Extract from Tad Williams' THE DIRTY STREETS OF HEAVEN


Thanks to Tad Williams and his lovely wife Deborah, here's a another teaser extract from the forthcoming The Dirty Streets of Heaven. For more info about this title: Canada, USA, Europe.

Here's the blurb:

Bobby Dollar would like to know what he was like when he was alive, but too much of his time is spent working as an extremely minor functionary in the heavenly host judging recently departed souls.

Until the day a soul goes missing, presumed stolen by ‘the other side’.

A new chapter in the war between heaven and hell is about to open. And Bobby is right in the middle of it, with only a desirable but deadly demon to aid him
.

Enjoy!
-----------------

I liked my situation less and less by the moment -- in fact, the whole thing stank. Why was I being called back to the Walker house? If my bosses wanted to quiz me beyond what the fixer/minister had already done, why not just summon me to Heaven? Temuel had called me in for nothing more important than chatting about young Clarence, so something like this obviously rated a visit to the House.

Another question that was still itching me: who had called in the shock troops so quickly? As soon as Edward Walker's soul turned up missing, worker bees from both sides had descended on the scene before either Grasswax or I could check in with our bosses -- or at least that was how it had looked. My team and the Opposition are both very into procedure, as I had learned many times to my sorrow. What happened this time?

And to muddy the waters even further, only hours later Grasswax was dead and I was apparently wanted back on the scene for more questioning -- but I was the one who had questions that needed answering. Who had bothered to kill Grasswax's mortal form? It's not like it would shut him up about anything: earthbound employees of both sides wound up dead all the time. I've been there myself. We get debriefed about what happened and then decanted into another body.

Altogether, the affair had more loose ends than Swinger's Night in a bucket of worms, so I had a lot to think about as I skittered down the Bayshore through a canyon of glowing high-rise windows to the Palo Alto district, then made my way along the tree-lined streets until I was back in front of the Walker residence.

I parked as close to the house as I could. The street was still full of police vehicles and news trucks even though the death had happened this morning and by now the streetlights had come on. I'd already heard the story on the car radio -- "Scientist and Philanthropist Takes His Own Life," was the basic gist, featuring several quotes from Walker's friends and family about how they had no idea he was despondent or even worried, although there were also unsubstantiated rumors that he might have been ill with something serious.

Anyway, it wasn't the real-world version of the Walker place that I wanted (although I was beginning to have a few questions about that as well.) I opened a Zipper and the few police technicians still lingering around the open garage tented with white plastic froze into immobility as I stepped Outside, but I scarcely noticed because what I stepped into on the far side of the Zipper was your basic hive of activity. Opposition minions were everywhere, dozens of types, some indistinguishable from deformed humans, others so unpleasantly different I couldn't look at them for very long.

Only one member of our team was waiting for me there, but he was enough all by himself. I think it was the same Fixer as before -- certainly the bizarre plague-mask seemed the same, but it's hard to tell with the higher angels: outward appearances mean very little except to someone like me who's influenced by the meat body he's been lugging around.

Anyway, the minister was waiting for me and he didn't stand on ceremony, either: I scarcely had time to get both my feet on the Outside ground before he started asking me questions. The first were the obvious ones, many of which I'd already answered for him -- what had happened here earlier today, what had I seen, what had Grasswax said, and so on. But then he started asking me what happened after I left him, and about the Compasses crew, especially Sam and his new pup, Clarence. I answered everything as honestly as I could, of course: I don't even know if it's possible to lie to a minister at work, and I certainly wouldn't try it under any remotely normal circumstances.

When the fixer had grilled me for what seemed like most of an hour he suddenly clammed up, then after a pause long enough that it seemed he might be conferring with someone else I couldn't see, he said, "Come with us."

He led me along the side of the house, me walking (even Outside it's hard to make a human body do anything but act like a normal body) and him sort of gliding in front of me like an upright floor polisher with no one holding the handle.

"What we are about to do is irregular, Angel Doloriel, but so are the circumstances," he said. "Remember, you will give no answer until we indicate you may do so." I had no idea what he was talking about since he'd already asked me dozens of questions. Then we stepped into the Outside version of the Walker back yard and I got the shock of my afterlife. I definitely owed Clarence an apology.

See, normally what I'd told him was right -- people like us don't get killed, only our earthly bodies do; the Opposition is just as good as we are at plugging the disembodied soul into a new sack of meat -- then voila! Instant resurrection. Like I said, I've been through it a few times myself, leaving a corpse behind each time. And here was Grasswax's mortal body -- the earthly, flesh-and-blood version of him -- lying beside the pool in a puddle of chlorinated water, covered with a police blanket. And normally that would have been all -- just a defunct carcass and the real Grasswax's slimy but immortal soul off to the Opposition's Tijuana-style tuck and roll body shop. But as I stood looking through the frame of a little ivy-covered arbor in Edward Walker's backyard, I could also see the Other Side version of Grasswax -- the real Grasswax, just like it's the real Doloriel talking to you now -- and what had happened to him was a lot less pretty than just drowning in a suburban pool. In fact, it was disgusting and horrifying.

