea,’ he said. He shrugged. ‘But if I am permitted to guess—’

‘Don’t,’ Abraham spat. ‘Guesses do not interest me at this stage. Very well, young Mortirmir?’

Mortirmir couldn’t render potentia into ops, but he head read every grimoire available and every scroll of philosophy, ethical or practical, that he could lay hands on. He met the magister’s eye – and hesitated.

If he didn’t give the answer, would they like him better? Probably not. And sod them, anyway.

‘Magister, I think you can manipulate the aethereal directly inside your own memory palace. I suspect you shouldn’t.’ Mortirmir shrugged, as Baldesce had shrugged, but it was a different gesture altogether – Mortir- mir’s shrug implied there was more to say rather than Baldesce’s indifference to the question.

Magister Abraham scratched his chin under his long beard, his eyes on Mortirmir. ‘Why do you think such an odd and heretical thing?’ he asked. He was trying – and failing – to hide that he was pleased.

‘Vetronius’s Gladius Capitalis. Heraklitus’s θανατηφόρα σπαθί.’

Sister Anna winced at his pronunciation of High Archaic, which was the Alban and not the local Morean.

Magister Abraham had the odd habit of tapping his teeth with his fingers, and he did so. When he had ink in his fingers, he sometimes stained his teeth.

He nodded. ‘Yes. The Fell Sword. A weapon that will perform the same way in the real and in the aethereal implies that it can be forged inside the memory palace and then used – anywhere.’ He allowed himself a slight smile. ‘What would be the – result? – of such a use inside the memory palace?’

He paused for a heartbeat, and fifteen students paled to think of the literal destruction of the carefuly tended memories and workings. ‘But you wouldn’t know, would you, Mortirmir?’ Magister Abraham asked. It was a rhetorical question. Now it was the magister’s turn to shrug.

‘Scamper off, little ones. Alchemy is waiting for you. Mortirmir, stay.’

The other students hurried out, many with heads bent to avoid catching the master’s eye. He sometimes issued work at the end – massive lightning strikes of work, carefully or carelessly applied.

Mortirmir sat and fiddled with his paternoster until the last student left, and then rose as gracefully as his fast-growing body could manage and went to face the master.

The older man frowned. ‘You have a brilliant mind,’ he said. ‘And you work harder than most of these louts.’ He shrugged, and handed Mortirmir a rolled scroll. ‘I’m sorry, young man. Sorry to twit you on your failings, and sorry to have to give you this.’

Mortirmir didn’t even need to open it. ‘Summons? From the Patriarch?’ The magister nodded, and left the classroom. As he opened the door, Morirmir heard Baldesce’s voice, and Zervas – another Morean student – say something – and they all laughed.

He had no way to know if they were talking about him, but he hated them all in that moment.

The summons in his hand meant that he would be tested one more time for powers, and if he could muster none, he’d be sent forth. He’d worked his whole life to come here.

And now, he’d failed.

***

Sometimes it can be very difficult to be a child prodigy.

Morgan Mortirmir was sixteen and growing so fast that none of his clothes fit properly. His face was so young that despite his size, he could, at times, easily pass for twelve. He was tall and thin, but not in the way that might have given him authority or dignity. He was gawky and, even worse, covered in adolescent acne that burst constantly into white-headed pustules all over his face, so that the Morean sisters in his Practical Philosophy class called him ‘the Plague’.

And Morgan knew he was the Plague. He was too young to be at the school and worst of all – and for all his phenomenal intelligence – he lacked any ability to manipulate the world directly through phantasmia or even through alchemy. He had all the potential in the world. He just couldn’t get a grip on the raw stuff of power.

He couldn’t make potentia into ops. But he was intelligent enough to know when he was not wanted. And no one in the great school of Higher Philosophy and Metaphysics wanted any part of him except as a scapegoat. They didn’t want him to quote the authorities he’d memorised, or to explain to them the fine points of how the aethereal worked in terms of mathmaticka. They wanted him to wield power, or leave.

He sat in a small tavern in the greatest city in the civilised world and stared into a cup of wine.

After a while, he stared into another. And then a third.

All day, every day, his magisters had thrust him into situations meant to unlock his powers. His ability to detect a casting – even the faintest emanations from Cravenfish, for example – earned him praise from the magisters. Every one of them agreed that he ought to have talent. His score on potentia was – phenomenal.

But they’d ceased to say it so loudly or so often. And today the Patriarch, who had to review each candidate for admission, and pass him as theologically reliable before granting a degree, had sent for him.

Sunday next.

Mortirmir bit his lip to keep from crying, but it didn’t work and he wept. It was bitter, stupid self-pity, and he hated the sheer childishness of it even as he wept harder. The Patriarch would send him home.

Home wasn’t even so bad. It simply represented the loss of everything he’d ever wanted. He wanted Liviapolis – magnificent women clad in glittering artifice talking about philosophy with men who wrote books rather than swung swords. Here, not barbaric Harndon, was where he belonged.

Or maybe not.

They didn’t even send a girl to his table to pour his wine. He got a stale-faced old criminal with a leer. He waved for another. ‘Pay first,’ the man said, accenting his Archaic for the meanest understanding.

Mortirmir wore an Alban jupon, boots, and a sword. Hence he was a barbarian and had to be treated like a fool.

He looked down into the cup of dark red wine. Better wine, in fact, than he would ever have at home – a wine to which the wines of Alba were mere shadows of the true form.

He cursed. He had all the theories down pat. He just couldn’t do the deed.

The Plague.

He’d had it as a child, or so they said – and the medical magister, who took the most interest in him, had said with terrible finality that the plague sometimes caused lesions on the brain that killed the ability to channel power.

He ordered a fourth cup of good wine and decided – again – to kill himself. It was a mortal sin and his soul would burn in hell for eternity. He thought that was fitting, because by doing so he’d hurt God. God who desired that sinners repent and come to him. Take that, you fuck!

It was a tribute to the duality of human nature as his philosophical masters taught it that on his fifth cup of wine he could see the terrible, stupid flaws in his own theology.

And then, of course, there won’t be any more wine.

At which point the evening took a turn that surprised him.

A lovely young woman – older than him and more worldly, but well dressed and obviously prosperous, paused in front of his booth. She looked around nervously, then with more annoyance.

Drink bolstered him. He rose and bowed – feeling more graceful than usual. ‘My lady? May I be of assistance?’ he asked in his best High Archaic – which seemed even more fluid than usual. His greatest accomplishment at home in Harndon had been his ability to read and write the true High Archaic, and here even the criminals spoke it. In the Morea, it was their native tongue.

