Win copies of C.A. Higgins' LIGHTLESS and SUPERNOVA


Thanks to the generosity of the folks at Del Rey, to help promote the release of Supernova (Canada, USA, Europe), sequel of C.A. Higgins' Lightless, I have a set of both novels for you to win!

Here's the blurb:

C. A. Higgins’s acclaimed novel Lightless fused suspenseful storytelling, high-caliber scientific speculation, and richly developed characters into a stunning science fiction epic. Now the dazzling Supernova heightens the thrills and deepens the haunting exploration of technology and humanity—and the consequences that await when the two intersect.

Once Ananke was an experimental military spacecraft. But a rogue computer virus transformed it—her—into something much more: a fully sentient artificial intelligence, with all the power of a god—and all the unstable emotions of a teenager.

Althea, the ship’s engineer and the last living human aboard, nearly gave her life to save Ananke from dangerous saboteurs, forging a bond as powerful as that between mother and daughter. Now she devotes herself completely to Ananke’s care. But teaching a thinking, feeling machine—perhaps the most dangerous force in the galaxy—to be human proves a monumental challenge. When Ananke decides to seek out Matthew Gale, the terrorist she regards as her father, Althea learns that some bonds are stronger than mortal minds can understand—or control.

Drawn back toward Earth by the quest, Althea and Ananke will find themselves in the thick of a violent revolution led by Matthew’s sister, the charismatic leader Constance, who will stop at nothing to bring down a tyrannical surveillance state. As the currents of past decisions and present desires come into stark collision, a new and fiery future is about to be born.

The rules are the same as usual. You need to send an email at reviews@(no-spam)gryphonwood.net with the header "SUPERNOVA." Remember to remove the "no spam" thingy.

Second, your email must contain your full mailing address (that's snail mail!), otherwise your message will be deleted.

Lastly, multiple entries will disqualify whoever sends them. And please include your screen name and the message boards that you frequent using it, if you do hang out on a particular MB.

Good luck to all the participants!

More inexpensive ebook goodies!


You can now download John Scalzi's Lock In for only 2.99$ here.

Here's the blurb:

A blazingly inventive near-future thriller from the best-selling, Hugo Award-winning John Scalzi.

Not too long from today, a new, highly contagious virus makes its way across the globe. Most who get sick experience nothing worse than flu, fever and headaches. But for the unlucky one percent - and nearly five million souls in the United States alone - the disease causes "Lock In": Victims fully awake and aware, but unable to move or respond to stimulus. The disease affects young, old, rich, poor, people of every color and creed. The world changes to meet the challenge.

A quarter of a century later, in a world shaped by what's now known as "Haden's syndrome," rookie FBI agent Chris Shane is paired with veteran agent Leslie Vann. The two of them are assigned what appears to be a Haden-related murder at the Watergate Hotel, with a suspect who is an "integrator" - someone who can let the locked in borrow their bodies for a time. If the Integrator was carrying a Haden client, then naming the suspect for the murder becomes that much more complicated.

But "complicated" doesn't begin to describe it. As Shane and Vann began to unravel the threads of the murder, it becomes clear that the real mystery - and the real crime - is bigger than anyone could have imagined. The world of the locked in is changing, and with the change comes opportunities that the ambitious will seize at any cost. The investigation that began as a murder case takes Shane and Vann from the halls of corporate power to the virtual spaces of the locked in, and to the very heart of an emerging, surprising new human culture. It's nothing you could have expected.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Quote of the Day

"I do not apologize for my beliefs," he said, "but if I have complicated your work here in the Calla, I'm sorry."

"Your Man Jesus seems to me a bit of a son of a bitch when it comes to women," Roland said. "Was He ever married?"

The corners of Callahan's mouth quirked. "No," he said, "but His girlfriend was a whore."

"Well," Roland said, "that's a start."

- STEPHEN KING, Wolves of the Calla (Canada, USA, Europe)

Extract from Gail Z. Martin's THE SHADOWED PATH


Here's an extract from Gail Z. Martin's The Shadowed Path, courtesy of the folks at Solaris. For more info about this title: Canada, USA, Europe.

Here's the blurb:

These are the untold tales of Jonmarc Vahanian, hero of Gail Z. Martin’s best-selling Chronicles of the Necromancer series.

Jonmarc Vahanian was just a blacksmith’s son in a small fishing village before raiders killed his family. Wounded and left for dead in the attack, Jonmarc tries to rebuild his life. But when a dangerous bargain with a shadowy stranger goes wrong, Jonmarc finds himself on the run, with nothing ahead but vengeance, and nothing behind him but blood.

Soldier. Fight slave. Smuggler. Warrior. Brigand lord. If you’ve met Jonmarc Vahanian in the Chronicles of the Necromancer and Fallen Kings Cycle books, you don’t really know him until you walk in his footsteps. This is the first segment of his journey.

Enjoy!
-----------------------------------

Monstrosities

“I’m going to take you down.” Jonmarc Vahanian muttered between gritted teeth as he swung his sword. Steel clanged against steel as their blades hit, with a jolt that shuddered down Jonmarc’s arm. His attacker disengaged and lunged, forcing Jonmarc into a series of desperate parries. One of the blows got inside his guard, slicing down his forearm.

He gave an angry roar and took the offensive, delivering blow after blow that rang out as their swords clashed. He scored a hit on his attacker’s shoulder, only to be driven back with strikes that nearly took him off his feet.

His attacker wheeled into a high kick, and his boot connected hard with Jonmarc’s sword arm, sending his blade flying and numbing his hand beyond use. In the next instant, a sword’s point nicked the underside of Jonmarc’s chin.

“I win.”

Jonmarc’s attacker lowered his sword and let it swing away, laughing. “That was a good run, Jonmarc. You’re getting better.”

Jonmarc swore and shook his numb hand. “Thanks, but I’d be dead by now if you’d meant any of that.”

Karl Steen pushed a lock of dark red hair out of his eyes. “Maybe, maybe not. After all, you weren’t going for the kill, either. It makes a difference, when you know it really matters.” He met Jonmarc’s gaze. “I think you know that.”

Jonmarc looked away. At nearly eighteen years old, he was as tall as Karl, who was ten years his senior. Years of working with blacksmith’s tools had made Jonmarc strong, and the tragedies of the last few years had given him reason to sharpen his sword skills. So far, he had been lucky enough to survive the fights that had come looking for him. But the closer the caravan got to the border with Principality, the less Jonmarc was willing to rely on luck.

“Can you show me how to do that kick?” Jonmarc asked.

Karl chuckled. “It’s called an Eastmark kick for a reason. Eastmark’s got one of the best armies in the Winter Kingdoms. They fight like dimonns, and I think they start training from the time they can walk.”

“I heard they hire a lot of Principality mercs,” Jonmarc said, following Karl over to a stump where a bucket of water and a tin cup awaited them. All around them, the regular bustle of the caravan continued, as the small group of onlookers to their sparring match drifted away.

Karl’s expression darkened. “Oh, they hire plenty of Principality mercs. But never forget—if you’re not of Eastmark, you’re good enough to die for them, but never good enough to promote.”

“Were you a merc?”

Karl looked away. “Yeah. For a while. Not anymore.” His eyes narrowed as he looked back at Jonmarc. “That’s what you’re planning? Joining up once the caravan gets to the Principality border?”

Jonmarc shrugged. “If they’ll take me. I heard it pays better than signing up for King Bricen’s army.”

Karl finished his water and handed the cup to Jonmarc. “Maybe. ’Course you’ve gotta live long enough to spend it. And your odds of that are much better serving the king.”

“There’s nothing to fight in Margolan except some highwaymen and the raiders near the coast.”

