Extract from Courtney Schafer's THE TAINTED CITY


Courtney Schafer's fantasy debut, The Whitefire Crossing (Canada, USA, Europe), was another quality offering from the folks at Night Shade Books. And thanks to the author's generosity, here's an exclusive excerpt from the second volume, The Tainted City (Canada, USA, Europe).

Here's the blurb:

Dev is a desperate man. After narrowly surviving a smuggling job gone wrong, he’s now a prisoner of the Alathian Council, held hostage to ensure his friend Kiran — former apprentice to one of the most ruthless mages alive — does their bidding.

But Kiran isn’t Dev’s only concern. Back in his home city of Ninavel, the child he once swore to protect faces a terrible fate if he can’t reach her in time, and the days are fast slipping away. So when the Council offers Dev freedom in exchange for his and Kiran’s assistance in a clandestine mission to Ninavel, he can’t refuse, no matter how much he distrusts their motives.

Once in Ninavel the mission proves more treacherous than even Dev could have imagined. Betrayed by allies, forced to aid their enemies, he and Kiran must confront the darkest truths of their pasts if they hope to save those they love and survive their return to the Tainted City.

Enjoy!
---------------------

I hammered on a metal door painted with brightly colored snakes twining around a pair of crossed ice axes. Even after the long walk from the embassy into the depths of Acaltar district, fury still burned like magefire in my veins. I kept seeing Kiran’s despairing eyes, hearing the agonized terror in his shriek while caught in his nightmare back in Tamanath. Was he screaming like that now?

“Samis, you in there? Open the damn door!” I needed to find Cara, near as bad as I needed breath. Samis was a metalworker by trade, who crafted pitons, ice axes, boot spikes, and other specialized gear for mountain travel. He rented out spare rooms on the cheap to outriders in between convoy jobs. Cara had often bunked with him during her brief stays in the city, and his back courtyard was something of an informal gathering spot. Even if Cara wasn’t here, Samis might know where she was.

I pounded harder and scowled at a serpent painted in particularly eye-straining shades of orange and green. Samis fancied himself skilled with paint as well as metal, and all suggestions to the contrary bounced right off him. I’d never known what Cara saw in the man. Yeah, he was a genius with iron, but I found his scatterbrained self-absorption annoying beyond belief.

After what felt an eternity, the bronze wards on the plaque nailed to the doorframe glimmered violet. Samis swung the door open, bleary-eyed and wearing only a rumpled pair of pants that threatened to slip off his narrow hips.

“What the fuck’s all this racket?” he demanded.

All right, so I did know what Cara saw in him. He was tall like her, with muscles strong as any outrider’s from pounding out pitons on his forge, and he had a face handsome enough for a jenny-boy. His coarse dark hair was tied up in a series of knots spiked with charms, one free-hanging lock dyed the color of honey. I tried not to glare.

“Samis, is Cara here? I’ve news she needs to hear.”

Samis squinted at me. “Dev. Huh. Thought you always told anybody who’d listen that you’d rather be tied to a fire ant mound than set foot in Ninavel in midsummer. Yeah, Cara’s bunking here – you want to find her, she’s in back.”

Bunking here…just in the house, or in his bed, like she’d done in the past? Damn it, so what if she was? We’d made no promises of partnership. I started forward. Samis barred me with an arm across the open doorway.

“Next time, don’t wake me ‘til a civilized hour, or I’ll double the price for your next set of pitons. You outriders cavort about at all hours, but I’m an artist. I need sleep, or the vision doesn’t come.”

“Sorry,” I muttered, mastering the urge to throttle him. He sniffed in satisfaction and dropped his arm. I brushed past and hurried through darkened rooms piled with metalworking tools and mountain gear. The house’s back door stood open, sunlight leaking in through a beaded hanging made of quartz chips strung on hemp strands. I ducked through, and stopped.

Half the courtyard was taken up by a web of ropes knotted to pitons jutting from cracks in the walls. Cara balanced barefoot along one swaying hemp line. She wore threadbare trousers hacked off at the knees and a long sleeveless overshirt belted with a green sash. The smooth, strong muscles of her calves flexed, her hips shifting with easy grace as the rope moved. She’d pinned her long blonde braid up on her head so it wouldn’t affect her balance. A fierce grin split her tawny face, her pale eyes fixed on a wiry, balding male outrider who edged toward her along a second strand of the web. High above, a tarp stitched out of gossamer-thin prayer banners filtered the harsh summer sun into a hazy golden glow.

It wasn’t just the sight of Cara, lean and lovely as a sandcat, that closed my throat so tight I couldn’t speak. It was the memory of all the winter days I’d spent in this very courtyard, challenging friends to crazy feats of balance, laughing and planning future climbs, utterly free of the fear and anger that weighed my heart now.

A female voice called, “Twenty kenets says you can knock Vanik off before he touches a single piton, Cara!” I recognized the two other outriders who lay sprawled on their elbows beside a stack of scrap iron. Gevia, with skin dark as night and her beaded braids bound into a single thick tail; and Ikkio, who was Korassian-born and deceptively thin, his raven-black hair hanging past narrow shoulders that were pure corded muscle.

Cara balanced on one foot and stretched a leg out to kick Vanik’s strand of rope. He broke at the waist, arms windmilling, but arched backward in an improbable curve and kept his balance. Gevia hissed, while Ikkio whistled in approval.

I finally managed to summon my voice. “Cara.”

Cara twisted so fast she lost her balance. She leaped down to the flagstones, her blue eyes gone wide. “Dev?”

She sprinted across the courtyard and pulled me straight into a kiss whose passion and force left me feeling a hell of a lot better about Samis. Ah gods, the press of her slim, muscled body against mine, the spiced-honey scent of her hair…I held her tight with my throat choked all over again. At the mines, I’d dreamed of this reunion. But not like this, not with Kiran sacrificed to achieve it.

“Khalmet’s hand,” Vanik said, still swaying on his rope. He and the others were staring at us with their jaws hanging open. “Thought you had a rule, Cara. No outriders or convoy folk in your bed.” He sounded more than a little disgruntled. “Didn’t you hear?” Gevia’s grin held an edge. She and Cara had been close ever since their apprentice days, but she’d never much liked me. “Dev’s no outrider, not anymore. Got blacklisted for life. Though, damn…looks a fair trade, doesn’t it? Cara, if I ditch an avalanche-struck convoy before they can even dig out, will you tumble me?”

I’d abandoned that convoy for Melly’s sake, and in doing so, saved Kiran from Ruslan. Yet even now, the reminder of the cost of my choice sliced deep. Insults crowded my tongue, but Cara spoke first, cheerfully mocking.

“Not likely, Gevia. Didn’t you bail off the east face of Vanadys Peak because you got too tired to hammer pitons? I like my lovers with a little more stamina.”

Gevia slapped a hand to her heart and groaned in theatrical anguish, as Ikkio and Vanik snickered. Cara dragged me back through the quartz-chip hanging into the cool semi-darkness of the house.

“Ignore her,” she said, and kissed me again, deep and slow. “I can’t believe you’re really here. I should’ve known you’d get yourself free.”

The mix of exultation and relief in her words twisted my gut. “I didn’t,” I admitted. “The Alathians brought us to Ninavel.”