She turned, and her smile beamed like the light from a bullseye lantern. ‘Ah, sir, my pardon.’ She blushed. ‘I am not used to speaking to a man in public,’ she said, and her fan came up and covered her face, but not fast enough to cover the cavalry charge of colour that swept over her neck and—

He looked around. It was hours since he had walked in – he’d ignored the summons to evening prayer, and so had some of the other patrons, but his stomach suddenly suggested that he needed to temper his new-found hobby of drunkenness with some food. Even if he planned to jump off a bridge later. Falling on his sword was out – it was too long.

He found himself sitting again, rather like a dream. In some corner of his head, a voice said I guess I’m pretty drunk. He had, in fact, been drunk before – twice. But not like this.

‘You could sit with me?’ he said, as if it was the most natural thing in the world.

She peeped, with just her eyes, from behind her fan. ‘Really, I couldn’t,’ she said. ‘I’m waiting for my father – who is late – by the Virgin Parthenos, there is no place here for a lady to sit.’

He thought she was perhaps nineteen, but his experience of ladies – most especially – of Morean ladies – was extremely limited. There were the nuns in his philosophical classes, but all of them wore full veils, and he knew nothing about them beyond their voices and the speed with which he annoyed them.

He couldn’t tell whether she was beautiful or plain or ugly as wretched sin, but he already enjoyed her blush and her courtesy. ‘Please – sit with me, and I will not trouble you,’ he said. He stood up – wondering when he’d so rudely sat down. ‘Sit here, and I will wander the room until your father comes—’

He suited action to word, and her fan shot out and pressed him back into his seat. ‘You will do nothing so foolish, although your offer is gracious for a barbarian,’ she said. She pushed him lightly and he was sitting again, and she was sitting, too.

It was like leafing through an illustrated Bible. He had to guess at the parts that were missing – when had she sat down? Had she been graceful?

‘How do you come to be in our fair city?’ she asked.

Mortirmir sighed. ‘My mother sent me to University,’ he said, with a little too much self-importance, he could tell.

‘You must be very intelligent!’ she said.

He smiled bitterly. ‘Very intelligent,’ he muttered.

The taverner was suddenly there – the old bastard was nearly spherical, with no hair on his head and he was pouring something from a pitcher, and the girl giggled and thanked him and the room spun a bit. ‘I am,’ he agreed. ‘I’m so smart that . . .’ He searched for something to say.

You are so smart that you answer every single question in any class even when you know it annoys your peers, so smart you don’t understand humour, so smart that you can’t talk to a girl, so smart you can’t work the simplest phantasm.

She flicked her fan. ‘Where is my father?’ she asked rhetorically. The sober, analytical part of his mind noted that she didn’t look around when she said it. He theorised that she was used to being waited on, and probably couldn’t take care of herself. She smiled. ‘Are you from a good family? And what is a good family, among barbarians?’

She was funny. He laughed. ‘My father is a lord,’ he said. ‘Well – he was. Then he died. It is complicated.’

She sighed. ‘What’s complicated? I’m not in a hurry, especially not if you continue to serve me Candian wine and malmsey.’ The fan flickered. It seemed to flick at a different rhythm, so that, although she ended hidden, he saw the whole of her face for a moment. He was thrilled.

I’m talking to a Morean noblewoman! he thought.

He tried to shrug off his excitement because he was determined on self-destruction. But few things interested him more than talking about himself, and wine did not inhibit him in any way. ‘Well,’ he said, ‘I’m bastard born, but my father had no other children, so even though he never married my mother I’m probably his heir.’ He sat back. ‘He wasn’t a great noble, but there’s a castle and a town house in Harndon. My mother lives in the town house.’ He shrugged.

The girl laughed. ‘It sounds just like our court. You are not in the Church, I guess?’

He spread his hands. ‘No – I’m a private scholar.’ He said it with too much pride. He saw that she was amused and he resented her superiority and his own inability to make conversation without arrogance.

‘And you are rich?’ she asked. She poured more wine into his cup.

‘Oh, no,’ he said.

‘In that case, she’ll have nothing more to do with you,’ said a deep, scratchy voice. The Morean noblewoman turned, and Morgan raised his head – surprised at the effort – to confront the palest blue eyes he’d ever seen, in a moon-shaped face as big as a soldier’s breastplate. ‘Eh, Anna?’

She whirled and spat, fan flying. ‘Go away! You son of a mongrel dog and plague-stricken streetwalker, go swim in a sewer!’

Mortirmir rose unsteadily. ‘Is this man—’

The giant beamed. ‘Oh, Anna, only a crack as well travelled as your own is big enough for my member—’

Her fan slammed into his temple with the sound of lightning flashing close by. The giant didn’t even flinch.

‘—troubling you?’ Mortirmir managed, unreasonably proud to have dragged the routine phrase out of his pickled noggin. He reached for his sword.

He wore a sword. He was much mocked for it at the University, because student philosophers didn’t need swords, and by wearing one he made himself seem even more barbaric. But his failure to perform the least spell, the slightest phantasm, combined with a strong sense of adolescent stubborn- ness and some pride in his training at the art of arms left him with the most important sign of his noble status – in Alba – strapped to his side despite many warnings, some threats, and a great deal of ridicule.

He drew it.

The giant stepped away from the Morean lady and examined him with the kind of rigour usually given by the magisters to a corpse they were dissecting, when the religious authorities allowed such a thing.

‘You seem to know how to draw that,’ said the giant. Mortirmir shrugged. ‘Leave the lady alone,’ he said.

The taverna had fallen silent. Every eye was on him, and he felt a fool – the more so as the giant was a head taller than he and would probably have his guts for garters, and he knew – with bitter remonstrance – that he was too stubborn to back down now.

‘Whore,’ said the giant. He shrugged. ‘If you want to fight me – I like a fight. Outside, though. Inside, we’ll be arrested.’

Mortirmir had never been called a whore before, but he knew it meant a fight. He wasn’t walking too well, but the jolt of pure spirit that came to him as he rounded the table steadied him. With his left hand he reached ino his purse and scattered coins on the table – any gentleman would do as much.

That jolt of the spirit – was it fear? It was like the levin-power that the natural philosophy magisters produced out of the metal globes, and his fingers tingled.

The giant backed steadily away from him. ‘Put the sword away, and we’ll have a proper fight,’ he said. ‘If you insist on using it I’ll probably kill you. She’s a whore, younker. Wake up.’

Mortirmir had the sense, just, to slide the sword back into the scabbard, and he did it without much fumbling. He felt as if the giant nodded at him in approval. He looked back and saw that the Morean lady was scooping his coins off the table.

He took his time out in the yard, unbuckling his sword belt. The giant was huge. He sounded like a Nordikan, the foreigners that the Emperor kept for his bodyguard.