“Exactly,” Karl said, stabbing a finger into Jonmarc’s chest to make his point. “So you get paid to march from here to there and there to here without being attacked. You draw your pay and spend it on ale and wenches in taverns where you’re not likely to be killed before morning.”

“Is that what you’re planning to do?” Jonmarc asked, watching his sparring partner closely. Karl had joined up with the caravan a few weeks before, since the traveling show always needed guards. Jonmarc had been with the show for nearly a year as an apprentice blacksmith, ever since the night everything he loved went up in flames.

Maynard Linton’s caravan journeyed from one side of Margolan to the other and back again, entertaining audiences with performers, musicians, acrobats, artisans, and soothsayers, exotic wild animals and unusual trinkets. People like Karl came and went. Most of the caravan crew were running away from something or someone, glad to be anywhere except where they’d been.

“Sounds like the good life to me,” Karl said. “Adventure isn’t what it’s made out to be. What’s the use of gold if you’re dead?”

Jonmarc didn’t answer. He retrieved his sword and cleaned it carefully before sheathing it. I’m not chasing adventure. I just want to get lost.

“If you do go—and I’m telling you it’s a bad idea—stay well away from Nargi.” Karl shook his head. “They’re trouble.”

“Isn’t Nargi on the other side of Dhasson?” Jonmarc said, brushing the dirt from his trousers. “That’s nowhere near Principality.”

Karl nodded. “No, but the Nu River runs along the borders, and on past Trevath. Many a man’s gotten off course and made landfall where he ought not be. If you’re unlucky enough to blunder into Nargi, you don’t leave.”

“They don’t take prisoners?”

Karl gave him a sidelong glance. “That’s the problem. They do.” He laced up the opening of his shirt. “The strongest ones, the best fighters, they take for their games. Make them fight each other to the death, wager on which one dies.” He shook his head. “Horrible thing, being entertained by someone’s suffering.”

“How do you know about the games?” Jonmarc asked.

Karl looked away. “They took a friend of mine. He got lost on the river, and the Nargi got him. I heard from traders that they took him for the games. The better you are, the longer you suffer. He was good.”

It was late spring, and the day was warm even in northern Margolan. Jonmarc grabbed his shirt from where it lay across a log and slipped into it. “I’ll stay out of Nargi,” he replied. “But right now, if I don’t get over to the forge, Trent will have my head and I’ll never make it to Principality.” He gave Karl a mock salute. “Thanks for the lesson. Do it again tomorrow?”

Karl pulled his shirt over his head. “Sure. You know where to find me.”

Jonmarc whistled as he walked the distance to the forge. Tomorrow, his body would be sore from the exertion of the sparring match, and he would have cuts and bruises to show for his effort. Still, he found it exhilarating when his sword and body moved together perfectly. He had fought for his life enough times that battle held no romance. But there was something about the way a fight narrowed his concentration, sharpened his senses and made time stand still that called to him. It didn’t hurt that he was good at it.

“There you are!” Trent hailed him as he worked the bellows. “I’m glad Karl left you in one piece,” he said, chuckling.

Jonmarc tied his chestnut brown hair back in a queue to keep it back from the fire. The jagged scar that ran from one ear down below his collar, a reminder of the night his family died, would not bother Trent. “Did you see us?”

“Just in passing. You seemed to be holding your own.” Trent gave the furnace one more blast, and then rolled an iron bar into the heat.

Jonmarc used a scrap of fabric to daub at the fresh cut on his arm. It was a testimony to Karl’s skill that the wound was shallow, enough to mark but barely deep enough to bleed. “Not as well as I’d like,” he replied.

“You do all right for yourself in a real fight, which is all that matters,” Trent said, turning the bar to heat it evenly.

Trent raised his hammer and began pounding the hot iron. Jonmarc bustled around the forge, bringing water for the cooling bucket, pumping the bellows and lining up more iron rods for Trent to work. When he had finished that, he tied on his own leather apron, pulled on his heavy gloves and started work on a fresh rod of iron. The pounding of hammer on anvil was like a heartbeat to Jonmarc, a comforting sound he had heard all his life.

Blacksmithing in the caravan was different from the work Jonmarc’s father had done in their Borderlands village. There, the blacksmith took on jobs for everyone in town, and commission work if the smith’s skill was good enough. Most of the work was functional: hoes and ploughs for the farmers, barrel hoops for the cooper, nails and tools for the joiner. Jonmarc’s father forged swords commissioned by the constable and the captain of guards. Most of his items were made to sell.

In the caravan, almost none of their items were for sale. The caravan blacksmith kept the show on the road, forging horseshoes and wagon parts, pulleys for the tent riggers and pots for the cook. The entertainers and merchants brought in the crowds and earned the caravan’s living. But behind the tents, it was the blacksmith, the farrier, and the cooks who kept the troupe in business.

“Do you have those horseshoes I ordered?” Corbin’s voice thundered above the clatter.

Trent paused and pushed the sweat from his forehead with his arm. “Got a box of them in the corner,” he said. “I’ll have more for you soon.”

“Don’t forget,” Corbin warned. “Or there’ll be the Crone to pay.” Corbin was as broad shouldered and strong as Trent, a good thing for a farrier who had to strong-arm stubborn horses. Jonmarc was officially apprenticed to Trent, but often found himself loaned out to give Corbin a hand. He did not mind the change of scenery.

A young man waited outside the forge for Corbin. He looked to be a year or so younger than Jonmarc, tall and gangly, with a badly pock-marked face. “This is my nephew, Pol,” Corbin said as he hefted the heavy box of horseshoes. “He’ll be with us for a while. I went into one of the towns we stopped at last week to see my sister, and found out that everyone in the family but Pol died of the pox. So he’s with us for a bit, until he figures something out.”

Pol did not look up as Corbin told his story. He kicked at the dirt and looked as if he wished to disappear from view. It wasn’t pox that took my family, but I wager I know a bit about how he feels, Jonmarc thought. At least he’s got Corbin to look after him.

Corbin had no sooner left than Maynard Linton bustled into the forge. “Trent! Jonmarc! I need to know when you’ll have new stawar cages? Damn big cats. Their trainer is after me for bigger cages. Says the cats need more room to prowl, makes more people come to watch them.”

Maynard Linton was a short, stocky man in his early thirties, the mastermind and impresario behind the caravan. He worried like a dyspeptic bookkeeper, and fought like a bee-stung bear. And while Linton’s ethics were flexible on most matters, when it came to the caravan, he would face down the Formless One.

“Working on it now, Maynard,” Trent replied, giving the iron another strike. “Be another day or two, like I told you the last time you asked.”

Linton muttered a curse and glowered. “Hurry it up. I’m tired of hearing from the cat trainer. I’ve got other things to worry about.”

“Anything that should worry us?” Trent asked. His hammer fell in a deafening clatter.

“Actually, yes. That’s the other reason I walked over here.” Linton stepped in closer to the furnace. Though it was late spring, they were far enough north that the days still held a nip in the air, especially when the wind blew. “I want Jonmarc to do a job for me.”

Trent looked up. Linton was technically the master of everyone in the caravan, but Trent took his responsibility as Jonmarc’s patron quite seriously. When Jonmarc sought refuge with the caravan with nowhere else to go, Trent took him in without question. And while everyone in the traveling show looked to Linton to watch out for their best interests, Trent and Corbin knew that Linton’s schemes sometimes borrowed trouble.

“What kind of job?” Trent asked, setting down his heavy hammer.

“A bit of spying. Seems we have some competition.”

Trent frowned. “What kind of competition?”

Linton leaned against one of the upright poles that held the lean-to roof over the forge. The whole set-up could be struck and packed onto a wagon, then rebuilt at the next stop. “I’ve heard tell there’s a monstrosities show over on the other side of Dunleigh, near the cairns. Word has it their collection of oddities is quite impressive—enough so I’m afraid they’re costing us business.”