“Us?” Cara peered at me. “You mean, Kiran too? But…I thought he couldn’t return, not with Ruslan…”

Gods only know what showed on my face. She sucked in a breath, her grip on my arms tightening. “Dev. What’s happened?”

“It’s that fucking Marten,” I snarled. “Didn’t I tell you he had a viper’s soul – ” I checked, looking from the open door to the darkened hall. Cara, I trusted; Samis and the rest were another story. “I’ll tell you the lot, but not here. I know a spot nearby that’s safe to talk, but you’ll want some boots to climb in.” This time of morning, in full sun the city walls would already be hot enough to blister unprotected skin.

Cara glanced down at her bare feet. “Yeah, give me a minute.” She retreated down the shadowed hall. Voices drifted back. Samis’s started off sharp, then faded into plaintive grumbling. Cara reappeared wearing a longer pair of pale cotton trousers, a thin, long-sleeved shirt, and her leather outrider boots, firmly laced.

She followed me out Samis’s door and down the narrow street past warded doors and shuttered windows. Both of us stuck to the shadows beneath balconies where we could to avoid the glare of the sun. Sweat soaked my shirt and shone on Cara’s brow. The street was empty of all but little gold-speckled whiptail lizards splayed unblinking on the pavestones. The emptiness was deceptive. As we passed the mouths of alleys I heard the occasional rustle of movement from behind makeshift shelters built of tile fragments and tattered cloth. Streetsiders too poor to pay for both water rations and living quarters wouldn’t venture out in midday heat, but they’d listen eagerly enough to any conversations in hopes of catching some scrap of information worth a coin or two from the local ganglord’s shadow men.

I ducked around the corner of a charmseller’s shop into a slit of an alley, so deep and narrow the sun didn’t penetrate. The heat remained smothering in intensity, but the walls wouldn’t burn our fingers off when we climbed. Ten stories above, one wall ended in a crumbling line of stone silhouetted against a sky seared white by the sun. This area of Acaltar district had sustained some serious damage in the mage war twenty years back, and unlike similar spots highside, nobody’d ever bothered to repair it.

“Up here,” I told Cara, and scrambled up the wall. Enough cracks marred the stone the climb was easy as breathing. Beyond the walltop, a sea of blinding white rooftops rose toward the thin spires of Kulori district. Overhead, the stone supports of a bridge that had once spanned the gap up to the lower terraces of Kulori’s towers arched to end in mid-air. The underside of one support had a dark gap where stone blocks were missing. I pulled myself into the gap and squeezed up through a crevice in the floor of an open-air cupola that’d been the province of the bridge’s tollkeeper. Broken mosaic tiles lay scattered over the cupola’s floor, the waist-high walls slimed by the droppings of rock swallows, but the roof was intact, providing blessed shade.

Cara grunted up through the hole in the floor; her height made the crevice more awkward than it’d been for me. She mopped sweat from her face with a sleeve and took in the excellent view the cupola afforded of Kulori’s towers. “Let me guess. This is one of your haunts from your Tainted days.”

“Yeah.” I’d spent many a night here with my Tainter crew, taking turns watching the highside dwelling Red Dal wanted us to hit, playing skipstone with colored bits of glass or making racecourses for roaches to pass the time. Until our minder gave the signal, and we’d swoop like bats through the cool night air up to Kulori, ready to pit ourselves against highsider wards. I kicked aside a broken tile with more force than necessary.

Cara dropped to sit cross-legged against a wall. “All right, Dev. Nobody but the damn swallows can hear us now. What’s going on?”

I slid down the wall next to her and drew my knees up to my chest, gripping them as if I could brace myself against the tale I had to share.

Win an autographed copy of Tad Williams' THE DIRTY STREETS OF HEAVEN


Thanks to Tad Williams and his lovely wife Deborah, I have an autographed copy of The Dirty Streets of Heaven up for grabs! For more info about this title: Canada, USA, Europe.

Here's the blurb:

Bobby Dollar would like to know what he was like when he was alive, but too much of his time is spent working as an extremely minor functionary in the heavenly host judging recently departed souls.

Until the day a soul goes missing, presumed stolen by ‘the other side’.

A new chapter in the war between heaven and hell is about to open. And Bobby is right in the middle of it, with only a desirable but deadly demon to aid him
.

The rules are the same as usual. You need to send an email at reviews@(no-spam)gryphonwood.net with the header "DIRTY." Remember to remove the "no spam" thingy.

Second, your email must contain your full mailing address (that's snail mail!), otherwise your message will be deleted.

Lastly, multiple entries will disqualify whoever sends them. And please include your screen name and the message boards that you frequent using it, if you do hang out on a particular MB.

Good luck to all the participants!

This week's New York Times Bestsellers (August 27th)

In hardcover:

George R. R. Martin's A Dance With Dragons is up six spots, finishing the week at number 6. For more info about this title: Canada, USA, Europe.

Dean Koontz’ Odd Apocalypse is down two spots, finishing the week at number 7.

Deborah Harkness’s Shadow of Night is up three spots, finishing the week at number 11. For more info about this title: Canada, USA, Europe.

R. A. Salvatore's Charon's Claw is down twelve positions, ending the week at number 16. For more info about this title: Canada, USA, Europe.

Sherrilyn Kenyon's Time Untime is down seventeen positions, ending the week at number 25.

Aaron Allston's Star Wars: X-Wing: Mercy Kill is down seventeen spots, finishing the week at number 35. For more info about this title: Canada, USA, Europe.

In paperback:

George R. R. Martin's A Game of Thrones is up one spot, finishing the week at number 6.

Stephen King's 11/22/63 is down two positions, ending the week at number 8 (trade paperback).

George R. R. Martin's A Storms of Swords is up one position, ending the week at number 8.

Erin Morgenstern's The Night Circus is down two positions, ending the week at number 9 (trade paperback).

David Mitchell's Cloud Atlas is up five spots, finishing the week at number 10 (trade paperback).

George R. R. Martin's A Clash of Kings is up four positions, ending the week at number 11.

George R. R. Martin's A Feast for Crows is up four positions, ending the week at number 13.

Deborah E. Harkness' A Discovery of Witches is up two spots, finishing the week at number 15.

Orson Scott Card's Ender's Game is up three spots, finishing the week at number 16.

Justin Cronin's The Passage is up two spots, finishing the week at number 20.

Jim Butcher's Ghost Story is down five positions, ending the week at number 21.

George R. R. Martin's A Game of Thrones is down three spots, finishing the week at number 29 (trade paperback).

More inexpensive ebook goodies!


You can now download Joe Haldeman's classic, The Forever War, for only 3.99$ here.

Here's the blurb:

A THOUSAND YEAR CONFLICT. ONE SOLDIER LIVES THROUGH IT ALL. CAN HE MAINTAIN HIS HUMANITY?

The Forever War is a science fiction classic that chronicles the life of William Mandella. Due to the time distortion associated with deep space travel, he is present during both the first and the last battle of a thousand year old conflict with the alien Taurans.

A masterpiece of not just science fiction, The Forever War illustrates the futility of all wars and their effect on the human soul.

The Forever War won all major science fiction awards including the Hugo, Nebula and Locus. Ridley Scott, director of Blade Runner and Alien, is currently adapting this classic for film.

This is the author's preferred version and includes a foreword by John Scalzi, author of Old Man's War.