The ancient Norsemen used to have a punishment for traitors called the Blood Eagle, where they chopped through a guy's back ribs and pulled his lungs out through the holes to make bloody wings. That would have been an unpleasant way to go, but the bully-boys of Hell had an even better method they called the Bloody Net. I won't go into details, but it has to do with carefully pulling out the victim's nerve bundles and blood vessels with sharp tools -- while he's still alive, of course -- then hanging him up by that network of shrieking tissue and dumping nasty little things called Nerve-Chewers on him to gnaw on the exposed bits until the lucky fellow finally expires. I'd heard of it but I have to admit I never dreamed it was real. I also don't understand how you do that to someone's supposedly immortal form, but damn me if these guys hadn't managed.

The real Grasswax had been mostly reduced to fibers strung between two trees at opposite ends of the yard, a sagging, shiny red hammock. What was left of the most important bits -- and remember, this was the real Grasswax, the Outside Grasswax -- still hung there, and I will never forget the expression on the remains of his face. I had never felt sorry for a minion of Hell before, but I did then. Remember, there's no time Outside -- it might have taken him days or even weeks to die.

"Shit," I said quietly. The minster was standing behind me, staring imperturbably at the ghastly mess as though he saw worse all the time. Maybe he did, and if so, I was definitely scratching "fixer" off my list of potential career moves.

"Remember what we told you," the angelic thing with the white mask told me. "Answer each question only after we give permission."

I barely registered what he was saying because at that moment something very tall and misshapen tottered out of the Walker house. It was a dull, shiny black like a beetle's shell and trailed sticky black fibers from every limb. It had quite a few limbs. Its eyes looked like clots of blood illuminated from inside the lump that must have been its head. It was altogether ghastly, the more so because every now and then it moved in an almost human way. Almost.

"Thizzz izzz the advoc-c-c-cate Doloriel?" it asked. If you recorded a shrieking chain saw and then slowed it down until it sounded like it was playing through syrup, you'd have the voice, pretty much. The buzzing got into my bones and guts; just standing next to it made my stomach try to climb up my esophagus and flee the vicinity -- I mean, it felt bad. This was no ordinary employee of Hell.

"Yes, Chancellor." The minister said it politely, but I don't think he liked being outranked by the Opposition. "We are pleased to cooperate in your investigation. You may ask your questions." The minister's voice floated into my thoughts. "This is Chancellor Urgulap of the Second Hierarchy. He is investigating the murder of Prosecutor Grasswax. We are extending him a professional courtesy." I don't remember much of what the buzzing thing asked me, to be honest -- just standing in front of was one of the mosts unpleasant things I'd ever experienced (and I've seen a lot of nasty things.) Most of the questions seemed fairly ordinary, though, not that different from what the minister had just asked me. I looked to the fixer each time before I answered, and each time he gave me a little mental nudge that meant, "Yes, you may." It was only after one question that he seemed reluctant to give his permission.

"And have you zzzzzpok-k-ken to any of your masterzzz or comradzzz about thizz matter?"

The heavenly minister hesitated at this one -- I could feel it. He relented a moment later but now I was a little spooked. I didn't want to drop anyone else into danger, certainly not Sam or even his rookie tagalong. "Not really. Just my supervisor, Temuel." After all, it would have been weird if I hadn't discussed it with the Mule, and it sure wasn't my job to protect middle management.

The chancellor stared at me with those squashed neon berries as if sensing my incomplete honesty. At last it turned and limped away. It must have opened a Zipper but I never saw it: one moment the Chancellor was there, a thing like a giant, melted bug standing upright on the patio beside the pool, then it was just gone. I can't begin to describe the physical relief that came with its absence.

"Thank you for your assistance, Angel Doloriel," the masked fixer said. "As you see, we are cooperating with the Opposition in all ways possible in this matter. If anyone else contacts you about this, or in any way shows inappropriate interest, you will immediately alert us. God loves you. You may go."

And go I did. After all, Grasswax's hideously mangled form was still hanging between the trees, the sightless eyes watching me with what seemed like disappointment.

Don't know what you were expecting from me, Brother Demon, I thought as I stepped back into the world of time. I don't want anything to do with the heavy-hitters, either my side's or yours. Before I got to the Walker house I had been pretty certain I would drop by the Compasses on my way back, but now I felt unsettled right down to the soles of my feet and I just wanted to go home and bathe myself in holy water. Since I didn't have any holy water, vodka would have to serve, and the bath would have to be on the inside rather than the outside, but I kept a bottle of 42 Below in the freezer for just these kinds of spiritual emergencies.

* * *

Monica had left a message on my phone wanting to know how things had gone and I also had a reminder from Sam that we were getting together after work tomorrow for our monthly dinner (an old custom of ours I'll tell you about another time) but I didn't really want to talk to anyone. I wanted to get quickly and quietly blotto because I felt like a garage full of car alarms right after a major earthquake.