Dozens of men poured out of the taverna’s open doors into the hot summer night, and a few women with them. The giant pulled his shirt over his head, revealing a body that seemed to be composed of sharply angled slabs of flesh-coloured rock. He had muscles on top of his muscles.

Mortirmir was wearing his best jupon, and he took it off carefully, folded it, and wished he had a friend to hold his purse. He wished, in fact, that he had a friend at all.

‘I just want so say you’re a brave little shit to take me on, and I intend to make you look good before I put you down,’ the giant said. ‘And you need to know that she’s a prostitute, and even now she’s watching your purse like a drunk watches a new vase of wine.’ His Archaic had a strange accent. ‘I like her – she’s my favourite.’ The huge man shrugged. ‘I’d even share her with you if we were sword brothers.’ Mortirmir laughed. It was insane, but he was suddenly released. He was happy. His laugh rang out, and men betting in the doorway listened and bets changed a little – not much, but a little. He wanted death – no suicide required.

‘I’m ready,’ he said.

The big man bowed. ‘Harald Derkensun,’ he said. ‘Of the Guard.’ Mortirmir returned the bow. ‘Morgan Mortirmir,’ he said. ‘Of the Uni- versity.’

At that, men in the crowd roared. The Academy was loved and hated in the city – a bastion of brilliance and a nest of heretics, all in one. Mortirmir was not untrained. He began to move on his toes as his father’s master-at-arms had taught him, and, with nothing to lose, his first attack was all-out. He stepped forward in mock hesitancy and kicked – hard – at his opponent’s knee.

He connected – not with the giant’s knee, but lower, and the giant hopped, off balance, and Morgan moved in, suddenly sober enough to do this, and landed a strong right with a right foot lunge, actually rocking the giant back half a step when he connected with the man’s gut. Mortirmir felt as if he’d punched a barn. But he changed feet and tried another kick—

And had to pick himself out of the manure heap. He’d missed the move that flung him a body length across the torchlit night, but while he was more odiferous for his fall he was uninjured, and he bounced back at his opponent, who seemed to be made of iron.

‘That’s one fall,’ said the giant. ‘Good kick. Very good, really.’ The huge man grinned. ‘In fact, I think we’re going to have real fun. I thought I’d have to do both sides of this fight, but apparently—’

Mortirmir was thin and stringy, and his only real physical advantage was that his arms and legs were abnormally long. While the giant rattled on, he feinted another cross-body punch and kicked under it – caught the giant’s arm as it shot forward defensively—

It was a near-perfect arm-lock . . . right until he was flying through the air again. This time, his buttocks hit the stable wall before he slid into the manure heap.

The pain was intense, and the laughter of the crowd lit him up like a lantern. He rolled off the manure, and ran at the big man.

Derkensun waited for him with stoic resignation, obviously disappointed with his adolescent rage. But just as he entered the giant’s measure, Mortir- mir swayed his hips, trusting to wine and luck, and then planted his foot and passed under the Nordikan’s fight-ending blow, planted his leg firmly behind the bigger man’s knee, put his head under the man’s arm and threw him to the ground. It took an incredible wrenching of his body to do it – it was like throwing a house.

But Derkensun crashed to earth.

He was only there long enough to shout something, and then he rolled heels over head faster than such a big man had any right to do, and he was on his feet, rubbing his left shoulder. He grinned from ear to ear. ‘Well struck, younker!’ he roared. His left leg shot out and Mortirmir jumped it – more by luck than training.

Mortirmir was breathing like a bull. The giant was smiling.

‘I guess that’s not going to work again,’ muttered Mortirmir. The giant shook his head.

Mortirmir grinned. The sense of release was wonderful – the physical exhilaration was a novelty. And the lightness of heart couldn’t all be wine.

He stepped forward intending to feint a head punch, but he never got there. As soon as his weight shifted he was on the ground, gasping, and his back hurt.

The pain flowed into something in his head, and he rolled to his feet and grappled, perhaps the stupidest thing he could have done. The man was so large that he simply bent Mortirmir’s hands back until he freed them of their lock, and then crossed his hands involuntarily. The ease of the giant’s victory angered Mortirmir further, and he changed his stance and put his knee – quite viciously – into the other man’s balls.

The Nordikan stumbled back, and Mortirmir kicked him hard in the middle of the gut – the man folded at the waist, and Mortirmir’s right hand shot out—

The giant took it in one great paw, rolled to his left and threw the student like a trebuchet throws a stone.

Mortirmir hit the inn wall. He had time to think that he was surprised at the colour of the whole thing, and had to tell the magisters, and then . . .

***

‘Damn Christ, you hurt me!’ said a scratchy deep voice by his ear. ‘But I never meant to hurt you so badly.’ He felt something cold touch his head, and it hurt. But everything hurt.

‘You are a very great fool,’ purred a woman’s voice.

‘You’re a big help,’ said the scratchy voice.

‘We could at least split his money. It is many months since you have been paid.’

‘That would be dishonourable, and I would never do such a thing. Besides, when he recovers, we will be great friends. The witch woman has told me this.’ The scratchy voice chuckled. ‘If I didn’t kill him. She said I might kill him. I tried to be careful, and then he hurt me and I lost it, as usual.’

Mortirmir tested his body, as if he was an experiment in school. His left leg moved, his left knee was full of pain, his right leg moved, his left arm moved, his left hand moved – his right hand and arm hurt like—

‘Holy Saint Eustachios and all the venerated saints and martyrs!’ he ripped off. He sat up a little, and found that he was lying on a bed – quite a high bed.

Holy mother of God he’s awake!’ the woman gave a scream and leaped from the floor, where she’d been lying naked. She had long legs and a muscular midsection and he had the impression of fine breasts high above a slightly bony ribcage and wonderful hips. The sight of her body rose above the pain of his broken hand and arm.

The giant leaned over the bed. ‘You are alive! By the gods!’

Mortirmir had a pain in his head like a spike in his temple. He put his left hand to his forehead, and the whole right front of his head was spongy.

‘Oh, my God, you’ve broken my skull.’

‘Oh, I’ve had worse fighting with my brothers,’ said the big man. ‘There is a lot of blood,’ he admitted.

Mortirmir forced his head back onto the pillow and the pain abated by the breadth of a hair. ‘How long was I out?’ he asked, trying to remember anything the medical magister had told him about head wounds.

‘Almost a day – Anna? How long was he out?’ cried the giant.