Quote of the Day

If the road to Hell is paved in good intentions, a friend of mine used to say, the road to Heaven is paved with bullshit and busy work.

- TAD WILLIAMS, The Dirty Streets of Heaven (Canada, USA, Europe)

My Name Is Red


After the disaster that was Gabriel García Márquez's One Hundred Years of Solitude, I hesitated before giving another Nobel prize-winning author a shot. But Orhan Pamuk's novels were everywhere during my stay in Turkey. Every time I entered a gift shop, I would once again see his books and then peruse them, and my curiosity was piqued. Back in Canada, I ordered two of them to give the author a try. And since Márquez's so-called masterpiece left me so thoroughly disillusioned, I elected to read the work that earned Pamuk the Nobel prize in Literature.

Unlike One Hundred Years of Solitude, Orhan Pamuk's My Name Is Red captivates you from the very beginning, grabbing hold and never letting you go. Though not fantasy per se, the setting and Pamuk's writing style should please most speculative fiction aficionados.

Here's the blurb:

From one of the most important and acclaimed writers at work today, a thrilling new novel—part murder mystery, part love story—set amid the perils of religious repression in sixteenth-century Istanbul.

When the Sultan commissions a great book to celebrate his royal self and his extensive dominion, he directs Enishte Effendi to assemble a cadre of the most acclaimed artists in the land. Their task: to illuminate the work in the European style. But because figurative art can be deemed an affront to Islam, this commission is a dangerous proposition indeed, and no one in the elite circle can know the full scope or nature of the project.

Panic erupts when one of the chosen miniaturists disappears, and the Sultan demands answers within three days. The only clue to the mystery—or crime?—lies in the half-finished illuminations themselves. Has an avenging angel discovered the blasphemous work? Or is a jealous contender for the hand of Enishte’s ravishing daughter, the incomparable Shekure, somehow to blame?

Orhan Pamuk’s My Name Is Red is at once a fantasy and a philosophical puzzle, a kaleidoscopic journey to the intersection of art, religion, love, sex, and power.

Essentially, My Name Is Red is a muder mystery set in 16th century Istanbul. On a different level, it is also an exploration of the concept of art within the confines of Islamic society and how their interpretation of art clashes with that of the Western world. The story takes place in 1591 during the reign of Sultan Murat III, and the author's depiction of 16th century Istanbul and Ottoman Empire gives this work an unforgettable vibe. Exactly the sort of Islamic "flavor" I expected Saladin Ahmed's Throne of the Crescent Moon to have. This is an exploration of Islam by a Muslim author, which means that there is a lot of depth and countless nuances that imbue My Name Is Red with the type of realism that Christian authors or writers of various faiths simply cannot grasp or portray.

Like George R. R. Martin's A Song of Ice and Fire, each chapter of Pamuk's My Name Is Red features a different narrator, more than a dozen in total. This cast of disparate protagonists allows us to see the tale unfold through the eyes of vastly different men and women. There are a few odd POV choices, such as Satan, the color red, a tree, a dog, and a corpse. These narrators do serve a purpose, that of shining some light on various elements of 16th century Islamic society.

The pace is crisp for the better part of the book, as Black seeks to unveil the identity of the murderer of Elegant Effendi. The panoply of POV characters, the witty narratives, the arresting imagery, and the convoluted plot all make for a page-turner. Near the end, the rhythm becomes a bit sluggish and Orhan Pamuk's novel suddenly become a treatise on Islamic art for a while. Still, the various info-dumps don't take much away from the overall reading experience.

Intelligent, richly detailed, and thought-provoking, as a murder mystery work Pamuk's My Name Is Red remains an accessible novel that should satisfy even jaded readers looking for something different.

Highly recommended.

The final verdict: 8.5/10

For more info about this title: Canada, USA, Europe

Extract from Sam Sykes' THE SKYBOUND SEA



Thanks to the author's generosity, here's an exclusive excerpt from Sam Sykes' upcoming The Skybound Sea! For more info about this title: Canada, USA, Europe.

Here's the blurb:

She comes.

The skies bleed. The earth groans. The sea howls. The world is rent asunder as the Kraken Queen claws her way from hell. And the only ones standing in her way are a young man with a piece of steel and a voice in his head, his many companions, and their many, many problems.

As Lenk journeys to the Island of Jaga, the tomb of Ulbecetonth, he is hunted. By enemies, by the woman he loves, by the demon he has to kill, by an army of any number of bloodthirsty purple berserkers, savage lizardmen, vicious monsters, and colossal demons.

In the lands where sky and sea have forgotten they were ever separate, Lenk and the companions' destinies await at the tip of a sword and the mouth of hell.

Enjoy!
----------

The Shen came surging up the highway in a riot of color. Lanky green muscle trembled beneath tattooed bands of red and black, weapons of bone and metal flashed in their hands, yellow eyes grew gold with fury at the sight of her.

Great webbed crests rose from their scaly crowns, displaying colorful murals tattooed on the leathery flesh. Giant fish on some, serpents on others—various peoples in various stages of dismemberment seemed a rather popular choice.

They bent at the waist, long tails risen behind them as they picked up speed, raised their weapons and howled.

Like hounds, she thought. Big, tattooed, ugly hounds. With weapons. Sharp ones. She glanced up the road. Why aren’t you running, again?

If her head couldn’t form a response, her feet did. And they spoke loudly and in great favor of screaming loudly and running away. She agreed and tore down the highway, folding her ears over themselves to block the sound of a dozen warcries growing louder.

She saw Lenk a moment later, the young man leaning on his knees and trying desperately to catch his breath. She opened her mouth to warn him, to tell him that they were close enough behind that he had to keep moving.

“YOU SON OF A BITCH!”

That wasn’t a warning, but it made him move, regardless. He sheathed his sword and took off at a sprint, falling in beside her.

“You could have warned me,” she snarled between breaths.

“Did you not see me running?” he screamed back. “What, did you think I was just that excited to see you?”

“You had your sword drawn! I didn’t know what was happening!”

Her ears pricked up at a faint whistle growing steadily louder. She leapt and the arrow cursed her in a spray of sparks and a whine of metal as it struck the stones where she had just stood.

“How about now?” he asked. “If you’re still confused, they’ve got more arrows.”

And in symphonic volleys, the arrows wailed. They came screaming from atop the walls, making shrill and childish demands for blood, skulking in clattering mutters when they found only stone.

The archers took only a few opportunistic shots, shouldering their bows and racing atop the wall after their fleeing pink targets as soon as they moved out of range. But there were always more archers and ever more arrows.

Precise shots, Kataria thought. Hungry shots. Little wolves of metal and wood. And like wolves, they came from all sides.

She glanced over to the side. The kelp had thinned out, giving way to another, stranger forest.

Coral formations rose out of the sand and into the gray sky. Jagged blue pillars, spheres of twisted green, great cobwebs of red thorns and sheets of yellow blossomed like a garden of brittle, dead gemstones.

It might have been beautiful, had each formation not been host to yellow eyes lurking in their towering pillars, green feet perched upon the colorful branches, bows bent and arrows drawn.

They ducked, weaved, hid where they could, tumbled where they had to. Arrows snarled overhead, jagged tips reaching with bone-shard barbs. They darted behind one of the twisted bells to avoid a volley. The arrows struck, sent the misshapen metal wailing, screaming, weeping, laughing, grinding sound against sound in a horrifying cacophony.