When I got through the door of my apartment I pulled out the vodka, cracked the cap, then poured myself a couple of fingers in a glass and put on some Miles as thinking music. As So What began to curl around my living room like cigarette smoke I took a fiercely cold swallow and tried to make sense out of everything that had happened in the last day, from the unheard-of absence of Edward Walker's soul to the sudden passing of Prosecutor Grasswax in the grisliest fashion imaginable.

My old boss Leo used to say that when you're working for any gigantic and corrupt bureaucracy, whether it's the British East India Company, the Politburo, or the NCAA, the first lesson is this: Don't wait to find out exactly how they're going to screw you before you start protecting yourself -- get to work when you spot the first signs of trouble. This whole Walker thing was full of holes, and from long experience I felt sure more weird things were going to be crawling out of those holes very soon.

In fact this particular little clusterfuck, with its missing souls and dead demon-prosecutors, had all the warning signs of one of the worst snafus in recent memory, and if I wasn't smack in the middle of it I was close enough to feel the heat most unpleasantly. It was time to start the counter-offensive -- if I could do so without making things worse for myself, that is.

I poured myself another glass of numbness and thought about where to start.

About an hour later I noticed I had finished my third drink but had never poured myself a fourth. I got up to rectify that, noted that Miles had gone quiet, and put on some Robert Johnson. Me and the Devil Blues. Seemed like an appropriate night for Mr. Johnson and his crossroads bargain.

"Early this mornin', when you knocked upon my door

Early this mornin', ooh, when you knocked upon my door

And I said, 'Hello, Satan, I believe it's time to go.' "

Even in a body that wasn't one hundred percent my own, I couldn't repress a shiver. It looked like I'd be doing a lot of things I wouldn't much like in the next few days, including having a conversation with my best friend Sam about why he wasn't being entirely honest with me. Because Alice in the office had said when she gave me the case that Edward Walker was supposed to be Sam's client, and if our situations had been reversed I certainly would have explained to my old buddy by now why I missed taking a client that landed him deep in the shit.

The more I thought about it, the more I realized I needed more information about everything -- about dead Mr. Walker, even about Grasswax. But information about Hell's labor force wasn't easy to come by through regular channels. I was going to have to pay a visit to Fatback.

This week's New York Times Bestsellers (August 6th)

In hardcover:

Deborah Harkness’s Shadow of Night is down four spots, finishing the week at number 8. For more info about this title: Canada, USA, Europe.

George R. R. Martin's A Dance With Dragons is down two positions, ending the week at number 10. For more info about this title: Canada, USA, Europe. This marks the 52nd consecutive week that ADWD has ranked on the NYT bestseller list!

Kelley Armstrong’s Thirteen debuts at number 15.

Karen Thompson Walker’s The Age of Miracles is down three positions, ending the week at number 20. For more info about this title: Canada, USA, Europe.

Carlos Ruiz Zafón's The Prisoner of Heaven is down three spots, finishing the week at number 23. For more info about this title: Canada, USA, Europe.

Orson Scott Card & Aaron Johnston’s Earth Unaware is down sixteen spots, finishing the week at number 30. For more info about this title: Canada, USA, Europe.

In paperback:

Stephen King's 11/22/63 debuts at number 5 (trade paperback).

George R. R. Martin's A Game of Thrones is down two spots, finishing the week at number 6.

Erin Morgenstern's The Night Circus is down one position, ending the week at number 6 (trade paperback).

Deborah E. Harkness' A Discovery of Witches is down one spot, finishing the week at number 7.

George R. R. Martin's A Storms of Swords is up one position, ending the week at number 7.

George R. R. Martin's A Clash of Kings is up one position, ending the week at number 8.

George R. R. Martin's A Feast for Crows is up one position, ending the week at number 10.

Orson Scott Card's Ender's Game is up six spots, finishing the week at number 12.

George R. R. Martin's A Game of Thrones is up three spots, finishing the week at number 18 (trade paperback).

Seth Grahame-Smith's Abraham Lincoln: Vampire Hunter is up six positions, ending the week at number 23.

Seth Grahame-Smith's Abraham Lincoln: Vampire Hunter is down ten positions, ending the week at number 28 (trade paperback).

Ernest Cline's Ready Player One is down five positions, ending the week at number 33.

Quote of the Day


Painting is the silence of thought and the music of sight.

- ORHAN PAMUK, My Name Is Red (Canada, USA, Europe)

After coming very close to opening up my veins to reach the end of Gabriel García Márquez's One Hundred Years of Solitude, I was a bit wary of reading the work of another winner of the Nobel Prize in Literature so soon. Yet I'm loving the novel which earned Pamuk the Nobel Prize! Awesome thus far!

Here's the blurb:

From one of the most important and acclaimed writers at work today, a thrilling new novel—part murder mystery, part love story—set amid the perils of religious repression in sixteenth-century Istanbul.

When the Sultan commissions a great book to celebrate his royal self and his extensive dominion, he directs Enishte Effendi to assemble a cadre of the most acclaimed artists in the land. Their task: to illuminate the work in the European style. But because figurative art can be deemed an affront to Islam, this commission is a dangerous proposition indeed, and no one in the elite circle can know the full scope or nature of the project.