The woman spat something that sounded unkind. She appeared, pulling a gown over her head. Before her hair emerged, she spat, ‘I suppose you don’t care that I haven’t eaten in two days, you Christ-cursed barbarian! And now I must be seen naked by another barbarian. And I’m sure you can’t even pay me – Holy Mother, I open and shut for you for nothing and why? I have no idea, when you repel me so much! The ugliest man I’ve ever seen and I the very pearl of this city – the finest Hetaera – it’s like a fine mare lying with a boar. Oh – I hate myself! Why do I do this? Perhaps it is punishment for my many sins – God curses me to rut with the very lowest form of life in the gutters. Perhaps next it will be a leper.’ Derkensun watched her with a small smile on his broad face. ‘Are you finished?’ he asked. ‘I hate to interrupt.’

She slapped him as hard as she was able, cocking back her arm and her hand moving like the arm on a catapult. The slap echoed around the room and she clutched her hand as if the giant had struck it, when all he’d done was to stand perfectly still, a slight smile still curled comfortably in the corner of his mouth. He leaned forward very gradually, wrapped his arms around her, and kissed her. ‘But,’ he said slowly, ‘I love you.’

‘I will never come here again,’ she said. Derkensun laughed aloud. ‘If you insist,’ he said.

‘I hate you!’ she shrieked.

‘Of course,’ said the Nordikan.

When she was gone, the giant watched the door for a long moment, and then came back to his patient. ‘Wine?’ he asked.

‘Never again,’ Mortirmir said. There was something odd about his right hand. Flames seemed to lick at it. When he looked, there was nothing there but the warm sun coming in the room’s single open window – it was still hot as hell – and falling on his hand and arm. But it felt pleasant, and it was a long chalk better than the pain. Mortirmir lay back.

His assailant came and brought him some nice water – bubbly from some underground spring. ‘This will make you better. The witch woman says so. Listen – I have to go on guard. I’m on the gate of Ares today. I will be all week. I’ll be back.’

Morgan nodded. ‘I thought you Nordikans guarded the Emperor?’ he asked.

Derkensun shrugged. ‘Something must be up, for me to be on a gate. Now sleep.’

Mortirmir had the strangest sensation in his hands and his head – like flying, like finding he could read a new language. It was all—

He shrugged it off, waved at the Nordikan, and fell back into sleep.

New Ursula K. Le Guin interview


The folks at The Paris Review have just posted an interesting interview with Ursula K. Le Guin. Here's a teaser:

I don’t think science fiction is a very good name for it, but it’s the name that we’ve got. It is different from other kinds of writing, I suppose, so it deserves a name of its own. But where I can get prickly and combative is if I’m just called a sci-fi writer. I’m not. I’m a novelist and poet. Don’t shove me into your damn pigeonhole, where I don’t fit, because I’m all over. My tentacles are coming out of the pigeonhole in all directions.

Follow this link to read the full interview.

More inexpensive ebook goodies!


You can now download a brand new Brandon Sanderson novella, Mitosis, for only 1.99$ here!

Here's the blurb:

From New York Times bestselling author Brandon Sanderson’s action-packed novel Steelheart comes Mitosis, a short story set in the world of The Reckoners series, exclusively available in the digital format. Epics still plague Newcago, but David and the Reckoners have vowed to fight back. Catch all the action before, Firefight, the exciting sequel to Steelheart, hits shelves in fall 2014.

Shannara TV adaptation on its way


MTV will produce a new TV series based on Terry Brooks' bestselling Shannara sequence. This from Deadline.com:

In one of MTV‘s most ambitious moves on the scripted side since Susanne Daniels became president, the network has given a script-to-series commitment to Shannara, a drama series based on Terry Brooks’ popular fantasy books. The project, from Sonar Entertainment and Farah Films, has Iron Man helmer Jon Favreau on board to direct and will be written by Smallville creators Al Gough and Miles Millar. The trio will executive produce with Brooks and Dan Farah (The Crow remake). If MTV likes the script, it is expected to give the project a straight-to-series order.

Shannara reunites Gough and Millar with Daniels, who developed and put Smallville on the air while she was entertainment president at the WB. “I am thrilled to be working with the Smallville creators Al and Miles again along with the amazingly talented Jon Favreau,” Daniels said. “We feel that the Shannara novels are a perfect fit for MTV as this type of fantasy genre has continuously proved to resonate with our audience.” Shannara is set in our world, thousands of years after the destruction of our civilization. The story is centered on the Shannara millargoughfamily, whose descendants are empowered with ancient magic and whose adventures continuously reshape the future of the world. The first season of the potential series will be based on The Elfstones Of Shannara, the second title in the series — a fan favorite accredited with cementing the series place in the fantasy world. The book series features plenty of young-adult adventure and romance to suite MTV’s target demographic. Shannara also would be compatible with MTV’s only successful drama series so far, Teen Wolf, which also has supernatural elements.

Shannara‘s road to the screen started years ago when Farah teamed with Brooks to explore an adaptation. It was first set up at Warner Bros as a feature in 2007 before the duo decided to pursue a series adaptation and teamed with Sonar last year. The plan was to attach an established showrunner and director before taking the project to the networks, which the producers did by bringing in Favreau and Gough and Millar. The Shannara development deal was one of the first major moves for then-new Sonar CEO Stewart Till as he took over the company when it was renamed from RHI Entertainment following the exit of founders and longtime toppers Robert Halmi Jr. and Robert Halmi Sr. While RHI was known mostly for its TV movies and miniseries, Sonar signaled a push in series by financing the development of Shannara. “The deal (with MTV) reflects Sonar’s emerging strategy to become a leading supplier of groundbreaking series programming,” Till said of the project’s network sale. Like most independent production companies, Sonar appears particularly is interested in the direct-to-series model, which has a bigger financial upside.

Brooks is the second-biggest-selling living fantasy book writer, after Harry Potter author J.K. Rowling, with the Shannara books estimated to be the highest-selling fantasy book series in the world that is yet to get a screen adaptation. The first book in the series came out in 1977, the two most recent were published this year, and three more are scheduled for 2014. “The adaptation of these books is very important to me, and I believe we are on the right track in our endeavor to create an epic television series that both new and old fans of the books will love,” Brooks said.

On the TV side, Favreau directed the pilots of NBC’s Revolution and About A Boy.

------------------------------

If they are looking to cash in on the immense success of HBO's Game of Thrones, I doubt that their audiences will overlap much. But given the legions of fans of LotR, if done well this could be another quality fantasy TV series.

More inexpensive ebook goodies!


You can still download Brian McClellan's Promise of Blood, the first volume in The Powder Mage trilogy, for only 1.99$ here.

Here's the blurb:

The Age of Kings is dead . . . and I have killed it.

It's a bloody business overthrowing a king...
Field Marshal Tamas' coup against his king sent corrupt aristocrats to the guillotine and brought bread to the starving. But it also provoked war with the Nine Nations, internal attacks by royalist fanatics, and the greedy to scramble for money and power by Tamas's supposed allies: the Church, workers unions, and mercenary forces.