Kataria clamped hands over her ears, shouted to be heard. “How far back are they?” “I don’t care!” he shouted back. “Just keep going until we can find someplace to hide!”

She glanced over her shoulder. The tide of Shen seemed a distant green ebb. They had checked their pace, pursuing with intent, not speed. They were up to something. Or maybe lizards just weren’t meant to run on two legs.

“Must be the tails,” she muttered. “We’re bound to lose them soon. For a bunch of crafty savages, you’d think they’d have a better plan than just chasing us and—“

“Damn it, Kat,” Lenk snarled. “Why the hell would you say that?”

She didn’t have to ask. The moment she turned, she saw it, looming overhead, its gray so dark it stood out even against the cloud-shrouded sky. The monolith statue stood upon the wall, palm outstretched, a symbol of a great, unblinking eye set within its stone hood.

While it certainly didn’t seem to object to the cluster of Shen around its feet trying desperately to push it over and onto the road below, Kataria picked up her speed.

“Stop!” Lenk rasped. “We’ll never make it!”

“Yes, we will! Just go faster!”

He did go. Faster than her, even. Their breath became soundless, coming so swiftly and weakly it might as well not exist. Their legs pumped numbly beneath them, forgetting that they were supposed to have collapsed by now. They had nothing left to give but the desperate hope of passing before the statue fell.

Whatever god it was supposed to represent, though, the monolith appeared unmoved.

By their efforts, anyway.

The collective heaving of ten Shen proved to be far more persuasive.

The monolith tilted with a roar of rock and the wail of wind as it teetered and pitched over the wall, plummeting to the road below. She felt the shock of it through her numb feet, coursing up into her skull as the old stone god smashed against the rock below, sending a wave of pulverized granite dust erupting.

His legs desperately trying to remember how to stop, Lenk skidded into the great stone eye with an undignified sound. He came to a rasping, gasping halt.

Kataria did not.

With an almost unnerving casualness, she leapt, racing up his back, onto his shoulders, leaping off of him like a fleshy, wheezy stepping stone and scrambling atop the statute’s stone flank. She turned, looked down at him as he scrambled to follow her, failed to even come close.

She clicked her tongue. “Okay, so I was halfway right.”

Had he the breath to respond, he probably would have cursed her. Had he the energy to lift his sword, he probably would have thrown it at her. She didn’t watch him for long, though. Her eyes were drawn down the road, toward the advancing Shen horde. Archers continued to slither out of the coral forest to join the tide, bows added to the throngs of clubs and blades raised high and hungry for blood.

But even that did not hold her attention for long.

Her ears did not prick up at the sound, for she did not hear it. She felt it, in the nothingness of the mist. Determination. Compassion. Hate. Anger.

Naxiaw.

He was out there, somewhere. Somewhere close. Watching her, even now. And his were not the only eyes upon her.

But the Shen were also close. And growing closer. Stay and chase them off, she thought, and the greenshicts would come and kill Lenk. Leave to chase off the greenshicts and the Shen would kill Lenk. Neither option was attractive.

But then he decided for her.

“I can’t make it,” he said, finally finding his breath. “You have to go.”

“Right,” she said, making a move to leave.

“Wait!”

“What?”

“I didn’t mean it! I was trying to be noble!”

“Ah…” She looked at him and winced. “Well.”

And Lenk was left staring at an empty space she had just occupied. Had he breath to speak, he still wouldn’t have had the words to describe what he felt just then.

Someone else did, though.

“Told you,” the voice whispered.

Don’t be an asshole about this, he thought in reply.

“More important matters, anyway.”

The voice was right. Lenk knew that the moment he heard the hissing behind him. Breath coming heavily, sweat dripping from his brow, Lenk turned around very slowly. But he was in no hurry.

When he finally turned to face them, the Shen were waiting.

Best Stand-Alone Fantasy Titles


This from bookreporter.com:

In June, our resident fantasy go-to reviewer Steve Hubbard presented you with 20 Must-Read Fantasy Series titles, and now he's back with Part Two --- a curated list of his favorite Stand Alone Fantasy books.

Complete with the "grandfather of fantasy" --- THE HOBBIT --- and other essential fantasy novels including AMERICAN GODS by Neil Gaiman and THE WONDERFUL WIZARD OF OZ by L. Frank Baum, this collection will help you get lost in a number of mysterious and magical worlds. Whether you are new to the Fantasy genre and wondering where to start --- or already are a fan, checking our list to see what you have missed --- we hope you’ll note titles you want to explore.

Of course, all lists are subjective and that's as it should be. But this one is a bit weird, especially with the presence of Sanderson's The Way of Kings.

Here are Steve Hubbard's picks:

- Neil Gaiman's American Gods
- Burton Raffel's Beowulf
- China Miéville's The City and the City
- John Gardner's Grendel
- J. R. R. Tolkien's The Hobbit
- Susanna Clarke's Jonathan Strange and Mr. Norrell
- Lord Dunsany's The King of Elfland's Daughter
- Peter S. Beagle's The Last Unicorn
- Sir Thomas Mallory's Le Morte D'Arthur
- Marion Zimmer Bradley's The Mists of Avalon
- Christopher Priest's The Prestige
- William Goldman's The Princess Bride
- John Myers Myers' Silverlock
- Ray Bradbury's Something Wicked This Way Comes
- Steven Brust's To Reign in Hell
- Guy Gavriel Kay's Under Heaven
- Eve Forward's Villains by Necessity
- Richard Adams' Watership Down
- Brandon Sanderson's The Way of Kings
- L. Frank Baum's The Wonderful Wizard of Oz

Thoughts???

More inexpensive ebook goodies!


You can now download Jo Walton's Nebula award-winning Among Others for only £0.99 here.

Here's the blurb:

Winner of the 2011 Nebula Award for Best Novel. Startling, unusual, and yet irresistably readable, Among Others is at once the compelling story of a young woman struggling to escape a troubled childhood, a brilliant diary of first encounters with the great novels of modern fantasy and SF, and a spellbinding tale of escape from ancient enchantment.

'It doesn't matter. I have books, new books, and I can bear anything as long as there are books.'

Fifteen-year-old Morwenna lives in Wales with her twin sister and a mother who spins dark magic for ill. One day, Mori and her mother fight a powerful, magical battle that kills her sister and leaves Mori crippled. Devastated, Mori flees to her long-lost father in England. Adrift, outcast at boarding school, Mori retreats into the worlds she knows best: her magic and her books. She works a spell to meet kindred souls and continues to devour every fantasy and science fiction novel she can lay her hands on. But danger lurks... She knows her mother is looking for her and that when she finds her, there will be no escape.

WOT contest winner!

This lucky gal will receive my review copy of Chuck Dixon and Andie Tong's The Eye of the World: The Graphic Novel, Volume 2 to one lucky winner! For more info about this title: Canada, USA, Europe.

The winner is:

- Marie Vargas, from San Antonio, Texas, USA

Many thanks to all the participants!

This week's New York Times Bestsellers (August 20th)

In hardcover:

R. A. Salvatore's Charon's Claw debuts at number 4. For more info about this title: Canada, USA, Europe.

Dean Koontz’ Odd Apocalypse is down three spots, finishing the week at number 5.

Sherrilyn Kenyon's Time Untime debuts at number 8.