Panic erupts when one of the chosen miniaturists disappears, and the Sultan demands answers within three days. The only clue to the mystery—or crime?—lies in the half-finished illuminations themselves. Has an avenging angel discovered the blasphemous work? Or is a jealous contender for the hand of Enishte’s ravishing daughter, the incomparable Shekure, somehow to blame?

Orhan Pamuk’s My Name Is Red is at once a fantasy and a philosophical puzzle, a kaleidoscopic journey to the intersection of art, religion, love, sex, and power.

Win a copy of Terry Brooks' WARDS OF FAERIE


I'm giving away my review copy of Terry Brooks' Wards of Faerie to one lucky winner! For more info about this title: Canada, USA, Europe.

Here's the blurb:

When the world was young, and its name was Faerie, the power of magic ruled—and the Elfstones warded the race of Elves and their lands, keeping evil at bay. But when an Elven girl fell hopelessly in love with a Darkling boy of the Void, he carried away more than her heart.

Thousands of years later, tumultuous times are upon the world now known as the Four Lands. Users of magic are in conflict with proponents of science. Elves have distanced their society from the other races. The dwindling Druid order and its teachings are threatened with extinction. A sinister politician has used treachery and murder to rise as prime minister of the mighty Federation. Meanwhile, poring through a long-forgotten diary, the young Druid Aphenglow Elessedil has stumbled upon the secret account of an Elven girl’s heartbreak and the shocking truth about the vanished Elfstones. But never has a little knowledge been so very dangerous—as Aphenglow quickly learns when she’s set upon by assassins.

Yet there can be no turning back from the road to which fate has steered her. For whoever captures the Elfstones and their untold powers will surely hold the advantage in the devastating clash to come. But Aphenglow and her allies—Druids, Elves, and humans alike—remember the monstrous history of the Demon War, and they know that the Four Lands will never survive another reign of darkness. But whether they themselves can survive the attempt to stem that tide is another question entirely.

The rules are the same as usual. You need to send an email at reviews@(no-spam)gryphonwood.net with the header "FAERIE." Remember to remove the "no spam" thingy.

Second, your email must contain your full mailing address (that's snail mail!), otherwise your message will be deleted.

Lastly, multiple entries will disqualify whoever sends them. And please include your screen name and the message boards that you frequent using it, if you do hang out on a particular MB.

Good luck to all the participants!

Scourge of the Betrayer


When I found out that Jeff Salyards' Scourge of the Betrayer was being compared to Glen Cook's Black Company series, my curiosity was immediately piqued. Night Shade Books have really been pushing the envelope for the last couple of years, so I wanted to find out if this was going to be another novel/series which would have that distinctive vibe that can only be found in Night Shade Books titles these days.

Salyards' fantasy debut is interesting and different, yet that doesn't always work in its favor. The comparison with Glen Cook works only so far as the structure of the tale is concerned. Indeed, both the Black Company installements and Scourge of the Betrayer are military fantasy offerings narrated by the protagonist chronicling the deeds of their respective military outfits. But that is where the similarity ends.

Scourge of the Betrayer is a relatively short work. Weighing in at only 255 pages, as the first volume in a series, one would have thought that it would be a page-turning tale laying the groundwork and setting the stage for what would occur in the rest of the series. Unfortunately, Jeff Salyards plays his cards way too close to his chest, forcing readers to wade through the better part of this book in near-total mystery, unaware of what is going on and where the story is going.

Here's the blurb:

A gritty new fantasy saga begins . . .

Many tales are told of the Syldoon Empire and its fearsome soldiers, who are known throughout the world for their treachery and atrocities. Some say that the Syldoon eat virgins and babies–or perhaps their own mothers. Arkamondos, a bookish young scribe, suspects that the Syldoon’s dire reputation may have grown in the retelling, but he’s about to find out for himself.

Hired to chronicle the exploits of a band of rugged Syldoon warriors, Arki finds himself both frightened and fascinated by the men’s enigmatic leader, Captain Braylar Killcoin. A secretive, mercurial figure haunted by the memories of those he’s killed with his deadly flail, Braylar has already disposed of at least one impertinent scribe . . . and Arki might be next.

Archiving the mundane doings of millers and merchants was tedious, but at least it was safe. As Arki heads off on a mysterious mission into parts unknown, in the company of the coarse, bloody-minded Syldoon, he is promised a chance to finally record an historic adventure well worth the telling, but first he must survive the experience!

A gripping military fantasy in the tradition of Glen Cook, Scourge of the Betrayer explores the brutal politics of Empire–and the searing impact of violence and dark magic on a man’s soul.