It's up to a few...
Stretched to his limit, Tamas is relying heavily on his few remaining powder mages, including the embittered Taniel, a brilliant marksman who also happens to be his estranged son, and Adamat, a retired police inspector whose loyalty is being tested by blackmail.

But when gods are involved...
Now, as attacks batter them from within and without, the credulous are whispering about omens of death and destruction. Just old peasant legends about the gods waking to walk the earth. No modern educated man believes that sort of thing. But they should...


You can still download a Powder Mage short story, "The Girl of Hrusch Avenue," by Brian McClellan for only 0.99$ here.

Here's the blurb:

“The Girl of Hrusch Avenue” is the story of an orphan named Vlora that lives at a boarding school as a ward of the state. Even at her young age, she already has enemies: the Bulldog Twins, Baron Fendamere, and her own headmistress. When a strange man offers to buy her, Vlora runs away and takes to the roofs above the gunsmithies of Hrusch Avenue. It is there that she meets a boy named Taniel and begins a friendship that will change her life forever.


You can also download another Powder Mage short story, "Hope's End," by Brian McClellan for only 0.99$ here.

Here's the blurb:

Captain Verundish has two problems. On campaign with the Adran army and far from her homeland, she is helpless when the young daughter she left at home is threatened. To make matters worse, General Tamas has put her lover in command of a Hope's End—the first charge through a breach straight into the teeth of enemy cannon and sorcery. To save the people she loves, Verundish will have to come up with a deadly solution...

This week's New York Times Bestsellers (December 2nd)

In hardcover:

Stephen King’s Doctor Sleep is down one position, ending the week at number 7. For more info about this title: Canada, USA, Europe.

In paperback:

Orson Scott Card's Ender's Game is down one position, ending the week at number 2.

George R. R. Martin's A Dance With Dragons is down one position, ending the week at number 3.

George R. R. Martin's A Game of Thrones is down one position, ending the week at number 10.

Orson Scott Card's Ender's Game is down one spot, finishing the week at number 16 (trade paperback).

Orson Scott Card's Speaker for the Dead is down eight positions, ending the week at number 20.

Stephen King's Joyland is up four positions, ending the week at number 21 (trade paperback).

George R. R. Martin's A Feast for Crows is up three spots, finishing the week at number 22.

Stephen King's 11/22/63 returns at number 24 (trade paperback)

George R. R. Martin's A Clash of Kings returns at number 25.

More inexpensive ebook goodies!

You can download Neil Gaiman's Stardust for only 1.99$ here.


Here's the blurb:

Young Tristran Thorn will do anything to win the cold heart of beautiful Victoria—even fetch her the star they watch fall from the night sky. But to do so, he must enter the unexplored lands on the other side of the ancient wall that gives their tiny village its name. Beyond that old stone wall, Tristran learns, lies Faerie—where nothing, not even a fallen star, is what he imagined.

From #1 New York Times bestselling author Neil Gaiman comes a remarkable quest into the dark and miraculous—in pursuit of love and the utterly impossible.


You can also get your hands on Neil Gaiman and Michael Reaves' The Silver Dream at a discount here.

Here's the blurb:

New York Times bestselling authors Neil Gaiman and Michael Reaves deliver a thrilling sequel to the science fiction novel InterWorld, full of riveting interdimensional battles and alternate realities.

After mastering the ability to walk between dimensions, Joey Harker and his fellow InterWorld freedom fighters are now on a mission to maintain peace between the rival powers of magic and science who seek to control all worlds.

When a stranger named Acacia somehow follows Joey back to InterWorld's base, things get complicated. No one knows who she is or where she's from—or how she knows so much about InterWorld.

Dangerous times lie ahead for Joey and the mission. There's a traitor hidden among them, and if Joey has any hope of saving InterWorld, the multiverse, and the mission, he's going to have to rely on his wits—and, just possibly, on the mysterious Acacia Jones.

With a story conceived by Neil Gaiman and Michael Reaves and written by Michael and Mallory Reaves, this mind-bending follow-up to the exciting science fiction novel InterWorld is a compelling fantasy adventure through time and space, in which the future depends on a young man who is more powerful than he realizes.

New Ian Tregillis interview


The folks at My Bookish Ways just posted a new interview with Ian Tregillis, author of the awesome The Milkweed Triptych (Bitter Seeds, The Coldest War, and Necessary Evil), as part of their Best Books of 2013 coverage.

It focuses on Something More Than Night (Canada, USA, Europe), which is described as "a brain-bending combo of angelic cosmogony, high-level physics and meta-noir" and which I'll review shortly. Here's a teaser:

What kind of research did you do for Something More Than Night?

Once I decided that parts of the dialogue should embrace noir tropes, I knew I had to devote time to reading the classic noir authors: Dashiell Hammett, Raymond Chandler, James M. Cain, etc. I tried to read their work on several levels. First and foremost, I tried to extract as much of that delicious noir vocabulary and terminology that I could. I ended up assembling a slang glossary for myself that ran to about 80 pages. I also tried to get a sense of the tropes of the genre: how are these stories structured, what is the role of the protagonist, what kinds of environments do they navigate, how do they relate to their surroundings, etc.

It started out purely as an assignment for myself. But I quickly discovered that I genuinely enjoy the Marlowe novels (for all their faults in places, I think Chandler was one of the great American writers), and Hammett’s _The Thin Man_ is one of my favorite books. It’s laugh-aloud funny in many places; a really witty book.

One unexpected benefit of this reading was the discovery that it’s fairly straightforward to plot out a noir pastiche. There are certain things that happen frequently enough in these novels so as to almost be de rigueur: the detective finds a dead body, the detective gets grilled by the bulls, the detective gets sapped or slipped a mickey… So once I started to get a sense of the rules of the genre, the fun for me was looking for ways to play with those expectations and subvert them. Not sure how well I succeeded, but it was a hell of a lot of fun.

Follow this link to read the full interview.

Quote of the Day

Intelligence is overrated by any species that has it, and that's provable by the fact that all intelligent species are outlived by a factor of a hundred to one, if not a thousand to one, by nonintelligent species, who don't have the brains or perversity to destroy themselves or their environments.

L. E. MODESITT, JR., The One-Eyed Man (Canada, USA, Europe)

More inexpensive ebook goodies!


You can now download Miles Cameron's The Red Knight for only 2.99$ here.

Here's the blurb:

This is a world dominated by The Wild.

Man lives in pockets of civilisation claimed from The Wild. Within men's walls life is civilised, the peace punctuated by tournaments, politicking, courtly love and canny business. Beyond those walls men are prey - vulnerable to the exceptionally powerful and dangerous creatures which populate the land, and even more vulnerable to those creatures schemes.