“If you already know that, why send Jonmarc?” Trent asked suspiciously.

Linton waved his hand as if to dispel the question. “Oh, I wasn’t going to send him alone. I’ve already gotten Kegan and Dugan for the job, but I thought safety in numbers and all.”

Kegan was a healer-in-training, and Dugan was a junior rigger. Both were close to Jonmarc’s age, and the three were good friends. “There’s also Pol,” Jonmarc said. “Corbin’s nephew.”

Linton nodded. “Excellent. Four young men, out to see what they can see, wandering through the traveling show. I’ll even give you the coppers for the fare, and all I want is a full story when you return.”

Trent’s eyes narrowed. “Spill it, Maynard. I’ve never known you to pay good money for someone’s entertainment. What’s really going on?”

Linton huffed in rebuttal, and then shrugged. “There are rumors, and it’s hurting our attendance.”

“What kind of rumors?” Trent had been with the caravan for years, and he was Linton’s right-hand man. He had a sixth sense for when Linton was prevaricating, and the patience to wait him out. “Are they thieves? Smugglers?”

Linton shook his head. “No more than the rest of us,” he replied. The caravan had been known to smuggle contraband from time to time when crowds were thin or times were hard. “But there are whispers about people going missing from the villages where the monstrosities show has been. It’s said that the show just seems to appear out of nowhere one night, and that no one has ever seen it travel, save near a crossroads at midnight.”

Trent snorted. “You’re just jealous. Whoever’s running that show might just be more of an impresario than you are.”

Linton glowered and hiked his thumbs in the waistband of his trousers. “Huh. So you say. But if people believe what they’re hearing, and they’re frightened, they stay home. Which means no money to buy food at our next stop.”

“So you want us to go in and look around, and then come back and tell you what we’ve seen?’ Jonmarc asked.

Linton grinned. “That’s all. Four young men out for the evening won’t attract attention. Just have a good time and see what you see.”

Trent folded his arms across his chest. “On one condition,” he said. “Zane and Corbin and I follow them, as reinforcements.” He held up a hand. “We won’t go in unless there’s a problem. But if any part of what you’ve heard is true, then I’m not going to send four boys in there by themselves.”

“Fine, fine. Do what you want. But go tonight. Word has it the show arrives and leaves without warning. I want to know what we’re up against.” With that, Linton bustled out of the forge.

Jonmarc and Trent looked at each other for a moment. “Linton never ceases to amaze me,” Trent said, shaking his head. “Pump the bellows,” he ordered, and Jonmarc went to fan the flames. “Of all the nonsense—”

“What’s a monstrosities show?” Jonmarc asked.

Trent shoved the iron rods back into the fire. “Just what it sounds like. A traveling show of monsters.”

“Monsters?”

Trent shrugged. “Depends on your definition. Oddities. People and animals that aren’t what you’d expect. Calves with two heads. A cat with a paw where its tail should be, or a dog with no ears, or a monkey with a third arm. Someone who can put a nail through his flesh without bleeding, or swallow fire. I heard tell of a man with an axe blade in his skull. Didn’t kill him, and he couldn’t take it out, so he charged people a skrivven apiece to look at him.”

“Better than begging, I guess,” Jonmarc said.

“Maybe,” Trent replied. “Not many other places folks that different could get work, or much use for animals like that. But there are dark stories that maybe some of them weren’t born like that.” He struck the iron, ending the conversation, but his comments made Jonmarc all the more curious.

This week's New York Times Bestsellers (June 6th)

In hardcover:

Justin Cronin's The City of Mirrors debuts at number 1. For more info about this title: Canada, USA, Europe.

Joe Hill’s The Fireman is down seven positions, ending the week at number 8.

Terry Brooks' The Sorcerer’s Daughter debuts at number 17.

In paperback:

George R. R. Martin's A Game of Thrones maintains its position at number 8.

Stephen King's Finders Keepers is down four positions, ending the week at number 15.

Neal Stephenson's Seveneves is down one spot, finishing the week at number 15 (trade paperback).

More inexpensive ebook goodies!


You can now download Terry Pratchett's The Wee Free Men for only 1.99$ here.

Here's the blurb:

The first in a series of Discworld novels starring the young witch Tiffany Aching.

A nightmarish danger threatens from the other side of reality. . .

Armed with only a frying pan and her common sense, young witch-to-be Tiffany Aching must defend her home against the monsters of Fairyland. Luckily she has some very unusual help: the local Nac Mac Feegle—aka the Wee Free Men—a clan of fierce, sheep-stealing, sword-wielding, six-inch-high blue men.

Together they must face headless horsemen, ferocious grimhounds, terrifying dreams come true, and ultimately the sinister Queen of the Elves herself. . .

New R. Scott Bakker interview


I haven't done any interviews since 2012, so it was time to get back to it! And since R. Scott Bakker's The Great Ordeal (Canada, USA, Europe) will be released in a few short weeks, I felt that the timing was perfect to have a chat with the author. Many thanks to the Bakker fans who submitted questions for this interview.

Enjoy!
----------------------------

- Now that the galleys have been sent out and THE GREAT ORDEAL will finally see the light this summer (at least on this side of the Atlantic), can you shine some light on what caused the prolonged delays that precluded this book from getting published as planned?

It turned into two books, basically. This meant it took twice as long to write, but it also meant that my contracts had to be renegotiated, and this process took far longer than anybody expected—on either side of the table. These are strange days in the publishing world to begin with. As far as they were concerned, I went dark for four years, then suddenly reappeared, whipping curve balls.

The crime is mine, but unfortunately my readers ended up doing the time. I was determined to not rush the process, to let the story call the shots. All I can hope is that the series rewards their patience.

- In an interview we did in 2011, here's what you had to say about the glossary you were planning to include in the final volume of The Aspect-Emperor:

"I’ve already started working on the ‘Expanded and Revised’ Encyclopaedic Glossary, in fact, but more and more it’s looking as though The Unholy Consult will be larger than even The White-Luck Warrior. If so, I’m guessing that the Glossary will have to be published... gulp... separately."

I understand that one of the main reasons THE UNHOLY CONSULT ultimately got split up into two installments had to do with the size of the glossary. If that is indeed the case and not just a question of the novel itself growing larger and larger with each new chapter, did it ever occur to you and your publishers to publish the novel as you had always envisioned and perhaps release the glossary as a companion ebook?

Now that the book itself has been split, this is no longer an issue. I still expect The Unholy Consult will have an embarrassingly fat ass. Including the Encyclopedic Glossary between the covers is crucial to what I’m trying to accomplish, so I was never comfortable with the prospect.

- Many readers are concerned that splitting up a novel that was never meant to be released in two separate parts could ultimately hurt both THE GREAT ORDEAL and THE UNHOLY CONSULT. Were some of the delays in getting this one into production caused by a reshuffling of chapters and/or a rewriting of certain portions to ensure that THE GREAT ORDEAL would stand well on its own? Otherwise, that would mean a more or less arbitrary ending with no punch or resolution, thus relegating THE GREAT ORDEAL to some sort of set-up book while the endgame and all the fireworks would take place in THE UNHOLY CONSULT. By the same token, were you able to balance the storylines in such a way that both novels can stand well on their own and each pack a powerful punch? Because if THE UNHOLY CONSULT is only made up of 200 pages or so of actual storytelling and everything else is one giant glossary, given the prices of books, many a reader might find that off-putting, to say the least.

To make a long story short my publisher found themselves short an editor, and so stranded with a monster series no one had read. A scramble ensued. These things happen.

As it happened, all the main story arcs—Achamian’s search for Ishual, Esmenet’s struggle to rule the Empire, Sorweel’s journey to Ishterebinth, and the Great Ordeal’s march—take profound twists all at around the same time. As strange as it sounds, the story had already decided these were two books. I only came to the realization afterward.