George R. R. Martin's A Dance With Dragons is down two spots, finishing the week at number 12. For more info about this title: Canada, USA, Europe.

Deborah Harkness’s Shadow of Night is down five spots, finishing the week at number 14. For more info about this title: Canada, USA, Europe.

Aaron Allston's Star Wars: X-Wing: Mercy Kill debuts at number 18. For more info about this title: Canada, USA, Europe.

Karen Thompson Walker’s The Age of Miracles is down ten positions, ending the week at number 32. For more info about this title: Canada, USA, Europe.

In paperback:

Stephen King's 11/22/63 is down one position, ending the week at number 6 (trade paperback).

Erin Morgenstern's The Night Circus is down one position, ending the week at number 7 (trade paperback).

George R. R. Martin's A Game of Thrones is up four spots, finishing the week at number 7.

George R. R. Martin's A Storms of Swords is up three positions, ending the week at number 9.

David Mitchell's Cloud Atlas is down five spots, finishing the week at number 15 (trade paperback).

George R. R. Martin's A Clash of Kings is up two positions, ending the week at number 15.

Jim Butcher's Ghost Story debuts at number 16.

Deborah E. Harkness' A Discovery of Witches is down nine spots, finishing the week at number 17.

George R. R. Martin's A Feast for Crows is up one position, ending the week at number 17.

Orson Scott Card's Ender's Game is up three spots, finishing the week at number 19.

Justin Cronin's The Passage debuts at number 22.

George R. R. Martin's A Game of Thrones is down three spots, finishing the week at number 26 (trade paperback).

Quote of the Day

Seeing a woman's bare face, speaking to her, and witnessing her humanity opens the way to both pangs of lust and deep spiritual pain in us men, and thus the best of all alternatives is not to lay eyes on women, especially pretty women, without first being lawfully wed, as our noble faith dictates. The sole remedy for carnal desires is to seek out the friendship of beautiful boys, a satisfactory surrogate for females, and in due time, this, too, becomes a sweet habit. In the cities of the European Franks, women roam about exposing not only their faces, but also their brightly shinning hair (after their necks, their most attractive feature), their arms, their beautiful throats, and even, if what I've heard is true, a portion of their gorgeous legs; as a result, the men of those cities walk about with great difficulty, embarrassed and in extreme pain, because, you see, their front sides are always erect and this fact naturally leads to the paralysis of their society. Undoubtedly, this is why each day the Frank infidel surrenders another fortress to us Ottomans.

- ORHAN PAMUK, My Name Is Red (Canada, USA, Europe)

Book trailer for Joe Abercrombie's RED COUNTRY



Here's the official book trailer for the forthcoming Red Country by Joe Abercrombie. For more info about this title: Canada, USA, Europe.

One Hundred Years of Solitude


Well, I'm sad to report that it took everything I had for me to finish this book. Honestly, I haven't had such a hard time reaching the end of a book since David Bilsborough's The Wanderer's Tale. I kid you not. . .

As was the case with Neal Stephenson's Snow Crash a few weeks back, Gabriel García Márquez's One Hundred Years of Solitude had been siting on my shelf for well over a decade, awaiting my attention. Yet every time I decided that the time had come to finally read it, for some reason in the end I would hold back. One Hundred Years of Solitude has become such a classic and is considered a literary masterpiece, and hence is raised my expectations to what I felt was an impossible level to reach. To put it simply, Márquez's signature work had to be the very best novel I had ever read. Anything else would be a disappointment. . .

And what a major disappointment it was. The only reason I finished the book was because two people close to me loved it to such a degree that I felt it would be like letting them down if I didn't read it from one end to the other. One of them called Carlos Ruiz Zafón's The Shadow of the Wind "vulgar fluff" compared to One Hundred Years of Solitude. Sorry, but I get to differ. . .

Here's the blurb:

One of the 20th century's enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world, and the ultimate achievement in a Nobel Prize–winning career.

The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. It is a rich and brilliant chronicle of life and death, and the tragicomedy of humankind. In the noble, ridiculous, beautiful, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America.

Love and lust, war and revolution, riches and poverty, youth and senility -- the variety of life, the endlessness of death, the search for peace and truth -- these universal themes dominate the novel. Whether he is describing an affair of passion or the voracity of capitalism and the corruption of government, Gabriel García Márquez always writes with the simplicity, ease, and purity that are the mark of a master.

Alternately reverential and comical, One Hundred Years of Solitude weaves the political, personal, and spiritual to bring a new consciousness to storytelling. Translated into dozens of languages, this stunning work is no less than an accounting of the history of the human race.

As you undoubtedly know by now, I'm a plot kind of guy. Always have been and always will be. And since Márquez's One Hundred Years of Solitude is a meandering book following the random tribulations of generations of the Buendía family with no plot to speak of, it was impossible for me to get into it.

Yes, I understand that Macondo is a metaphor for Colombia, and the entire novel is sort of a metaphor for Latin America history. I get all that. But Marquez is all over the place, with storylines going everywhere and nowhere, which prevented me from getting into it. Also, the non-linear narrative spanning a number of generations precludes any sort of depth in terms of characterization.

Gabriel García Márquez's prose is awesome, though. The narrative is smart, witty, humorous, and you find yourself chuckling all the time by various turn of phrases he uses. At the beginning, I was thoroughly enjoying myself. And then I started reading Mitch Albom's Tuesdays With Morrie (Canada, USA, Europe), which is one of the most touching and rewarding books I have ever read. Problem is, for years I had been told that One Hundred Years of Solitude was so touching and rewarding. For all its wit and humor and the metaphoric aspect of the underlying Latin America history, the plot itself was so much fluff that Albom's heartwarming work totally killed Márquez's classic for me. Still, I plowed on, hoping to encounter what made countless people fall in love with One Hundred Years of Solitude. Unfortunately, the narrative remains the same as it focuses on various members of the Buendía family at different points in history.

At one point the whole thing became so pointless that it took me over two weeks to read the last 200 pages or so. The narrative was as fun to read as it had been in the beginning, but the total absence of plot meant that I was just going through the motions, hoping to reach the end without giving up.

I'm aware that my lofty expectations were so high that One Hundred Years of Solitude had no chance of satisfying me. Yet I never expected such a renowned work to be such an epic fail for me. For all of its metaphors, I found the book to be more or less meaningless and impossible to get into. Is Love in the Time of Cholera like this? If so, I'm throwing it into the box of book I donate to libraries immediately.

Incredible prose, but no plot to speak of. Sadly, this one wasn't for me. . .

The final verdict: 5/10

For more info about this title: Canada, USA, Europe

Cover art and blurb for Ian Cameron Esslemont's BLOOD AND BONE


Here's the UK cover art for Ian Cameron Esslemont's Blood and Bone.

Like the setting, but the warrior is a bit off-putting. I guess it's the chainmail and the helmet. . .

Here's the blurb:

In the western sky the bright emerald banner of the Visitor descends like a portent of annihilation. On the continent of Jacuruku, the Thaumaturgs have mounted yet another expedition to tame the neighboring wild jungle. Yet this is no normal wilderness. It is called Himatan, and it is said to be half of the spirit-realm and half of the earth. And it is said to be ruled by a powerful entity whom some name the Queen of Witches, and some a goddess: the ancient Ardata. Saeng grew up knowing only the rule of the magus Thaumaturgs -- but it was the voices out of that land's forgotten past that she listened to. And when her rulers mount an invasion of the neighboring jungle, those voices send her and her brother on a desperate mission.