So when one of those creatures breaks out of The Wild and begins preying on people in their homes, it takes a specialist to hunt it down or drive it out . . . and even then, it's a long, difficult and extremely dangerous job.

The Black Captain and his men are one such group of specialists.

They have no idea what they're about to face . . .

Forget George and the Dragon. Forget Sir Lancelot and tales of Knightly exploits. This is dirty, bloody work. This is violent, visceral action. This is a mercenary knight as you've never seen one before.

Star Wars Downunder: Fan film



Star Wars Downunder: an epic tale of the good, the bad and the thirsty.Written by Bryan Meakin and Michael Cox, Star Wars Downunder, is half an hour of action, special effects and lovable Aussie larrikins.

Gotta love them Aussies! This flick was hilarious and the special effects quite good! And boomerang lightsabers!!! Need I say more!?!

The world needs more Jedi like Bushwacker! :P

To learn more about the movie, check out the Star Wars Downunder official website.

More inexpensive ebook goodies!


You can now download Cormac McCarthy's bestselling The Road for only 2.99$ here.

Here's the blurb:

The searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece.

A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.

The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.


You can also download Hal Duncan's Escape from Hell for only 1.99$ here.

Here's the blurb:

A hitman, a hooker, a homosexual kid, and a hobo suicide make the ultimate prison break...escape from Hell itself! But when news of their attempted escape gets out, the souls of the damned are transformed into a rioting mob, and all Hell truly does break loose. It's Escape from New York meets Jacob's Ladder, by one of fantasy's rising stars.

Hal Duncan is a Scottish author of science fiction and fantasy. His first novel, Vellum, was nominated for the World Fantasy Award and went on to win the Spectrum and Tähtivaeltaja Awards. It has since been translated into half a dozen languages. It was followed by a sequel, Ink, shortlisted for the 2011 Tähtivaeltaja Award.

He has published numerous short stories, several of which have been anthologised, including The New Weird, edited by Jeff and Ann Vandermeer, and Paper Cities, edited by Ekaterina Sedia, as well as two poetry collections, Sonnets for Orpheus and The Lucifer Cantos. A further volume, Songs for the Devil and Death, collected a number of poems from each of the prior collections.

This forty-thousand word novella is the first in an intended trilogy. The sequels will be titled Assault! On Heaven! and Battle! For the Planet! Of the Dead!


You can also download Joe Hill's NOS4A2 for only 3.29$ here.

Here's the blurb:

NOS4A2 is a spine-tingling novel of supernatural suspense from master of horror Joe Hill, the New York Times bestselling author of Heart-Shaped Box and Horns.

Victoria McQueen has a secret gift for finding things: a misplaced bracelet, a missing photograph, answers to unanswerable questions. On her Raleigh Tuff Burner bike, she makes her way to a rickety covered bridge that, within moments, takes her wherever she needs to go, whether it’s across Massachusetts or across the country.

Charles Talent Manx has a way with children. He likes to take them for rides in his 1938 Rolls-Royce Wraith with the NOS4A2 vanity plate. With his old car, he can slip right out of the everyday world, and onto the hidden roads that transport them to an astonishing – and terrifying – playground of amusements he calls “Christmasland.”

Then, one day, Vic goes looking for trouble—and finds Manx. That was a lifetime ago. Now Vic, the only kid to ever escape Manx’s unmitigated evil, is all grown up and desperate to forget. But Charlie Manx never stopped thinking about Victoria McQueen. He’s on the road again and he’s picked up a new passenger: Vic’s own son.


You can also download Max Brooks' World War Z: An Oral History of the Zombie War for 2.49$ here.

Here's the blurb:

“The end was near.” —Voices from the Zombie War

The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.

Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.

Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, “By excluding the human factor, aren’t we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn’t the human factor the only true difference between us and the enemy we now refer to as ‘the living dead’?”

Note: Some of the numerical and factual material contained in this edition was previously published under the auspices of the United Nations Postwar Commission.


Finally, you can download Stephen King's classic, The Shining, for only 1.99$ here.

Here's the blurb:

Jack Torrance’s new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he’ll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote . . . and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.

Introducing DANGEROUS WOMEN by Gardner Dozois


Dangerous Women is a new anthology edited by George R. R. Martin and Gardner Dozois that came out today! For more info about this title: Canada, USA, Europe.

Here's the blurb:

All new and original to this volume, the 21 stories in Dangerous Women include work by twelve New York Times bestsellers, and seven stories set in the authors’ bestselling continuities—including a new “Outlander” story by Diana Gabaldon, a tale of Harry Dresden’s world by Jim Butcher, a story from Lev Grossman set in the world of The Magicians, and a 35,000-word novella by George R. R. Martin about the Dance of the Dragons, the vast civil war that tore Westeros apart nearly two centuries before the events of A Game of Thrones.

Also included are original stories of dangerous women--heroines and villains alike--by Brandon Sanderson, Joe Abercrombie, Sherilynn Kenyon, Lawrence Block, Carrie Vaughn, S. M. Stirling, Sharon Kay Penman, and many others.

Writes Gardner Dozois in his Introduction, “Here you’ll find no hapless victims who stand by whimpering in dread while the male hero fights the monster or clashes swords with the villain, and if you want to tie these women to the railroad tracks, you’ll find you have a real fight on your hands. Instead, you will find sword-wielding women warriors, intrepid women fighter pilots and far-ranging spacewomen, deadly female serial killers, formidable female superheroes, sly and seductive femmes fatale, female wizards, hard-living Bad Girls, female bandits and rebels, embattled survivors in Post-Apocalyptic futures, female Private Investigators, stern female hanging judges, haughty queens who rule nations and whose jealousies and ambitions send thousands to grisly deaths, daring dragonriders, and many more.”

Dozois elaborates on the anthology on the Tor/Forge Blog. You can read the full piece here.

More inexpensive ebook goodies


You can now download Brandon Sanderson's The Emperor's Soul for only 2.49$ here.

Here's the blurb:

A novella from #1 New York Times bestselling author Brandon Sanderson, The Emperor's Soul showcases a fascinating magic system as the clock ticks down for a condemned criminal.

When Shai is caught replacing the Moon Scepter with her nearly flawless forgery, she must bargain for her life. An assassin has left the Emperor Ashravan without consciousness, a circumstance concealed only by the death of his wife. If the emperor does not emerge after his hundred-day mourning period, the rule of the Heritage Faction will be forfeit and the empire will fall into chaos.

Shai is given an impossible task: to create—to Forge—a new soul for the emperor in less than one hundred days. But her soul-Forgery is considered an abomination by her captors. She is confined to a tiny, dirty chamber, guarded by a man who hates her, spied upon by politicians, and trapped behind a door sealed in her own blood. Shai's only possible ally is the emperor's most loyal councillor, Gaotona, who struggles to understand her true talent.