I often feel like I’m taking dictation, but the experience of writing these two books was nothing short of surreal in that regard. Time and again I found myself collecting old narrative marks, wrapping bows on plot lines, without even realizing anything was outstanding. The spears kept sailing over my shoulder, hitting targets I couldn’t even see.

- As things stand, is there a tentative pub date for THE UNHOLY CONSULT?

July or August, 2017.

- Since the beginning of your writing career, you've claimed that The Second Apocalypse has been a slow reveal over the course of many books. Fans of the series have even coined the term "Layers of Revelation" to refer to how each book published reframes the events of previous volumes. How do THE GREAT ORDEAL and THE UNHOLY CONSULT differ from what has come before?

Well, we actually find Ishual, actually delve into Ishterebinth, and actually storm Golgotterath. For the entirety of the series so far, these places have been little more than rumours of distant peril, but the story has been closing on them all along. The last of the interval vanishes in these two books.

This has been the big gamble, right? Layering to conjure that sense of reality that many fantasy readers find narcotic is pretty risk free. But introducing a plot in Book One that turns on settings concealed until Books Six and Seven turned out to be more difficult than I had thought. The idea all along was to use ‘setting reveals’ the way novels generally use plot reveals. My sense so far is that it’s worked very well, but not without exacting a toll.

Consider the PC criticisms made against the series. From the beginning, I committed to telling a complicated story, one where bootstrapping souls free of oppressive cultures proved every bit as difficult as it happens to be in real life. “Just give the series time,” I would say to critics, even though I had drafts of episodes like the Whalemothers written before The Darkness that Comes Before was even published. It’s hard to make arguments based on story arcs only you have seen, but then that’s part of the adventure of relating an adventure such as mine.

- Now that you have reached the end of the second series and looking back at the story that was the Prince of Nothing, how well do they fit the vision you had of the tale you set out to write? Is there anything that you wish you had done differently? Are there any plotlines or characters which grew well beyond what you had initially envisioned for them?

I would rewrite the whole thing if I could, and I also wouldn’t dare touch a thing. It feels biblical to me by this point, a monument somehow blessed for its imperfections. Some days I just marvel over the fact of what I’m writing, smack my head thinking, This is Golgotterath!

Golgotterath!

The details of the vision have mutated in numerous ways, but the frame remains the one I came up with so very long ago. I had always assumed I would come to this point feeling anguished, overmatched, chronically dissatisfied, and following The White-Luck Warrior I was initially, but as I mentioned above, something happened in the course of writing these two books. Who knows? Maybe living with a vision for thirty years was what it took. It all came together so effortlessly, so, well, perfectly...

For me, that is. What others make of it is an entirely different story!

- You've previously described The Aspect-Emperor series as ending in a 'Gordian Knot' of plots. At which point do you think the reader will have all the pieces to elucidate the problem, let alone the answer?

Plot closure, yes. Thematic closure, not so much. The problem of the books—the problem of ourselves—has no solution, of course. All the things that make fantasy fiction fantastic—the magic, the spirits, the gods, the objective morality, the fate—also happen to be staples of Scripture, be it Christian or ancient Greek or Hindu or what have you. Fantasy celebrates and critiques our most natural way of conceiving the world, a way that has been and continues to be undermined by the findings and proceeds of science. The way I see it, fantastic literature is the dirge of our civilization, a final retelling of our most ancient and primordial songs. The song ends when our voices fall silent. No one knows what follows the song. We can only hope that we’re somehow stronger for the singing.

This is what the best storytelling does, I think: arms us against what we cannot understand. Given my themes, ending any other way would be a betrayal.

- With both THE GREAT ORDEAL and THE UNHOLY CONSULT turned in, has work begun on the yet-to-be-named duology that will follow The Aspect-Emperor?

Nothing more than notes and fragments. At the moment I’m rewriting The Unholy Consult, buffing, polishing, strapping muscle on some bare bones.

- If you could collaborate with another writer to write stories set in Eärwa (or whatever the Eärwan universe would be called), who would that writer be, and what would you want to write with them?

Roger Eichorn. Without a heartbeat of hesitation. If I were to croak before finishing, he’s the one I would want to finish the series. What I would most like to write with him is some kind of intrigue set in the Thousand Temples—I’m still haunted by his fantastic reimagining of the ecclesiastical in Three Roses.

- What fan theories and ideas have surprised you when you've heard them? Any that you thought 'wow, I wish I had thought of that' or something along those lines?

I’ve stopped lurking on boards where my stuff is being discussed a long time ago. The big reason wasn’t so much that I found myself tempted by other plot possibilities (though many of them struck me as excellent), but that coming across those who guessed right given this or that plot twist was making me inject more mystery into my writing, instead of less.

One of my biggest weaknesses as a writer, I think, is the inclination to make everything mysterious. Those with unfortunate inclinations should avoid inclines.

(My wife refers to me as “Misterrrr Mysteriosoooo” those rare times she gets drunk.)

- Which character in the series has been the most difficult to write for, and why?

Kellhus has always been the most difficult, simply because he’s a super-intellect, and I’m lucky if I’m smart enough on any given day to fake a super-intellect for the span of several words... like I just did back there... just a few words ago... Didn’t I?

I have my daughter fooled at the moment, I think, but my wife has always seen through my facade. My drinking buddies think they see through it, but that’s always been part of the master plan.

- How much of the history and the details of the history were set in stone when you started with the series, and how much have you added to it since you started?

The bulk of the history has been roughed out since before I began writing The Second Apocalypse. Fleshing out the details has always been one of the joys of writing the series for me. I rewrote the Ishterebinth chapters several times, for instance, simply trying to get the Nonmen right. Details are what conjure the depth, so how do you balance that against the primary driver of interest, the action? There’s so many ways of walking this tight rope, so many ways to stumble. Sometimes I have too much prior information and I find myself pruning, and sometimes I don’t have enough, so I begin tending to empty plots, and these quite often turn into seeds, and I find myself pruning again.

- Are there any plans for you to explore Eänna or the south of Kutnarmu?

One of the things that makes ancient worlds ancient is the way they find themselves encircled by terra incognita. Since shedding light on the globe spoils that, I fear cryptic references are the most anybody will get. Ancient maps are supposed to be blank about the edges.

- In terms of scale, do you have any plans to write another fantasy series as vast in scope as The Second Apocalypse?

Only every time I step out of the shower. In other words, no.

- The Atrocity Tale, The Four Revelations of Cinial’jin, is quite confusing and purposely so, as a stream of Nonman consciousness. Even breaking the story into its narrative threads doesn't yield much by way of answers, only tantalizing clues. Any plan to expand on that story? Or its backstory?

Not directly. It’s tied into the history of the World, of course, so it’ll always be an exotic puzzle piece in a tragic whole. I love the piece myself, but I realize it’s not for everybody.

- You have what can best be described as a cult following. How does it feel to have such loyal fans?

Fortunate. It means people get the vision, appreciate that something different is going on with this series. I genuinely have a message, right? I truly do believe we’re sailing drunk into the mirthless night, that we are murdering meaning as a civilization. Pretty much everyone can feel it, I think, the growing sense of technosocial vertigo. Those who share this sinking feeling and who also happen to be lovers of dark, hyperrealistic fantasy tend to really dig my books.

They also happen to be very rich and good looking.

- Outside of Eärwa, do you plan to publish any other fiction/fantasy/sci-fi in the near future? Any other short fiction in the works?