Interestingly enough, there is virtually no worldbuilding to speak of throughout the novel. Other than a few brief revelations regarding the Syldoon toward the end, Salyards introduces a number of what appears to be fascinating concepts and ideas, but he never follows through and elaborate on any of them. This could be construed as a major flaw, but I reckon it has more to do with the fact that the tale is told through the first person narrative of Arkamondos, a cowardly scribe who has seldom been out and about, and who seems to have little knowledge of the world around him. Innocent and a nerdy sort of dumbass, Arkamondos, as the POV character through whose eyes the entire tale unfolds, cannot offer any kind of perspective. Which results in a very bland brand of worldbuilding. And yet, as I mentioned, there are a few very interesting concepts such as the Deserters, the Godveil, the Memoridons, and the Syldoon themselves. But as the narrator knows close to nothing about each aspect, readers are basically left in the dark regarding each and every one of them.

First person narratives can be tricky things. Indeed, since there is only one POV protagonist through which every single facet of the story is channeled, that character can make or break the book. And it's with the characterization that any comparison with Glen Cook ends. The Black Company novels featured the narrative of the unforgettable Croaker. The man has been the company's doctor and annalist for years and is always part of the action. As an insider, Croaker's commentary regarding the dynamics between members of the Black Company and their deeds is one of the highlights of the series. On the other hand, Arkamondos doesn't have much going for him. He's an outsider and about as big a pussy as one can be. As you can imagine, as a cowardly scribe, he is not made welcome by the Syldoon warriors. Thankfully, Jeff Salyards refuses to take the path of least resistance, and Arkamondos remains true to himself and his convictions throughout the novel. Trouble is, readers might have some problems identifying with someone like that. I'm aware that it's all part of the premise to have such an innocent protagonist chronicle and narrate what is essentially a dark and violent tale of military fantasy. But in the end, I'm not entirely sure it always works well. Especially since Scourge of the Betrayer features a couple of very intriguing characters like Captain Braylor Killcoin, Lloi, and Hewspear. I feel that the story needs Arkamondos' POV to be what the author envisioned to be. Having said that, I'm persuaded that the book would have benefited from one or two more POVs, if only to give readers a different sense of perspective.

In terms of rhythm, I wouldn't say that Salyards' debut is a slow-moving novel. What made it appear slow was the fact that so very little information is disclosed that readers are forced to plow through the better part of the novel without understanding what is going on, what are the characters' motivations, and where exactly the story is going. Like poor Arkamondos, readers are forced to wade through, unaware of what is taking place, feeding on the tiny morsels of information we are occasionally provided with. There is a sudden and unexpected change of pace during the last hundred pages or so. After a very dark and brooding beginning, during which an oppressive mood was set, the finale features action-packed choreographed battle scenes à la R. A. Salvatore that felt a bit out of place.

Though it features a narrator that's not always the sharpest tool in the shed and though I feel that Jeff Salyards kept his cards too close to his chest throughout this book and didn't reveal nowhere near enough, I found Scourge of the Betrayer to be interesting and captivating enough for me to want to discover more about what happens next. Not for what made it into the novel, but for everything that the author left out. Here's to hoping that Salyards will be more forthcoming in the sequel.

To learn more about Jeff Salyards and his work, check out his official website.

The final verdict: 7.25/10

For more info about this title: Canada, USA, Europe.

Musical Interlude

Here's a double dose of John Williams!



"The Imperial March" performed by the Vienna Philharmonic Orchestra and conducted by Franz Welser-Möst during the Summer Night Concert 2010. Experiencing this track during Star Wars in Concert in a Bell Centre packed to the rafters a few years ago sent shivers down my spine. But this performance set in such an incredible setting is simply awesome.



Another live performance, this time for "Duel of the Fates." These two tracks could well be John Williams' best creations ever!

Excerpt from Jasper Kent's THE PEOPLE'S WILL

Jasper Kent, author of the excellent Danilov Quintet, has just posted an extract from the upcoming fourth installment in the series, The People's Will.

Follow this link to read the first chapter from the novel.

The People's Will should be published in early 2013.

Stephen King's THE DARK TOWER is still being considered. . .


This from A. V. Club:

To date it seems as though Ron Howard's unwieldy adaptation of The Dark Tower has as much forward momentum as Blaine The Mono sitting in the Cradle—a reference that people who haven't read the books may never get, because Howard's three Dark Tower movies and two limited-run TV series are probably never going to get made. Today's update offers a few changes to that story but, much like The Dark Tower series itself, no satisfying conclusion: Deadline reports that Warner Bros. is still considering whether it really wants to commit to the project it rescued from Universal's rejection pile, and its final decision (likely to be made within the next couple of weeks) now apparently hinges on whether Russell Crowe will sign on to star.

Crowe would be stepping in for Javier Bardem—who abandoned the role of gunslinger Roland Deschain after growing impatient with all the waiting around, just starring in James Bond movies and sleeping with Penelope Cruz to fill the hours—and already Howard, screenwriter Akiva Goldsman, and producer Brian Grazer are using their A Beautiful Mind connection to lean on him. Of course, Crowe's also got plenty to do already (starring in Noah, maybe directing a Bill Hicks biopic, trying to get this damn beehive off his paw and get to the sweet, sweet honey), and it would certainly be a tall order to ask him to commit to a part that could consume the next five years or so of his life, and all but define his career thereafter. Suffice it to say, it's not a great position to be in to have your stalled, hugely ambitious project hanging on a kind word from Russell Crowe, but maybe Howard will get lucky.