To the south, the desert tribes are united by the arrival of a foreign warleader, a veteran commander in battered ashen mail whom his men call, the Grey Ghost. This warleader takes the tribes on a raid like none other, deep into the heart of Thaumaturg lands. While word comes to K'azz, and mercenary company the Crimson Guard, of a contract in Jacuruku. And their employer... none other than Ardata herself.

Exclusive extract from Jacqueline Carey's DARK CURRENTS


Thanks to the generosity of the author, here's an exclusive excerpt from Jacqueline Carey's Dark Currents! For more info about this title: Canada, USA, Europe.

Here's the blurb:

Jacqueline Carey, New York Times bestselling author of the acclaimed Kushiel’s Legacy novels, presents an all-new world featuring a woman caught between the normal and paranormal worlds, while enforcing order in both. Introducing Daisy Johanssen, reluctant hell-spawn…

The Midwestern resort town of Pemkowet boasts a diverse population: eccentric locals, wealthy summer people, and tourists by the busload; not to mention fairies, sprites, vampires, naiads, ogres and a whole host of eldritch folk, presided over by Hel, a reclusive Norse goddess.

To Daisy Johanssen, fathered by an incubus and raised by a single mother, it’s home. And as Hel’s enforcer and the designated liaison to the Pemkowet Police Department, it’s up to her to ensure relations between the mundane and eldritch communities run smoothly.

But when a young man from a nearby college drowns—and signs point to eldritch involvement—the town’s booming paranormal tourism trade is at stake. Teamed up with her childhood crush, Officer Cody Fairfax, a sexy werewolf on the down-low, Daisy must solve the crime—and keep a tight rein on the darker side of her nature. For if she’s ever tempted to invoke her demonic birthright, it could accidentally unleash nothing less than Armageddon.

You can read the first chapter here.

Enjoy!
---------------------------

The band was good.

And that was a good thing, since it helped distract me while Jen went on and on and back and forth about Cody Fairfax, and whether or not he really was a jerk, whether or not he might call, whether she should go out with him if he did—

Well, that was an easy one.

“No,” I said. “I don’t.”

She eyed me suspiciously. “So he is a jerk?”

I sighed. Lying isn’t one of the Seven Deadlies, but I tried to avoid it. When you’re condemned to go through life worrying about being the spawn of Satan, you learn to avoid anything that leads you down a dark path. “Not exactly. It’s just... you know his track record.”

“Yeah, but people change.” Jen scanned the crowd, looking for her eleven-year-old brother. “Brandon! Stay where I can see you, okay?” Lowering her voice, she turned back to me. “Is it true that Cody only became a cop so he could make sure his family doesn’t get busted for growing pot in the county woods?”

“No,” I said honestly. “I’m pretty sure that’s not true.”

“They’re a little like the Joads or something, aren’t they? Like one of those inbred redneck families Mr. Leary made us read about.” Jen nibbled on a manicured thumbnail, caught herself doing it and stopped. “But Cody’s different.” She shrugged. “Anyway, who am I to talk about family?”

I didn’t say anything. Jen’s family was no prize. Her father worked as a caretaker and handyman for a bunch of wealthy families with summer homes. He could fix almost anything, and when he was sober, he had a reputation for being a reasonably decent guy. But he wasn’t sober often, especially at home. He had a chip on his shoulder that grew ten times bigger when he drank, and he took his temper out on Jen’s mother. Still, compared to my father, that was nothing.

“Sorry.” Jen made a self-deprecating face. “You know what I mean. Your mom’s great. You know I love her.”

“Yeah.” I smiled at her. “I know.”

It was true. Ever since Jen and I had become friends in high school, when I helped her track down her older sister Bethany at the House of Shadows and make sure she was okay, or as okay as she could be under the circumstances, Mom had taken Jen under her wing, doing her best to make sure Jen didn’t get into the same kind of trouble. Which is sort of ironic if you think about it, since dating a werewolf might fall under that category. On the other hand, I knew plenty of girls who’d dated Cody Fairfax without suffering any side effects worse than common heartbreak, so I guess it’s nowhere near as dangerous as becoming a blood-slut out at Twilight Manor.

By the way, if you’re ever conversing with an actual vampire, do not refer to the House of Shadows as Twilight Manor. There’s a reason vampires aren’t known for their senses of humor. If you accidentally do so, I’d say run, but it’s probably already too late.

Los Gatos del Sol ended one song and went straight into another rollicking number. It’s hard to stay moody when you’re listening to a good Tex-Mex band, and they were cute, especially the accordian player. Funny how accordian players are dorky in a polka band, but kind of sexy playing Tex-Mex or zydeco. This one was working the whole smoldering Latino thing, tossing his head to keep an errant lock of black hair out of his eyes. Catching my gaze, he winked at me. There was a faint sheen of sweat on the brown skin of his bare throat, and I imagined myself licking it.

A jolt of lust shivered the length of my spine, making my tail twitch.

Yeah, I said tail.

No horns, no batwings, no cloven hooves, and Mom swears I don’t have a birthmark that reads 666 on my scalp. Since I trust her, I haven’t shaved my head to check. Mostly, I take after her. I have her pert nose, her cheekbones, her chin. I inherited her fair skin and that white-blonde Scandinavian hair everyone thinks comes from a bottle.

But I have my father’s eyes, which are as black as the pits of... well, you know. And a cute little tail, which I’ve learned to tuck as carefully as a drag queen tucks his package, only back to front.

For the record, I’m not actually the spawn of Satan. My father’s name is Belphegor, lesser demon and occasional incubus. Here’s another piece of advice: If you’re vacationing in Pemkowet, or anywhere on the planet with a functioning underworld, do not mess around with a ouija board. The spirit you summon might just pay a visit. Mom learned that the hard way, and I’m living proof of it.

Daisy Johanssen, reluctant hell-spawn. That’s me.

At any rate, there’s a fine line between desire and lust, and and unfortunately, lust is one of the Seven Deadlies. With my emotions roiling under the surface, it wasn’t safe to skirt around the edges of it; not to mention the fact that casual hook-ups tended to go south at some point. There are circumstances under which it becomes very difficult to conceal a tail, even a small one. Believe me, that’s an awkward conversation to have.

“Check it out.” Jen nudged my arm, jerking her chin at the accordian player. “He’s checking you out.”

“Yeah.” Ruefully, I folded up the image of my licking his throat and packed it away in a mental suitcase, zipping it closed. “But it’s complicated.”

“Yeah, I know.” Jen was quiet a moment. “I’m sorry.”

“Thanks.” I was grateful for her understanding.

In the west, the sun sank slowly behind the treeline. Los Gatos del Sol took a break. The Pride of Pemkowet, a replica of an old-fashioned paddle-wheel steamboat, churned down the river to catch the sunset, laden with sightseers. There was a splash, and then oohs and ahs from the tourists aboard the boat. They’d caught a glimpse of something this time; a flash of a naiad’s pearl-white arm, maybe, or an undine’s hair trailing like translucent seaweed. The locals stayed seated while the tourists in the park rushed to the dock to see, returning in muttering disappointment. Whatever it was, they’d missed it.

By the time the band began its last set, the dusk was luminous. I watched the children at play.