My New Year’s resolution was to get. Shit. Out. The door. I’ve accumulated a huge back-log over the years. I’ve got a novella, several stories and articles at a wide variety of venues. This summer I have an article called, “Outing the It that Thinks” coming out in Digital Dionysus, an anthology of Nietzsche essays. “Crash Space,” which I think is the best short story I’ve ever written, recently came out in Midwest Studies in Philosophy special issue on philosophy and science fiction (which you can read here). I’m writing the Forward as well as another Atrocity Tale for Grimdark Magazine’s forthcoming Evil is a Matter of Perspective anthology, a collection of stories featuring evil protagonists written by several dark fantasy luminaries. I have Through the Brain Darkly, a collection of material from my philosophy blog, Three Pound Brain, ready to be sent out. The same could be said for Light, Time, and Gravity, my ‘CanLit’ piece, but I’ve just been too busy rewriting The Unholy Consult.

There’s even more... ugh.

- Have you/would you considered publishing a short run of limited edition with someone like Subterranean Press or Easton Press?

I’ve always thought it would be nice. Maybe somewhere down the line, who knows? It all depends on timing and the project.

- What has been the worst/hardest decision you have been forced to make through the editing process? Has anything come to light through the editing process that has made the books better than they would have otherwise been?

Ishterebinth... O’ Ishterebinth! I killed so many ‘babies’ in rewriting those chapters. The problem was that I initially worked so hard to bring the place alive with detail that I killed the action. (That’s all writing amounts to, I sometimes think: well-planned and executed bloodbaths) It took a lot of work to get the pacing right, to generate a relentless sense of going too deep.

Otherwise, rewriting lets you see relationships between disparate parts of the text and to explore them. In the case of The Great Ordeal, for instance, there’s deep parallels between Momemn and Ishterebinth that editing allowed me to craft in interesting ways. I’m a rewriting writer, so there’s countless examples, really.

- Will you be touring to help promote the release of THE GREAT ORDEAL? If so, are there any details you can share with your readers?

Alas, book tours are no longer counted among the perks enjoyed by cult authors. They reserve that for world religions, at least nowadays. They say Buddha is thinking about retiring, but every time I shop my resume they say I’m too fire-and-brimstone, not enough redemption.

- Anything else you wish to share with your fans?

Thank you, all. We’re nearing the end of what has to be considered a very unlikely series of books. Controversy could have derailed them. Delay could have derailed them. You are the primary reason the Slog of Slogs marches on.

And now there it is. That golden pinprick on the horizon.

Hard to believe, actually...

There. It. Is.

More inexpensive ebook goodies!


You can now download Orson Scott Card's Speaker for the Dead for only 2.99$ here.

Here's the blurb:

In the aftermath of his terrible war, Ender Wiggin disappeared, and a powerful voice arose: The Speaker for the Dead, who told the true story of the Bugger War.

Now, long years later, a second alien race has been discovered, but again the aliens' ways are strange and frightening...again, humans die. And it is only the Speaker for the Dead, who is also Ender Wiggin the Xenocide, who has the courage to confront the mystery...and the truth.

Speaker for the Dead, the second novel in Orson Scott Card's Ender Quintet, is the winner of the 1986 Nebula Award for Best Novel and the 1987 Hugo Award for Best Novel.

Mark Lawrence contest winners!

These lucky winners will receive a complimentary copy of Mark Lawrence's The Wheel of Osheim, courtesy of the folks at Ace. For more info about this title: Canada, USA, Europe.

The winners are:

- Raman Ohri, from Fishers, Indiana, USA

- Emilia Fallavollita, from Montréal, Québec, Canada

Many thanks to all the participants!

The Return of the Black Company


I know, this review was a long time in coming. Heck, the one for Glen Cook's The Books of the South dates from 2009. I am ashamed to realize just how behind I am when it comes to various "older" SFF series. So this year I've decided to do something about it, which is why you have seen reviews for books/series by Jacqueline Carey, Jim Butcher, C. J. Cherryh, and now Glen Cook. I've been meaning to get more up-to-date with several series in 2016, so expect more such reviews in the months to come.

Comprised of Shadow Games, Dreams of Steel, and The Silver Spike, the second Black Company omnibus turned out to be a fun yet uneven read. Which probably explains why it took me so long to finally sit down and read this one. Sadly, this third omnibus suffers from more or less the same shortcomings that plagued its predecessor. . .

Here's the blurb:

"Let me tell you who I am, on the chance that these scribblings do survive. . .

"I am Murgen, Standardbearer of the Black Company, though I bear the shame of having lost that standard in battle. I am keeping these Annals because Croaker is dead, One-Eye won't, and hardly anyone else can read or write. I will be your guide for however long it takes the Shadowlanders to force our present predicament to its inevitable end. . ."

The Return of the Black Company comprises the novels Bleak Seasons and She is the Darkness—the third omnibus volume of Glen Cook's fantasy epic Chronicles of the Black Company.

In my humble opinion, Croaker has always been the true voice of the Black Company. As a narrator, his witty and sardonic observations remain one of the highlights of the entire saga. The man is aware of his strengths and his flaws, and it's always a joy to follow his narrative. Relegating Croaker to a secondary role and making Lady the POV protagonist in Dreams of Steel wouldn't have been too bad had we learned more about Lady and her past. Alas, it was not to be. . . This latest omnibus saw another change of point of view, with Murgen now as the new protagonist through whose eyes we witness everything. I'm aware that not everyone agrees, but I truly enjoyed Murgen's narrative in these two novels. As a sometimes inept soldier and someone with low self-esteem, the company's Standardbearer is nearly as much fun to follow as Croaker used to be.

In Bleak Seasons, Murgen keeps reliving the siege of Dejagore and its aftermath. He occasionally experiences some kind of seizures that send him back in time and the fragmented nature of this book often makes it hard to follow. Jumping back and forth through the timeline creates a lot of confusion, to say the least. Add to that a plot device which allows Murgen to travel outside of his body and experience what is happening basically everywhere around the world, both in the present and the past, plus the fact that the author is using it ad nauseam, and to a certain extent it cheapens the entire reading experience. Having said that, I feel that Cook did an awesome job portraying the bleakness of life in a besieged city. It's just that the pace is miserably slow and it drags on and on and on throughout the book. In retrospect, I doubt that there was enough material to warrant a full novel here. Which is why it feels as though there is so much filler within the pages of Bleak Seasons. Occurring simultaneously with Dreams of Steel, the sixth Black Company installment is probably the one that adds the least to the overall story arc of the whole saga. Both Croaker and Lady are believed dead, with Murgen taking over as the company's annalist, mostly because nobody else can be bothered to do it. And as the Standardbearer is haunted by strange visions, everyone knows that it's only a question of time before Mogaba attempts to seize power of the company and the city itself. In a way, the novel doesn't really get underway until Mogaba gets ready to make his move.

She is the Darkness is much better on every level. Murgen is back as the narrator as the Black Company continues its never-ending march toward legendary Khatovar. And the closer they get to the Plain of the Glittering Stone, the higher the stakes become. Ominous omens and unanticipated dangers assail them and it appears that someone, or something, doesn't want them to reach the fabled place where Black Company was born. I would have liked to learn more about the origins of the company, what with the revelations hinting that it might have been born amidst blood and slaughter, but I guess I'll have to wait for the next installment.

Glen Cook truly shines as an author in this one, and She is the Darkness could well be his best work to date. With unexpected twists throughout, a decidedly creepy and evocative imagery, and the sort of cliffhanger ending that all but forces you to read the next one to discover what happens next, the seventh volume definitely shows Cook at the top of his game. On its own, it would shine like no other Black Company offering. But as the second portion of an omnibus featuring a somewhat lackluster Bleak Seasons, it just shows how disparate in quality both books ultimately turned out to be.

As was the case with The Books of the South, The Return of the Black Company features novels that vary quite a bit as far as depth and merit are concerned. Still, She is the Darkness moves the tale forward like no other Black Company volume thus far, setting the stage for what should be a memorable final omnibus in The Many Deaths of the Black Company.