Here's to hoping!

US cover art for the paperback edition of Saladin Ahmed's THRONE OF THE CRESCENT MOON


Much better than the 80s YA sword and sorcery cover that graced the hardcover edition of Saladin Ahmed's Throne of the Crescent Moon (Canada, USA, Europe).

Win a copy of Brent Weeks' THE BLINDING KNIFE


I have a copy of Brent Weeks' The Blinding Knife for you to win, compliments of the folks at Orbit. For more info about this title: Canada, USA, Europe.

Here's the blurb:

Gavin Guile is dying.

He'd thought he had five years left - now he's got less than one. With fifty thousand refugees, a bastard son and an ex-fiancee who may have learned his darkest secret, Gavin's got problems on every side.

As he loses control of his magic, all magic is running wild, threatening to destroy the Seven Satrapies. The old gods are being reborn. Their army of color wights is unstoppable and the only salvation may be the brother whose freedom and life Gavin stole sixteen years ago.

The rules are the same as usual. You need to send an email at reviews@(no-spam)gryphonwood.net with the header "BLINDING." Remember to remove the "no spam" thingy.

Second, your email must contain your full mailing address (that's snail mail!), otherwise your message will be deleted.

Lastly, multiple entries will disqualify whoever sends them. And please include your screen name and the message boards that you frequent using it, if you do hang out on a particular MB.

Good luck to all the participants!

This week's New York Times Bestsellers (July 30th)

In hardcover:

Deborah Harkness’s Shadow of Night is down three spots, finishing the week at number 4. For more info about this title: Canada, USA, Europe.

George R. R. Martin's A Dance With Dragons maintains its position at number 8. For more info about this title: Canada, USA, Europe. This marks the 52nd consecutive week that ADWD has ranked on the NYT bestseller list!

Orson Scott Card & Aaron Johnston’s Earth Unaware debuts at number 14. For more info about this title: Canada, USA, Europe.

Karen Thompson Walker’s The Age of Miracles maintains its position at number 17. For more info about this title: Canada, USA, Europe.

Carlos Ruiz Zafón's The Prisoner of Heaven debuts at number 20. For more info about this title: Canada, USA, Europe.

Charlaine Harris' Deadlocked is down four positions, ending the week at number 26.

Stephen King's The Dark Tower: The Wind Through the Keyhole is down two positions, ending the week at number 35. For more info about this title: Canada, USA, Europe.

In paperback:

George R. R. Martin's A Game of Thrones is up one spot, finishing the week at number 4.

Erin Morgenstern's The Night Circus maintains its position at number 5 (trade paperback).

Deborah E. Harkness' A Discovery of Witches is up one spot, finishing the week at number 6.

George R. R. Martin's A Storms of Swords maintains its position at number 8.

George R. R. Martin's A Clash of Kings maintains its position at number 9.

George R. R. Martin's A Feast for Crows is down one position, ending the week at number 11.

Orson Scott Card's Ender's Game is down five spots, finishing the week at number 18.

Seth Grahame-Smith's Abraham Lincoln: Vampire Hunter is down one position, ending the week at number 18 (trade paperback).

George R. R. Martin's A Game of Thrones is down eight spots, finishing the week at number 21 (trade paperback).

Ernest Cline's Ready Player One is up one position, ending the week at number 28.

Seth Grahame-Smith's Abraham Lincoln: Vampire Hunter is down fourteen positions, ending the week at number 29.

What should I read next???


Since I'm still waiting for my review copies of Tad Williams' The Dirty Streets of Heaven ((Canada, USA, Europe), Mark Lawrence's King of Thorns (Canada, USA, Europe), And James S. A. Corey's Caliban's War (Canada, USA, Europe), I felt that the time was just about right for a new survey regarding novels that I'm considering reading.

I need a break from speculative fiction for a short while, so in the near future I'll be reading James Clavell's Shogun (Canada, USA, Europe) and Carlos Ruiz Zafón's The Prisoner of Heaven (Canada, USA, Europe). In addition, during my trip to Turkey I was intrigued by the works of author Orhan Pamuk, winner of the Nobel Prize, and bought two of his novels. My Name is Red (Canada, USA, Europe) is pretty high on my list of books to read.

As we speak, I'm plowing through Gabriel Garcia Marquez's One Hundred Years of Solitude (Canada, USA, Europe), but I'm afraid that Mitch Albom's Tuesdays With Morrie (Canada, USA, Europe) totally killed that novel for me. Indeed, after reading such a touching and thought-provoking work, Marquez's masterpiece feels trite. . . I'm also halfway through Jeff Salyards' Scourge of the Betrayer (Canada, USA, Europe), which is kind of a mix of Joe Abercrombie and Glen Cook.

There are quite a few other speculative fiction titles vying for my attention, so let's find out which one of these nominees you'd like to see me read and review in the near future.

You can vote in the top left corner of the homepage!