It was a lovely sight, and only a little bittersweet. I missed the careless unselfconsciousness of childhood, when a boy on the bus could be a hero and nothing more complicated. The youngest kids flitted around the park like dragonflies. There were little girls forming friendships on the spot, one in a flounced polka-dotted skirt, one decked out in tie-dye by latter-day hippy parents. There was a young gymnast showing off, turning cartwheel after perfect cartwheel. Jen’s brother Brandon was hanging out with a couple of buddies, trying to look like they were too cool to play with the little kids. He was a surprise baby, what they call a change-of-life baby.

There was a dad letting his three daughters spin around him like a Maypole, making themselves dizzy until they fell tumbling onto the soft grass. Over there, a boy who couldn’t have been older than five or six was swiveling his hips like a miniature Elvis. There was a giggling blonde girl with a doll in the crook of one arm leading another little girl in gingham by the hand toward the bushes—

Oh, crap.

My skin prickled. One of those kids wasn’t a kid. Reaching into my purse, I eased out my police ID and stood slowly.

“What’s up?” Jen asked.

My tail twitched again, this time in a predatory reflex. “Hang on. I’ll be right back.”

I followed the little girls behind the curve of the ornamental hedge, catching them just as the one was handing her doll to the other.

“Don’t take that, sweetheart,” I said to the girl in gingham. “That’s not a nice doll.”

She gave me a confused look.

“We were only playing!” the blonde said in a sweet, piping voice. She had pink, rosy cheeks and blue eyes set in a heart-shaped face.

It takes an effort of will to see through a glamour, and not everyone can do it, but I can. The angelic-looking child before me turned into a milkweed fairy, all sharp-angled features and tip-tilted eyes, a halo of silvery fluff floating around its head, tattered, translucent wings springing from its shoulder blades. The baby doll it clutched had become a ripe milkweed pod oozing sticky white sap. I held up my ID. “Play somewhere else.”

The fairy hissed at me, baring a mouthful of needle-sharp teeth. “Thou hast no authority over me! I do not yield to a piece of plastic!”

“No?” I held up my other hand, my left hand, palm outward, displaying the rune written there, invisible to mundane eyes but plain as day to a fairy’s. “How about this?”

The fairy recoiled, but held its ground. “Hel should never have granted an ill-gotten half-breed such license!”

For the record, that’s Hel the Norse goddess of the dead, unrelated to the hell from whence my father came. Ironic, I know. An eldritch community needs a functioning underworld to exist, which makes Hel the number one supernatural authority in town. And I just happen to be her agent.

“But she did.” Anger stirred in me, and this time I let it rise, molten hot and delicious. I could feel the pressure building against my eardrums. On the other side of the hedge, someone let out a startled yelp as a bottle of soda popped its lid. The scent of ozone hung in the air, and electricity lifted my hair. I bared my own teeth in a smile, my tail twitching violently beneath the skirt of my sundress. And since you’re probably wondering, no, I don’t wear panties. “Do you yield?”

With another hiss, the milkweed fairy vanished.

The little mortal girl in the gingham dress burst into tears.

“It’s okay, sweetheart.” Reaching down, I took her hand and let my anger drain away. “What’s your name?”

She sniffled. “Shawna.”

“That’s very pretty.” I smiled at her. “Okay, Shawna. Let’s go find your mom and dad, shall we?”

Within a minute, I had her restored to her parents. Mom and Dad were a nice young couple visiting from Ohio. Caught up in the idyllic mood, listening to the band and watching the antics of the many children, they hadn’t even noticed their daughter’s fleeting absence. It had been so brief, I couldn’t blame them. It was easy to let your guard down on a beautiful evening in Pemkowet.

“Listen.” Lowering my voice, I nodded toward the public restroom, a squat cinderblock building rendered charming by virtue of a colorful Seurat painting replicated on its walls. While tourists emptied their bladders inside, 19th century Parisians strolled and lounged on the island of La Grande Jatte. “This may sound strange, but I strongly recommend you take Shawna to the bathroom and turn her dress inside-out.”

Ohio Mom blinked at me. “I beg your pardon?”

I laid one hand on Shawna’s head, stroking the wispy brown hair escaping from her ponytail. “It’s just a precaution. But your daughter caught a fairy’s attention. Better to be safe than sorry.”

Ohio Mom turned pale. Ohio Dad laughed. “Relax, hon. It’s just a publicity stunt.” He winked at me. “Fairies, huh?”

Tourists, gah!

“It’s not a publicity stunt.” I couldn’t keep a hint of irritation from my voice. “Trust me, you don’t want to wake up in the morning and find nothing but a milkweed pod lying on Shawna’s pillow.”

Which could very well have happened if little Shawna had taken the doll. That’s all the fairy would have needed to make a changeling. Oh, we would have tracked her down eventually – I would have known what had happened as soon as I saw the missing persons report, which is how I came by my special role in the department in the first place – but it would have resulted in some seriously bad publicity.

Plus, there’s no telling how it might have affected the kid. People who get abducted by fairies come back... changed.

It took a bit of convincing, but Ohio Mom decided to humor me. I went back to rejoin Jen.

“Errant fairy,” I explained briefly.

She nodded. “Did you get them to turn the kid’s dress inside-out?”

“Eventually.”

Jen made a face. “Tourists.”

“Yep.”

It wasn’t entirely their fault. The Pemkowet Visitors Bureau actively cultivates paranormal tourism. They don’t offer any guarantees – most visitors never catch more than a fleeting glimpse of a member of the eldritch community, or they fail to recognize those of us who pass for human – but the PVB isn’t exactly candid about the potential dangers, either.

What with being a goddess and all, albeit a much diminished one, Hel keeps most of the eldritch folk in line. The rune inscribed on my left palm is a symbol that I’m licensed to enforce her rules and act as her liaison between the underworld and the mundane authorities. It works pretty well most of the time, at least with the eldritch who respect order. Unfortunately, there are plenty who prefer chaos. Especially fairies, of which we have many.

Los Gatos del Sol wrapped their last set. The crowd began to disperse into the warm night. Jen retrieved her brother Brandon, and we discussed plans to schedule a good old-fashioned movie night with my mom, or maybe a Gilmore Girls marathon.

I was relieved that she didn’t mention Cody again. Generally speaking, Jen and I didn’t keep secrets from each other. My crush on Cody was a glaring exception. It was tied up with keeping his secret, which I was honor-bound to do.

By the time I made my way back to my place, the young couple in the front apartment were making loud and vigorous love, which I could hear on the landing; but on the plus side, Mogwai had decided to make an appearance. I turned on the stereo and poured myself a couple inches of good scotch, my one grown-up indulgence, then lit a few candles and curled up in the love-seat on my screen porch to mull over the evening.

Mogwai settled his considerable tricolored bulk in my lap, kneading and purring his deep, raspy purr.

“Not too bad, Mog.” I stroked him absentmindedly. “One changeling scenario, averted. Hel would be pleased.”

He twitched one notched ear in a cat-quick flick.

I sighed. “And yeah, one hopeless crush flirting with my BFF. But it’s not really any of my business, is it?”

He purred louder in agreement.