The final verdict: 7.25/10

For more info about this title: Canada, USA, Europe

More inexpensive ebook goodies!


You can now download Poul Anderson's Three Hearts and Three Lions for only 1.99$ here.

Here's the blurb:

A World War II freedom fighter is transported to a medieval realm of magic and myth to undertake a great but perilous quest in this classic fantasy adventure.

Holger Carlsen is a rational man of science. A Danish engineer working with the Resistance to defeat the Nazis, he’s wounded during an engagement with the enemy and awakens in an unfamiliar parallel universe where the forces of Law are locked in eternal combat with the forces of Chaos. Against a medieval backdrop, brave knights must take up arms against magical creatures of myth and faerie, battling dragons, trolls, werewolves, and giants.

Though Holger has no recollection of this world, he discovers he’s already well-known throughout the lands, a hero revered as a Champion of Law. He finds weaponry and armor awaiting him—precisely fitted to his form—and a shield with three hearts and three lions emblazoned upon it. As he journeys through a realm filled with wonders in search of the key to his past, Holger will call upon the scientific knowledge of his home dimension—the destinies of both worlds hanging in the balance.

Before Thomas Covenant, Roger Zelazny’s Amber, and J. R. R. Tolkien’s The Lord of the Rings, the great Poul Anderson introduced readers to the Middle World and the legendary hero Ogier the Dane. Inventive and exciting, Three Hearts and Three Lions is a foray into fantasy that employs touches of science fiction from an award-winning master of the speculative.

More inexpensive ebook goodies!


You can now get your hands on the digital edition of Madeline Miller's The Song of Achilles for only 0.99$ here.

Here's the blurb:

“Mary Renault lives again!” declares Emma Donoghue, author of Room, referring to The Song of Achilles, Madeline Miller’s thrilling, profoundly moving, and utterly unique retelling of the legend of Achilles and the Trojan War. A tale of gods, kings, immortal fame, and the human heart, The Song of Achilles is a dazzling literary feat that brilliantly reimagines Homer’s enduring masterwork, The Iliad. An action-packed adventure, an epic love story, a marvelously conceived and executed page-turner, Miller’s monumental debut novel has already earned resounding acclaim from some of contemporary fiction’s brightest lights—and fans of Mary Renault, Bernard Cornwell, Steven Pressfield, and Colleen McCullough’s Masters of Rome series will delight in this unforgettable journey back to ancient Greece in the Age of Heroes.

Guy Gavriel Kay contest winner!

This lucky gal will receive an ARC of Guy Gavriel Kay's Children of Earth and Sky! For more info about this title: Canada, USA, Europe.

The winner is:

- Tiffany Brown, from Edmonton, Alberta, Canada

Many thanks to all the participants!

More inexpensive ebook goodies!


You can still download Charlie N. Holmberg's The Paper Magician for only 1.99$ here.

Here's the blurb:

Ceony Twill arrives at the cottage of Magician Emery Thane with a broken heart. Having graduated at the top of her class from the Tagis Praff School for the Magically Inclined, Ceony is assigned an apprenticeship in paper magic despite her dreams of bespelling metal. And once she’s bonded to paper, that will be her only magic…forever.

Yet the spells Ceony learns under the strange yet kind Thane turn out to be more marvelous than she could have ever imagined—animating paper creatures, bringing stories to life via ghostly images, even reading fortunes. But as she discovers these wonders, Ceony also learns of the extraordinary dangers of forbidden magic.

An Excisioner—a practitioner of dark, flesh magic—invades the cottage and rips Thane’s heart from his chest. To save her teacher’s life, Ceony must face the evil magician and embark on an unbelievable adventure that will take her into the chambers of Thane’s still-beating heart—and reveal the very soul of the man.

From the imaginative mind of debut author Charlie N. Holmberg, The Paper Magician is an extraordinary adventure both dark and whimsical that will delight readers of all ages.

This week's New York Times Bestsellers (May 30th)

In hardcover:

Joe Hill’s The Fireman debuts at number 1.

In paperback:

George R. R. Martin's A Game of Thrones is up one spot, finishing the week at number 8.

Stephen King's Finders Keepers is up one position, ending the week at number 11.

Neal Stephenson's Seveneves debuts at number 14 (trade paperback).

Extract from Sebastien de Castell's SAINT'S BLOOD


Here's an excerpt from Sebastien de Castell's soon-to-be-released Saint's Blood, compliments of the folks at Quercus. For more info about this title: Canada, USA, Europe.

Here's the blurb:

How do you kill a Saint?

Falcio, Kest, and Brasti are about to find out, because someone has figured out a way to do it and they've started with a friend.

The Dukes were already looking for ways out of their agreement to put Aline on the throne, but with the Saints turning up dead, rumours are spreading that the Gods themselves oppose her ascension. Now churches are looking to protect themselves by bringing back the military orders of religious soldiers, assassins, and (especially) Inquisitors — a move that could turn the country into a theocracy. The only way Falcio can put a stop to it is by finding the murderer. He has only one clue: a terrifying iron mask which makes the Saints vulnerable by driving them mad. But even if he can find the killer, he'll still have to face him in battle.

And that may be a duel that no swordsman, no matter how skilled, can hope to win.

Enjoy!
--------------------------------

CHAPTER ONE

On the Morning of Your First Duel

On the morning of your first duel, an unusually attractive herald will arrive at your door bearing a sealed note and an encouraging smile. You should trust neither the note nor the smile. Dueling courts long ago figured out that first-time defendants are less prone to running away if it means embarrassing themselves in front of beautiful strangers. The practice might seem deceptive, even insulting, but just remember that you are the idiot who agreed to fight a duel.

Don’t bother opening the envelope. While the letter might start out with extravagant praise for your courage and dignity, it quickly descends into a lengthy description of the punishment for failure to show up at court. In case you’re wondering, the penalty in Tristia for attempted flight from a lawful duel is roughly the same as that of attempted flight from the top of a tall tree with a rope tied around your neck. So just take the unopened envelope from the herald, crumple it in your hands and toss it into the fire. It helps if you do this while uttering a dismissive snort or even a boisterous “huzzah!” for best effect. Then as the flames feast upon the details of your upcoming demise, place your hands on your hips and strike a confident pose.

The herald might, at this point, suggest you put on some clothes.

Choose trousers or breeches made of a light, loose fabric, with plenty of room to move. There’s nothing quite so embarrassing as having your lunge come up short at the precise moment that your enemy is counter-attacking and he drives his blade deep into your belly just as your seams split at the crotch.

“But wait!” you say. “I haven’t done anything wrong! How did I end up in such dire circumstances when I don’t even know how to hold a sword properly?”

The herald will laugh brightly, as though firmly of the belief that you’re merely jesting, before ushering you out the door and escorting you to the courthouse to meet your secondier.

The law in Tristia, observed in all nine Duchies, requires that every duelist be supported by a second—for otherwise, who would go back and forth between you and your opponent to deliver the necessary scathingly droll insults? If you have no one of your acquaintance willing—or able—to fulfill this sacred duty, and you are too poor to hire a suitable candidate, then you can count on the local Lord or Duke to provide a secondier for you. That’s right: you live in a country so feckless and corrupt that those same nobles who would gladly stand aside as you starve to death would never, ever consider allowing you to be skewered by the pointy end of a blade without a second standing proudly beside you.

Make your way past the twin statues of the Gods of Death and War that guard the double doors leading into the courthouse and through to the large central room littered with exquisite architectural features, none of which you’ll notice, for by now your eyes will be fixed on the dueling court itself. The classical form is a simple white circle, roughly ten yards across, however, in these modern times you may instead find yourself in a pentagon or hexagon or whatever shape is deemed to be most blessed by the Gods in that particular Duchy. Once you’re done admiring the architecture, take a look at the person standing on the opposite side of the dueling court. This is the moment to remember to clench all the muscles in your lower body to prevent any . . . accidents.