The nominees are:


- Stormdancer by Jay Kristoff (Canada, USA, Europe)

A dystopian steampunk fantasy with a flavour of feudal Japan.

Griffins are supposed to be extinct. So when Yukiko and her warrior father are sent to capture one for the Shōgun, they fear that their lives are over. Everyone knows what happens to those who fail him.

But the mission proves less impossible and more deadly than anyone expects. Soon Yukiko finds herself stranded: a young woman alone in her country’s last wilderness, with only a furious, crippled griffin for company. Alhough she can hear his thoughts, and saved his life, all she knows for certain is he’d rather see her dead than help her. Yet trapped together in the forest, Yukiko and Buruu form a surprising and powerful bond.

Meanwhile, the country verges on collapse. A toxic fuel is choking the land, the machine-powered Lotus Guild is publicly burning those they deem Impure, and the Shōgun cares for nothing but his own dominion. Authority has always made Yukiko uneasy, but her world changes when she meets Kin, a young man with secrets, and the rebel Kagé cabal. She learns the horrifying extent of the Shōgun’s crimes, both against her country and her family.

Returning to the city, Yukiko and Buruu are determined to make the Shōgun pay – but what can one girl and a flightless griffin do against the might of an empire?



- Great North Road by Peter F. Hamilton (Canada, USA, Europe)

In Newcastle-upon-Tyne, AD 2142, Detective Sidney Hurst attends a brutal murder scene. The victim is one of the wealthy North family clones – but none have been reported missing. And the crime’s most disturbing aspect is how the victim was killed. Twenty years ago, a North clone billionaire and his household were horrifically murdered in exactly the same manner, on the tropical planet of St Libra. But if the murderer is still at large, was Angela Tramelo wrongly convicted? Tough and confident, she never waivered under interrogation – claiming she alone survived an alien attack. But there is no animal life on St Libra.

Investigating this alien threat becomes the Human Defence Agency’s top priority. The bio-fuel flowing from St Libra is the lifeblood of Earth’s economy and must be secured. So a vast expedition is mounted via the Newcastle gateway, and teams of engineers, support personnel and xenobiologists are dispatched to the planet. Along with their technical advisor, grudgingly released from prison, Angela Tramelo. But the expedition is cut off, deep within St Libra’s rainforests. Then the murders begin. Someone or something is picking off the team one by one. Angela insists it’s the alien, but her new colleagues aren’t so sure. Maybe she did see an alien, or maybe she has other reasons for being on St Libra ...


- Be My Enemy by Ian McDonald (Canada, USA, Europe)

Everett Singh has escaped with the Infundibulum from the clutches of Charlotte Villiers and the Order, but at a terrible price. His father is missing, banished to one of the billions of parallel universes of the Panoply of All World, and Everett and the crew of the airship Everness have taken a wild, random Heisenberg Jump to a random parallel plane. Everett is smart and resourceful, and, from a frozen earth far beyond the Plenitude, he plans to rescue his family. But the villainous Charlotte Villiers is one step ahead of him.

The action traverses the frozen wastes of iceball earth; to Earth 4 (like ours, except that the alien Thryn Sentiency occupied the moon in 1964); to the dead London of the forbidden plane of Earth 1, where the emnants of humanity battle a terrifying nanotechnology run wild—and Everett faces terrible choices of morality and power. But Everett has the love and support of Sen, Captain Anastasia Sixsmyth, and the rest of the crew of Everness—as he learns that the deadliest enemy isn't the Order or the world-devouring nanotech Nahn—it's yourself.


- Infidel by Kameron Hurley (Canada, USA, Europe)

The only thing worse than war is revolution. Especially when you're already losing the war...

Nyx used to be a bel dame, a government-funded assassin with a talent for cutting off heads for cash. Her country's war rages on, but her assassin days are long over. Now she's babysitting diplomats to make ends meet and longing for the days when killing people was a lot more honorable.

When Nyx's former bel dame "sisters" lead a coup against the government that threatens to plunge the country into civil war, Nyx volunteers to stop them. The hunt takes Nyx and her inglorious team of mercenaries to one of the richest, most peaceful, and most contaminated countries on the planet -- a country wholly unprepared to host a battle waged by the world's deadliest assassins.

In a rotten country of sweet-tongued politicians, giant bugs, and renegade shape shifters, Nyx will forge unlikely allies and rekindle old acquaintances. And the bodies she leaves scattered across the continent this time... may include her own.

Because no matter where you go or how far you run in this world, one thing is certain: the bloody bel dames will find you.


- The Watchers by Jon Steele (Canada, USA, Europe)

Beneath Lausanne Cathedral, in Switzerland, there is a secret buried before time began, something unknown to angels and men, until now...

Marc Rochat watches over the city at night from the belfry of the cathedral. He lives in a world of shadows and "beforetimes" and imaginary beings. Katherine Taylor, call girl and daydreamer, is about to discover that her real-life fairy tale is too good to be true.

Jay Harper, private detective, wakes up in a crummy hotel room with no memory. When the telephone rings and he's offered a job, he knows he has no choice but to accept.