On the stereo, Billie Holiday sang good morning to heartache, her voice fragile and almost tremulous; and yet there was a fine steel thread of strength running through it, a strength born of suffering and resolve. Of all the music in the world, nothing soothes my own savage breast like women singing the blues. The year I discovered it, I was twelve, and my mom was dating a bassist in a local jazz band, the only serious boyfriend I’d ever known her to have. He introduced us to a lot of music. His name was Trey Summers, and he was killed in a car accident that winter. I still missed him, and I know Mom did, too.

I petted.

Mogwai purred.

Outside, the night was filled with the sounds of a resort town in full revelry; partying tourists frequenting the bars, bass beats thumping. Inside, with profoundly poignant resignation, Billie Holiday invited heartache to sit down.

I blew out the candles and went to bed.

Musical Interlude



A little Eminem track to brighten your Sunday!

Robin Hobb's "The Willful Princess and the Piebald Prince"

This from Subterranean Press:

Robin Hobb (whose collection, Inheritance, we published last year), has just graced us with The Willful Princess and the Piebald Prince, a brand new 37,000 word novella set in her popular Farseer universe. One of our favorite artists, Jon Foster, will provide the dust jacket, as well as two full-color interior illustrations, the latter exclusive to the signed limited edition.

Here's the blurb:

One of the darkest legends in the Realm of the Elderlings recounts the tale of the so-called Piebald Prince, a Witted pretender to the throne unseated by the actions of brave nobles so that the Farseer line could continue untainted. Now the truth behind the story is revealed through the account of Felicity, a low-born companion of the Princess Caution at Buckkeep.

With Felicity by her side, Caution grows into a headstrong Queen-in-Waiting. But when Caution gives birth to a bastard son who shares the piebald markings of his father’s horse, Felicity is the one who raises him. And as the prince comes to power, political intrigue sparks dangerous whispers about the Wit that will change the kingdom forever…

Internationally-bestselling, critically-acclaimed author Robin Hobb takes readers deep into the history behind the Farseer series in this exclusive, new novella, “The Willful Princess and the Piebald Prince.” In her trademark style, Hobb offers a revealing exploration of a family secret still reverberating generations later when assassin FitzChivalry Farseer comes onto the scene. Fans will not want to miss these tantalizing new insights into a much-beloved world and its unforgettable characters.

You can pre-order "The Willful Princess and the Piebald Prince" here.

This week's New York Times Bestsellers (August 13th)

In hardcover:

Dean Koontz’ Odd Apocalypse debuts at number 2.

Deborah Harkness’s Shadow of Night is down one spot, finishing the week at number 9. For more info about this title: Canada, USA, Europe.

George R. R. Martin's A Dance With Dragons maintains its position at number 10. For more info about this title: Canada, USA, Europe.

Karen Thompson Walker’s The Age of Miracles is down two positions, ending the week at number 22. For more info about this title: Canada, USA, Europe.

Carlos Ruiz Zafón's The Prisoner of Heaven is down three spots, finishing the week at number 26. For more info about this title: Canada, USA, Europe.

Stephen King's The Dark Tower: The Wind Through the Keyhole returns at number 31.

Orson Scott Card & Aaron Johnston’s Earth Unaware is down two spots, finishing the week at number 32. For more info about this title: Canada, USA, Europe.

In paperback:

Stephen King's 11/22/63 maintains its position at number 5 (trade paperback).

Erin Morgenstern's The Night Circus maintains its position at number 6 (trade paperback).

Deborah E. Harkness' A Discovery of Witches is down one spot, finishing the week at number 8.

David Mitchell's Cloud Atlas is up twenty-one spots, finishing the week at number 10 (trade paperback).

Ilona Andrews' Gunmetal Magic debuts at number 10.

George R. R. Martin's A Game of Thrones is down five spots, finishing the week at number 11.

George R. R. Martin's A Storms of Swords is down four positions, ending the week at number 12.

George R. R. Martin's A Clash of Kings is down nine positions, ending the week at number 17.

George R. R. Martin's A Feast for Crows is down eight positions, ending the week at number 18.

Carrie Vaughn’s Kitty Steals the Show debuts at number 20.

Orson Scott Card's Ender's Game is down ten spots, finishing the week at number 22.

George R. R. Martin's A Game of Thrones is down five spots, finishing the week at number 23 (trade paperback).

Seth Grahame-Smith's Abraham Lincoln: Vampire Hunter maintains its position at number 28 (trade paperback).

Cover art and book trailer for Jeff Somers' TRICKSTER


Here's the cover art and the book trailer for Jeff Somers' forthcoming Trickster. For more info about this title: Canada, USA, Europe.

Here's the blurb:

From master storyteller Jeff Somers comes a gritty new urban fantasy series starring a pair of unlikely heroes: low-life blood mages caught up in a violent scheme not of their own making.

Lem has ethics in using his magic. Therefore Lem is hungry and broke most of the time.

Ethics in the world of blood magic, however, is a gray area. While Lem will grift his way through life by using small glamours to make $1 bills appear as $20s, enabling him and his none-too-bright pal Mags to eat, he won’t use other people's blood to cast. Stronger spells require more blood, and hardcore magicians use Bleeders or “volunteers” to this end. Not Lem.

So when these down-and-out boon companions encounter a girl kidnapped and marked with magic rune tattoos, it’s not at all clear that they’re powerful enough to save her…or themselves. Turning to his estranged Master for help, it quickly becomes clear to Lem that not only is this beautiful, strange girl’s life all but forfeit, but that the world’s preeminent mage had big, earth-shattering plans for her—and he and Mags just got in the way.




If you have yet to give Jeff Somers a shot, you need to get your hands on the Avery Cates books ASAP!

- The Electric Church (Canada, USA, Europe)
- The Digital Plague (Canada, USA, Europe)
- The Eternal Prison (Canada, USA, Europe)
- The Terminal State (Canada, USA, Europe)
- The Final Evolution (Canada, USA, Europe)

Forbes' list of top-earning authors

Forbes have released their annual list of the world's top-earning authors:

1. James Patterson (and his assorted minions) - $94 million
2. Stephen King - $39 million
3. Janet Evanovich - $33 million
4. John Grisham - $26 million
5. Jeff Kinney - $25 million
6. Bill O'Reilly - $24 million
7. Nora Roberts - $23 million
8. Danielle Steele - $23 million
9. Suzanne Collins - $20 million
10. Dean Koontz - $19 million
11. J.K. Rowling - $17 million
12. George R.R. Martin - $15 million
13. Stephanie Meyer - $14 million
14. Ken Follet - $14 million
15. Rick Riordan - $13 million

Hmmm, even though GRRM's entire ASOIAF backlist has remained in the top 20 of the NYT bestseller list for the better part of 2011 and ADWD has been on the bestseller list since the day it was published, GRRM came in at number 12.

Then again, many of these authors have backlists comprised of so many titles that it's not all that surprising. . .

Still, 15 million dollars is quite awesome! =)

Geeks have feelings too!

Inquiring about press credentials for the upcoming Worldcon, Chicon 7, I came across this warning in the Press Guidelines:

A final word: Please be respectful of fans, artists, editors and writers you encounter. As a journalist, you should be aware that SF fans have either received or been the targets of negative notices in the media in the past. Occasionally you may be rebuffed for interview requests or encounter some hostility yourself. We will try to mediate and resolve any disputes you may have during the convention... Please contact our office immediately if this occurs.

Hmmm. . . Is this really necessary??

I mean, come on. . .