Your opponent—likely a highly skilled Knight, or perhaps a foreign mercenary—will smile or grimace, or possibly spit at your feet, and then immediately turn away and pretend to be engaged in a thoroughly witty conversation with a member of the audience. Don’t worry too much about this part—they’re only doing it to unnerve you.

The clerk of the court will now announce the terms of the duel. You might be tempted to take heart when you hear that this duel isn’t to the death, but that would be a mistake. Whichever Lord or Lady you offended has almost certainly instructed their champion to first humiliate you, then bloody you, and finally—and with a grand flourish that will bring the audience to their feet, roaring with applause—kill you.

When this happens, you can rest assured that the presiding magistrate will undoubtedly make a great harrumphing noise over this gross violation of the rules, and will immediately fine said Lord or Lady, although that will be roughly equivalent to the cost of the wine in the goblet they’ll be drinking while watching you bleed out on the floor.

Not really your best day, is it?

Well, that’s for later. For now, take a good, long look at your opponent standing across from you in the dueling court, because this is the part where you learn how to win.

Your enemy is almost certainly a great fencer—someone with speed, strength of arm, exceptional balance, lightning reflexes and nerves of steel. A great fencer spends years studying under the finest masters in the country. You, regrettably, aren’t likely to have had the benefit of any of those fine qualities and there’s a good chance that your only fencing master was your best friend when the pair of you were six years old, play-fighting with sticks and dreaming of growing up to be Greatcoats.

But you don’t need to be a fencer right now; you need to be a duelist.

A duelist doesn’t care about technique. A duelist won’t be walking into that circle hoping to impress the audience or curry favor with their nobles. A duelist cares about one thing only, that most ancient and venerable of axioms: Put the pointy end of the sword into the other guy first.

So as the clerk strikes the bell signaling the beginning of the duel and your opponent begins his masterful display of skill to the appreciative oohs and ahs of the audience, forget about life and death or honor and cowardice; forget about everything except finding that one opportunity—that single moment—when you can push the top three inches of your blade into your opponent’s belly.

In Tristia we have a saying: Deato mendea valus febletta. The Gods give every man a weakness.

Remember this, and you might just survive the day. In fact, over the years that follow, you might even go on to win other duels. You might even become known as one of the deadliest swordfighters of your generation. Of course, if that does turn out to be the case, then it’s equally likely that one day—perhaps even today—that great swordfighter who’s about to lose the duel?

It could be you.

CHAPTER TWO

The Sanguinist

“You realize you’re losing quite badly, Falcio?” Brasti asked, leaning against a column just outside the seven-sided dueling court of the Ducal Palace of Baern.

“Shut up, please,” I replied.

My opponent, whom I’d been informed was undefeated in court duels but whose name I’d forgotten, gave me a little smirk as he flicked the point of his smallsword underneath the guard of my rapier. I swung my own blade down in a semi-circle to keep him from stabbing my thigh, but at the last instant he evaded my parry by flipping his point back up. He extended his sword arm and pushed off his back leg in a quick lunge. Had there been any justice in the world, he shouldn’t have been able to reach me.

“Saint Zaghev’s balls,” I grunted, the tiny cut burning into my right shoulder: a reprimand for misjudging the distance.

Why do I always let myself get tripped up by smallswords?

Despite the name and the delicately thin blade, smallswords are deceptively long. My opponent’s was only a couple of inches shorter than my own rapier, and he’d made up the difference with an extravagantly long lunge of the sort immortalized in the illustrations of the more imaginative fencing manuals.

From the far side of the dueling court Kunciet, Margrave of Gerlac, the rotund, fetid bastard who’d engineered this duel, shouted, “Bravasa!” at his champion. Twenty or so of the Margrave’s retainers joined in the cheer, adding a few sprinkles of “Fantisima!,” “Dei blessé!” and other misapplied fencing terms.

However much this annoyed me, it is accepted practice for a duelist’s supporters to cheer them on—in fact, I was entitled to similar outbursts from my own admirers.

“This Undriel fellow really is remarkably skilled,” Kest remarked.

Undriel. That was the bastard’s name.

Brasti came to my defense, after a fashion. “It’s not Falcio’s fault. He’s getting old. And slow. Also, I think he might be getting fat. Just look at him—barely four months since he beat Shuran and already he’s half the man he once was.”

Always nice to have friends nearby in troubled times, I thought, batting at Undriel’s blade with a clumsy parry that was testament to my increasing exhaustion.

“Don’t distract him,” Ethalia said.

I started to glance over to give her a reassuring smile, but instead felt the heel of my right boot slip on the slick floor and stumbled several steps back, trying to catch my balance.

Idiot! Reassure her by not dying.

Undriel and I circled each other for a few seconds, eyeing each other for signs of any growing weaknesses that could be exploited.

Gods, but I’m tired. Why doesn’t he look tired?

The sound of someone sipping tea drew everyone’s attention: Ossia, the rake-thin, elegantly aged Duchess of Baern was sitting upon her high-backed throne at the head of the courtroom. Aline, heir to the Crown of Tristia, and Valiana, Realm’s Protector, sat on either side, perched on considerably smaller chairs, like children made to attend their aunt. Aline periodically looked up at the Duchess in irritation, but Valiana’s barely contained fury was reserved entirely for me.

I couldn’t really blame her.

What had started as a largely ceremonial event meant to introduce Aline to the various minor nobles of the Duchy had taken an unexpected turn when the Margrave of Gerlac, one of six men hoping to replace the aging and childless Duchess Ossia, took advantage of our presence to launch a legal dispute against the Crown. Through a torturous process of twisted judicial logic, he’d claimed he’d merged his properties with those of the churches on his lands and thus was now—despite still occupying those lands—exempt from paying taxes. He’d even brought in a few token clerics in impressively ornate robes to confirm his story.

Duchess Ossia, ever the diplomat, had elected to defer judgment of the issue to Valiana, who, as Realm’s Protector, had patiently listened to every argument, reviewed every document and then promptly declared the case invalid. Kunciet, as such men do on those rare occasions when they don’t get their way, threw a hissy fit. He began by questioning the validity of the verdict, then Valiana’s standing as Realm’s Protector and then, right in front of us, started making not-very-subtle threats against Aline.

That was when I took over.

Less than six months ago I’d bled buckets to keep Shuran and his Black Tabards from taking over the damned country. I’d risked not just my own life but those of the people I loved best to save those same Dukes who’d been spending a considerable portion of their spare time trying to have me killed. I’d been beaten, tortured and brought to the very edge of death, and all of it so that the daughter of my King could one day take her rightful place on the throne.

Did anyone seriously believe that I was going to let some noxious back-water nobleman like Kunciet make public threats against her?

The hells for that.

Undriel made a rather stunning and unexpected dive below my blade, rolling on the ground and coming up on my left side, then skipping away before I could cut him. In the process, he tagged me again, this time on my left shoulder.

“Should’ve worn your coat, Falcio,” Brasti said.

“Shut up,” I repeated.

Armor is forbidden in judicial duels, but most legal interpretations limit the prohibition to chainmail or plate. Since our greatcoats are made of leather, albeit with bone plates sewn inside, they’ve never been considered armor, not in the technical sense. After all, that was part of the design consideration behind the coats in the first place.

So why wasn’t I wearing mine? Because Kunciet, Margrave of Gerlac, had declared such protection “cowardly,” and because Kest had, through a combination of raised eyebrows and light coughs, apparently agreed with him. In other words, because I’m an idiot and my friends are trying to kill me.

A line of red began to stain the left shoulder of my white linen shirt, an almost perfect match to the one on my right. Evidently Undriel was using me as a canvas and wanted to balance his composition.

The son of a bitch is trying to bleed me to death.