Time is running out for Shai. Forging, while deducing the motivations of her captors, she needs a perfect plan to escape…


And you can still download Brandon Sanderson's excellent Legion for only 2.99$ here.

Here's the blurb:

Brandon Sanderson is one of the most significant fantasists to enter the field in a good many years. His ambitious, multi-volume epics (Mistborn, The Stormlight Archive) and his stellar continuation of Robert Jordan’s Wheel of Time series have earned both critical acclaim and a substantial popular following. In Legion, a distinctly contemporary novella filled with suspense, humor, and an endless flow of invention, Sanderson reveals a startling new facet of his singular narrative talent.

Stephen Leeds, AKA “Legion,” is a man whose unique mental condition allows him to generate a multitude of personae: hallucinatory entities with a wide variety of personal characteristics and a vast array of highly specialized skills. As the story begins, Leeds and his “aspects” are drawn into the search for the missing Balubal Razon, inventor of a camera whose astonishing properties could alter our understanding of human history and change the very structure of society. The action ranges from the familiar environs of America to the ancient, divided city of Jerusalem. Along the way, Sanderson touches on a formidable assortment of complex questions: the nature of time, the mysteries of the human mind, the potential uses of technology, and the volatile connection between politics and faith. Resonant, intelligent, and thoroughly absorbing, Legion is a provocative entertainment from a writer of great originality and seemingly limitless gifts.


In addition, the author just reported that you can also download Steelheart for only 2.49$ here. No idea how long this offer will last.

Here's the blurb:

There are no heroes.

Every single person who manifested powers—we call them Epics—turned out to be evil. Here, in the city once known as Chicago, an extraordinarily powerful Epic declared himself Emperor. Steelheart has the strength of ten men and can control the elements. It is said no bullet can harm him, no sword can split his skin, no explosion can burn him. He is invincible.

It has been ten years. We live our lives as best we can. Nobody fights back . . . nobody but the Reckoners. A shadowy group of ordinary humans who spend their lives studying powerful Epics, finding their weaknesses, then assassinating them.

My name is David Charleston. I’m not one of the Reckoners, but I intend to join them. I have something they need. Something precious, something incredible. Not an object, but an experience. I know his secret.

I’ve seen Steelheart bleed.


Finally, you can get your hands on R. A. Salvatore's Homeland, the first volume in The Legend of Drizzt trilogy, for only 1.99$ here. I have fond memories of that series, which could well be Salvatore's best!

Here's the blurb:

Drow ranger Drizzt Do’Urden, first introduced in The Icewind Dale Trilogy, quickly became one of the fantasy genre’s standout characters. But Homeland first reveals the startling tale of how this one lone drow walked out of the shadowy depths of the Underdark, leaving behind a society of evil and a family who want him dead. It is here that the story of this amazing dark elf truly began.

"Little Boys Learn A Lot From Watching 'Star Wars,' And It Isn't All Good"



Jasper Kent shared this video from Upworthy.com.

Interesting elaboration. . . But I believe that anything suffers from too much analysis. Which might be the case here. Hence, in the end, I'm not sure that I agree with the whole "What does kids' movies teach manhood" speech. He raises a lot of good points, though.

This week's New York Times Bestsellers (November 25th)

In hardcover:

Stephen King’s Doctor Sleep is up one position, ending the week at number 6. For more info about this title: Canada, USA, Europe.

In paperback:

Orson Scott Card's Ender's Game maintains its position at number 1.

George R. R. Martin's A Dance With Dragons maintains its position at number 2.

George R. R. Martin's A Game of Thrones is up nine positions, ending the week at number 9.

Orson Scott Card's Speaker for the Dead maintains its position at number 12.

Orson Scott Card's Ender's Game is down three spots, finishing the week at number 15 (trade paperback).

George R. R. Martin's A Feast for Crows returns at number 25.

Stephen King's Joyland is down one position, ending the week at number 25 (trade paperback).

More inexpensive ebook goodies!


Don't know for how long, but you can now download George R. R. Martin's A Song of Ice and Fire 5-book boxed set for only 9.99$ here!

The bundle includes:

- A Game of Thrones
- A Clash of Kings
- A Storm of Swords
- A Feast for Crows
- A Dance With Dragons

More inexpensive ebook goodies!


You can now download the special digital edition of Diana Gabaldon's Outlander for only 2.29$ here!

Here's the blurb:

This eBook includes the full text of the novel plus the following additional content:

• An excerpt from Diana Gabaldon’s Dragonfly in Amber, the second novel in the Outlander series
• An interview with Diana Gabaldon
• An Outlander reader’s guide

Claire Randall is leading a double life. She has a husband in one century, and a lover in another...

In 1945, Claire Randall, a former combat nurse, is back from the war and reunited with her husband on a second honeymoon—when she innocently touches a boulder in one of the ancient stone circles that dot the British Isles. Suddenly she is a Sassenach—an "outlander"—in a Scotland torn by war and raiding border clans in the year of our Lord...1743.

Hurled back in time by forces she cannot understand, Claire's destiny in soon inextricably intertwined with Clan MacKenzie and the forbidden Castle Leoch. She is catapulted without warning into the intrigues of lairds and spies that may threaten her life ...and shatter her heart. For here, James Fraser, a gallant young Scots warrior, shows her a passion so fierce and a love so absolute that Claire becomes a woman torn between fidelity and desire...and between two vastly different men in two irreconcilable lives.


You can also download Robert Jordan and Brandon Sanderson's A Memory of Light for only 4.29$ here.

Here's the blurb:

‘And it came to pass in those days, as it had come before and would come again, that the Dark lay heavy on the land and weighed down the hearts of men, and the green things failed, and hope died.’ From Charal Drianaan te Calamon, The Cycle of the Dragon.

In the Field of Merrilor the rulers of the nations gather to join behind Rand al’Thor, or to stop him from his plan to break the seals on the Dark One’s prison – which may be a sign of his madness, or the last hope of humankind. Egwene, the Amyrlin Seat, leans toward the former.

In Andor, the Trollocs seize Caemlyn.

In the wolf dream, Perrin Aybara battles Slayer.

Approaching Ebou Dar, Mat Cauthon plans to visit his wife Tuon, now Fortuona, Empress of the Seanchan.

All humanity is in peril – and the outcome will be decided in Shayol Ghul itself. The Wheel is turning, and the Age is coming to its end. The Last Battle will determine the fate of the world.

For twenty years The Wheel of Time has enthralled more than forty million readers in over thirty-two languages. A MEMORY OF LIGHT brings this majestic fantasy creation to its richly satisfying conclusion.

