As you know, I recently decided to give Elizabeth Moon's The Deed of Paksenarrion a shot and I was surprised by how well the series has aged over the years. Many SFF fans consider this the ultimate paladin tale and I was curious to see how it would end.
Divided Allegiance was as compelling, if much darker, than
Sheepfarmer's Daughter, and its ending made it impossible to wait long for the conclusion.
Oath of Gold comes full circle for Pakse, though one of the major plotlines is so predictable that it does rob the finale of the impact the author meant to convey. Still, it caps off the trilogy with aplomb and definitely makes me want to read the sequels.
Here's the blurb:
Paksenarrion—Paks for short—was somebody special. Never could she have followed her father's orders and married the pig farmer down the road. Better a soldier's life than a pig farmer's wife, and so, though she knew that she could never go home again, Paks ran away to be a soldier. And so began an adventure destined to transform a simple Sheepfarmer's Daughter into a hero fit to be chosen by the gods.
Oath of Gold is the climactic final volume of the epic that Judith Tarr calls "the first work of high heroic fantasy I've seen that has taken the work of Tolkien, assimilated it totally and deeply and absolutely, and produced something altogether new and yet incontestably based on the master... [Moon's] military knowledge is impressive, her picture of life in a mercenary company most convincing. I'm deeply impressed."
As mentioned in my past reviews, Elizabeth Moon, a former member of the US Marine Corps, imbues her military fantasy stories with a realism that civilian authors probably seldom get right. Through Pakse's evolution from new recruit to a more seasoned trooper, and then as she studied and trained as a paladin-candidate, the author's firsthand knowledge was palpable and it added layers to the plot and its characters. This was even more evident in Moon's depiction of Pakse's post-traumatic stress disorder in
Divided Allegiance. À la Robin Hobb and Jacqueline Carey, Moon made her protagonist go through the wringer and things got extremely bleak for the poor girl.
Oath of Gold picks up right where the second installment ended, with Pakse experiencing such hopelessness after being such a gifted warrior. Those chapters focusing on Master Oakhallow helping her heal her mind and body were by far the best part of this final volume. Not only because it demonstrates that you cannot cure someone physically, mentally, and emotionally overnight, but because Moon shows a deft human touch in those scenes which packs a powerful punch.
Moon's worldbuilding continues to improve, this time focusing more on the North. Once again, we see more of the author's universe, mostly the kingdoms of Lyonya and Tsaia. We finally see more involvement on the part of the elves, which I really liked. As I said, only the lost king storyline is problematic for you see it coming from a mile away. Moreover, it doesn't help that Moon has been telegraphing it for a while. That being said, though it is predictable, its resolution is still interesting and sets the stage for the second series.
Some claim that Paksenarrion is somewhat of a Mary Sue character and that the plot can be a bit formulaic and linear, yet I disagree. Although at times it sure looks as though Pakse can do no wrong, her capture and torture during the quest to find Luap's stronghold, which left her a shell of her former self, put paid to that perception. From then on, it's obvious that Moon decided that Pake's character growth would be through physical, psychological, and emotional struggles. The same happens again in
Oath of Gold when she willingly surrenders so that her companions might escape with their lives. As was the case with those gruesome scenes from
Divided Allegiance, this is as grimdark as it gets. Hence, even if at times Paksenarrion might come off as Mary Sue-ish, there is a lot more depth to her than that. To be honest, given her plight and the odds stacked against her, it's well nigh impossible not to root for her. The supporting cast is made up of a disparate bunch of men and women who will all leave their mark on Pakse and help shape the woman she's destined to become.
Given its slow beginning, like its predecessor
Oath of Gold suffers from pacing issues. Paksenarrion's healing takes time and it also takes a while for the lost king of Lyonya storyline to get going. Wolrdbuilding must needs take precedence over more exciting action sequences and battles, and about a third of the novel is necessary for the author to put all her pieces on the board. It wasn't a problem for me, as all the threads come together for an absorbing endgame. Once again, Elizabeth Moon's prose creates a vivid imagery, one that makes the story leap right off the page.
As I said before, anyone looking for a strong female lead and no romance will probably find a lot to like about this trilogy. Looking forward to reading the Paladin's Legacy series, even though Paksenarrion isn't the main character in that one.
The final verdict: 7.75/10
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