Undriel is what we call in the dueling business a sanguinist: a fencer whose primary strategy is to go for little cuts—wounds that sting and bleed and distract you, until you start to slow down without even realizing it. Sanguinists take their time, pulling you apart bit by bit, until they can end the fight with a single, brilliant flourish—they usually go for an artery so that you end by bleeding out spectacularly all over the floor. It can create quite a stunning tableau for the audience.

I hate sanguinists.

The wounds themselves were more annoying than anything else. Later, assuming I didn’t die, Ethalia would use one of her almost magical ointments to treat the wound, followed by a sticky salve to seal it. One of the many reasons I should already have asked her to marry me was the gentle way she’d pass her finger over the wound to wipe away the extra salve. That experience was so oddly sensuous it almost made you think getting a few more cuts wouldn’t be so bad . . .

I let out an inadvertent and embarrassingly high-pitched yelp as the tip of Undriel’s blade scored another nick, this time on the left side of my jaw.

Focus, idiot. He’s doing a fine job of bleeding you without your help.

Undriel pressed his advantage in a whirling attack, moving the point of his blade in a figure-eight motion, then suddenly striking out toward me like a snake, only to pull back the instant I tried to parry him.

Dashini, I thought suddenly, barely able to keep myself from fleeing the dueling circle. He’s using Dashini tactics.

Undriel caught the look of fear on my face and, smiling, increased the speed and ferocity of his attack. I swung my own blade in a clumsy counter-pattern to keep him from getting too close, but my heavier weapon made it a tiring exercise on my part. I was sweating now, and not just from exertion.

Stop being a fool! The Dashini are dead, and even if they weren’t, there’s no way this prancing pony is one of them. He’s just practiced their style to throw you off-guard.

“So it’s true, what I’ve heard about you,” Undriel said. It was the first time he’d spoken and his voice was as relaxed as if he’d just got out of bed.

“If what you’ve heard is that I’m going to knock you on your arse so hard you won’t be able to sit a horse for a year, then yes, it’s all true.” My bravado would have sounded more convincing had my lungs not been pumping like a bellows.

“Rumor has it that since the Lament you wake up screaming every night, begging for the torment to stop.”

“I wouldn’t know,” I said. “I’ve been having quite a lot of sex lately so I’m usually too tired to remember my dreams.”

Why did I say that? I sound like an idiot. Gods, what did Ethalia do to deserve me?

I swung my rapier in a low arc with enough force to smash the bones in Undriel’s knee, but he skipped out of its path with the easy grace of a dancer before repeating the Dashini pattern that was so unnerving me.

Why was I letting him get to me? More to the point, how was he so good at doing it?

Pieces of a puzzle started to form in my mind: Undriel was intentionally stretching the duel out for far too long. Normally this wouldn’t have been a problem, except that I still tired quickly, the result of the injuries I’d suffered months before. He’d chosen a smallsword, but for the past several years I’d been facing Knights and soldiers who used heavier—and slower—weapons, like warswords and maces. And the Dashini forms, even though they might not be particularly effective when performed with a smallsword, were making me jumpy and clumsy. In other words, he was the perfect opponent to put against me. So what were the odds that Kunciet just happened to have a champion at hand who just happened to incorporate all these disparate tactics into one unique style?

The bastard’s been training for this very fight.

Undriel grinned as if my thoughts were written across my face and came straight for me, and as I stumbled back, struggling to keep out of the way of his swift, dancing attack, the rest of the pieces fell into place. Kunciet hadn’t lost his temper today. He didn’t care about his damned taxes. This whole case had been nothing more than a pretext for him to pick a fight with the Crown and trick me into accepting an unnecessary duel.

What better way to make your bid to become the next Duke of Baern than by killing off a Greatcoat and defying the Realm’s Protector in front of your fellows, all without breaking a single one of the King’s Laws?

Better yet, Kunciet was doing it right in front of the current Duchess—a known ally of the heir—while she sat powerless to stop it.

That’s how you stake your claim to a Dukedom.

In fact, there was only one way he could possibly make an even stronger case: don’t kill just any Greatcoat, kill the future Queen’s favorite. Kill the First Cantor.

That was me, by the way.

Undriel’s smile widened: all the little cuts were starting to slow me down. A single thought went through my head: I swear, I used to be good at this.

Quote of the Day

Grief is the price we pay for having loved..

- PAUL KEARNEY, The Wolf in the Attic (Canada, USA, Europe)

This novel continues to be a delight. Anna's story truly feels like something written by Neil Gaiman!

Another milestone: 500th review


I've alluded to this milestone a few months ago and I knew it was coming. Still, realizing that I will post my 500th review this month is hard to believe. Then again, if you'd told me back in 2005 that I'd still be active in 2016, I would have said you're crazy!

It's been a long journey and somewhat of a bumpy ride at times. And yet, it's been fun for the most part. In the last decade, I've met some of my favorite authors in person and got to interact with plenty of others, many of them on a semi-regular basis. It's obvious that the Hotlist grew into something that I could never quite envision when I created this humble little blog of mine. And I can't believe that thousands of SFF fans keep on returning to read the drivel that I post, week in and week out.

So let me take this opportunity to thank you all for making this the enjoyable experience it has been since January 2005. God knows it wouldn't be this much fun without an audience. Thank you to all the authors, editors, publicists, marketing directors, agents, and everyone else involved in publishing for helping make the Hotlist what it has become. Thank you to my fellow SFF bloggers, whether they like me or not. Thank you to the online SFF community for being there at the beginning and for sticking around afterward. Basically, many thanks to everyone who has been there along the way.

Wow, 500 reviews! Who would have thought??? Initially, I wanted this one to be for something special. But the timing didn't work out for R. Scott Bakker's The Great Ordeal or for Mark Lawrence's The Wheel of Osheim. Not sure at the moment which book will be my 500th review. I've finished Glen Cook's The Return of the Black Company and Steven Erikson's Fall of Light, and I'm currently reading Paul Kearney's The Wolf in the Attic. One of these, the third one I'll be reviewing this month, will become the 500th work of fiction I review.

I have no idea how long I'll keep doing this, but it's safe to say that I probably don't have another 500 reviews ahead of me. Looking back, it's hard to believe that I got this far. . .

The current state of the genre has made me reticent to attend any conventions, but I'm well aware that I owe lots of authors a drink or three! For the countless hours of reading pleasure they provided over the years, they deserve no less! So for those writers I have yet to meet, like Steven Erikson, Guy Gavriel Kay (who is in my home town tonight and whom I'll somehow miss yet again), Jacqueline Carey, Celia Friedman, Joe Abercrombie, Scott Lynch, Carrie Vaughn, Brian Ruckley, Myke Cole, Daniel Abraham, Peter V. Brett, Mark Lawrence, R. Scott Bakker, Richard Morgan, Katherine Kurtz, Robin Hobb, Ian McDonald, Peter F. Hamilton, Stephen R. Donaldson, Melanie Rawn, Jim Butcher, Alastair Reynolds, and so many others (you know who you are!), know that the first round is definitely on me should we ever meet in person! ;-)

All the best,

Patrick

Quote of the Day

People talk about being in the doghouse after they have misbehaved. I have never understood why that should be such a bad thing. I love dogs, and would have no trouble at all cuddling up next to one in some little kennel. We could look out at the world side by side, and people would leave us alone. It would be a fine thing altogether.

- PAUL KEARNEY, The Wolf in the Attic (Canada, USA, Europe)

This novel has been a delight so far. Anna's tale feels like something written by Neil Gaiman!

Richard Kadrey contest winner!

This winner will receive my ARC of Richard Kadrey's The Everything Box! For more info about this title: Canada, USA, Europe.

The winner is:

- Melanie Miller, from Oakland, California, USA

Many thanks to all the participants!