Working from notes and partials left by Robert Jordan when he died in 2007, and consulting with Jordan’s widow, who edited all of Jordan’s books, established fantasy writer Brandon Sanderson has recreated the vision Jordan left behind.

Win a copy of Ian Tregillis' SOMETHING MORE THAN NIGHT


I have a copy of Ian Tregillis' Something More Than Night up for grabs, compliments of the folks at Tor Books. It's been described as "a brain-bending combo of angelic cosmogony, high-level physics and meta-noir." For more info about this title: Canada, USA, Europe.

Here's the blurb:

Ian Tregillis's Something More Than Night is a Dashiell Hammett and Raymond Chandler inspired murder mystery set in Thomas Aquinas’s vision of Heaven. It’s a noir detective story starring fallen angels, the heavenly choir, nightclub stigmatics, a priest with a dirty secret, a femme fatale, and the Voice of God.

Somebody has murdered the angel Gabriel. Worse, the Jericho Trumpet has gone missing, putting Heaven on the brink of a truly cosmic crisis. But the twisty plot that unfolds from the murder investigation leads to something much bigger: a con job one billion years in the making.

Because this is no mere murder. A small band of angels has decided to break out of heaven, but they need a human patsy to make their plan work.

Much of the story is told from the point of view of Bayliss, a cynical fallen angel who has modeled himself on Philip Marlowe. The yarn he spins follows the progression of a Marlowe novel—the mysterious dame who needs his help, getting grilled by the bulls, finding a stiff, getting slipped a mickey.

Angels and gunsels, dames with eyes like fire, and a grand maguffin, Something More Than Night is a murder mystery for the cosmos.

The rules are the same as usual. You need to send an email at reviews@(no-spam)gryphonwood.net with the header "SOMETHING." Remember to remove the "no spam" thingy.

Second, your email must contain your full mailing address (that's snail mail!), otherwise your message will be deleted.

Lastly, multiple entries will disqualify whoever sends them. And please include your screen name and the message boards that you frequent using it, if you do hang out on a particular MB.

Good luck to all the participants!

The Last Dark


Although it featured a great ending, Against All Things Ending proved to be a disappointing novel and probably the weakest Thomas Covenant installment to date. Still, it left the door open for an exciting finale and I was really looking forward to discovering how Donaldson would close the show. Sadly, the final chapter in The Last Chronicles of Thomas Covenant suffers from the same shortcomings which made Against All Things Ending such a disappointment.

In my review of the third volume, I pointed out that it seemed evident that Donaldson had four powerful endings planned. Which, I felt, was likely why he structured this series into a four-book sequence. Trouble is, I feared that he lacked the material to truly come up with four fully satisfying installments, and that this series could have worked better as a trilogy. Having reached the end of The Last Dark, I can now confirm that it's unfortunately the case. The last two volumes feature more filler than killer material. . .

Here's the blurb:

Compelled step by step to actions whose consequences they could neither see nor prevent, Thomas Covenant and Linden Avery have fought for what they love in the magical reality known only as "the Land." Now they face their final crisis. Reunited after their separate struggles, they discover in each other their true power--and yet they cannot imagine how to stop the Worm of the World’s End from unmaking Time. Nevertheless they must resist the ruin of all things, giving their last strength in the service of the world's continuance.

Donaldson's narrative in every Covenant novel always conjures up vivid and magical images, and The Last Dark is no exception. I've said before that few speculative fiction authors can match Donaldson when it comes to creating an imagery that literally leaps off the page, and it's still true. Like the rest of this series, this final volume is vast in scope and vision. In terms of worldbuilding, The Last Dark answers many of the questions raised by all its predecessors. Revelations abound and it's nice to see everything come full circle in the end.

Anyone familiar with Stephen R. Donaldson should be aware that nothing is ever easy with this author. Hence, don't expect everything to be peaches and cream, not when the Land lies on the brink of destruction. Now more than ever, the relationships between Linden Avery and Thomas Covenant and Jeremiah remain difficult, painful, and bittersweet. All three are POV protagonists in this novel, which creates an intriguing balance between the narratives. And since the three of them are emotionally a world away from each other, witnessing events and seeing the story progress through the eyes of such disparate people makes for an interesting reading experience.

Though it's not as bad as in the third installment, the characterization sometimes leaves something to be desired. As always, revelations are made that will break Linden's heart, and she must find the strength within herself to persevere. Linden Avery has always been a flawed protagonist. In the past, it always made her more genuine. But in Against All Things Ending Donaldson clearly went overboard with the guilt, the self-loathing, and the painful emotions. In The Last Dark, Linden is once again a more "balanced" character. Another aspect of the characterization which put off some readers in the third volume was Covenant's passiveness. It was all due to the fact that his mind was broken, yet for the better part of the novel Thomas Covenant was little more than a plot device giving the rest of the cast something to react to. Not so in this one. For the better part of the book, Covenant is in the driver seat, trying his damnedest to prevent the end of the world and the death of all he holds dear. Given his harrowing past, it was nice to have the chance to enter Jeremiah's mind and see how he reacts to the world around him.

The book's greatest shortcoming, and what literally kills it at times, is its snail pace. True, all Thomas Covenant installments have never been known for their crisp and fast-moving rhythm. Every Covenant book has suffered from a more sluggigh pace once in a while, so Donaldson fans have come to expect this. But Against All Things Ending suffered from extremely long and often boring portions that sort of put a damper on the few truly awesome sequences found in the book. The same goes for The Last Dark. Being the final volume in the series, as a matter of course several important story arcs are brought to resolution. For the most part, these are great and bring closure to plotlines introduced in all three Chronicles of Thomas Covenant. Problem is, one must endure a never-ending travelogue of over 300 pages during which, à la Sanderson in A Memory of Light, the cast must go through countless battles in order to reach the heart Mount Thunder. Such a high number of random fight sequences was so atypical for Donaldson and bored me in such a way that it very nearly killed the entire book for me.

With about half of the novel wasted on the characters walking from point A to point B, or on recurrant battle scenes that bring little or nothing to the story other than filling more pages with meaningless blood and gore, I felt that it often robbed the important sequences of their rightful emotional impact. The grand finale, when it comes, offers a decidedly anti-climactic resolution to the series. I enjoyed it and liked how it ties everything up, while leaving the door open for future sequels. Having said that, The Last Dark failed to close the show the way The Power That Preserves and White Gold Wielder did in the first two Chronicles of Thomas Covenant. Considering the vast amount of filler material found in the two last installments, it is now obvious that this series would have worked a lot better as a trilogy. Although it was meant to be the most ambitious Chronicles of Thomas Covenant, Donaldson last series failed to live up to the potential generated by the first two trilogies.

The final verdict: 7.5/10

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