Three lives, one purpose: save what's left of paradise before all hell breaks loose.

Steven Erikson contest winners!

Our three winners will receive complimentary copies of Steven Erikson's Forge of Darkness, courtesy of the kind folks at Transworld. For more info about this title: Canada, USA, Europe.

The winners are:

- Kevin Murphy, from Belfast, Northern Ireland

- Richard Grant, from Wigston, Leicestershire, England

- Chris Burnside, from Darlington, County Durham, England

Many thanks to all the participants!

Exclusive extract from Steven Erikson's FORGE OF DARKNESS


Thanks to the folks at Transworld, here's an exclusive excerpt from Steven Erikson's Forge of Darkness (Canada, USA, Europe). It features the three Sons of Darkness; Anomander Rake, Silchas Ruin, and Andarist!

Here's the blurb:

Forge of Darkness: Now is the time to tell the story of an ancient realm, a tragic tale that sets the stage for all the tales yet to come and all those already told...

It's a conflicted time in Kurald Galain, the realm of Darkness, where Mother Dark reigns. But this ancient land was once home to many a power… and even death is not quite eternal. The commoners' great hero, Vatha Urusander, is being promoted by his followers to take Mother Dark's hand in marriage, but her Consort, Lord Draconus, stands in the way of such ambitions. The impending clash sends fissures throughout the realm, and as the rumors of civil war burn through the masses, an ancient power emerges from the long dead seas. Caught in the middle of it all are the First Sons of Darkness, Anomander, Andarist, and Silchas Ruin of the Purake Hold...

Steven Erikson entered the pantheon of great fantasy writers with his debut Gardens of the Moon. Now he returns with the first novel in a trilogy that takes place millennia before the events of the Malazan Book of the Fallen and introduces readers to Kurald Galain, the warren of Darkness. It is the epic story of a realm whose fate plays a crucial role in shaping the world of the Malazan Empire.

Enjoy!

-------------------------

Even bad habits offered pleasure. In her youth, Hish Tulla had given her heart away with what others had seen as careless ease, as if it was a thing without much worth, but it had not been like that at all. She’d simply wanted it in someone else’s hands. The failing was that it was so easily won, and therefore became a thing of little worth for the recipient. Could no one see the hurt she felt, each and every time she was cast aside, sorely used, battered by rejection? Did they think she welcomed such feelings, the crushing despond of seeing the paucity of her worth? ‘Oh, she will heal quickly enough, will our dear Hish. She always does . . .’

A habit like a rose, and on the day of its blossoming, why, see how each petal revealed its own unique script, with smaller habits hiding within the larger one. Upon this petal, precise instructions on how to force out the smile, the elegant wave of the hand and the shrug. Upon another petal, lush and carmine, a host of words and impulses to resurrect her vivacious nature; to glide her across every room no matter how many or how gauging the eyes that tracked her. Oh and she held tight upon the stem of that rose, didn’t she?

The horse was quiescent beneath her; she could feel the gelding’s comforting heat against her thighs, her calves. Beneath the branches of the tree under which she had taken shelter, evading the sudden downpour, she could see, through the slanting streams, the three men standing now before the basalt gravestone, out in the clearing where crouched the crypts and tombs, as the rain poured down as if seeking to drown them all.

She had known the pleasures of two of the three brothers, and, though she was no longer inclined, the last one was now likely beyond her reach, for he was soon to be wed, and it seemed that for Andarist his love was rare enough, precious enough, that once set at the foot of one woman, never again would he look elsewhere, never again would he even so much as to glance away. That flighty, vain daughter of Jaen Enes knew not her fortune; of that Hish was certain, for she saw too much of herself in Enesdia. New to womanhood, eager to love and drunk with its power, how soon before she chafed at her bridling?

Hish Tulla was mistress to her House. She had no husband and would now take no one into her life. At her side, these days, was the desiccated remnant of her old habit, the petals almost black; the thorny stem stained and thickly smeared with something like vermilion wax. It served the role of an old friend, confidante to her confessions, ever wise in its recognition, never spurred into judgement. And these days, when she crossed a room, the eyes that tracked her . . . well, she no longer cared what they thought they saw. The woman older than her years, the spinster of many scars, the wild slave to carnal excess now returned to the earth, wisely subdued, though still ready for a moment’s bright vivacity, the flash of a smile.

The rain fell off; a curtain drifting down in sudden dissolution as the sun’s light broke through once more. Water still ran from the leaves, slicking the black branches, dripping down upon her waxed cloak like old tears. Clucking, Hish Tulla edged her mount forward. Stones crunched wetly under hoofs, and the three brothers turned at the sound.

They had ridden up from the south track, ignoring the torrent from the sky, and she concluded that they’d not seen her as they reined in before the crypt, dismounted and walked to stand before the unmarked plinth sealing the tomb. The body of their father, Nimander, lay in eternal repose within that crypt, in the hollowed-out trunk of a blackwood tree, but two years dead, and it was clear that his three sons were not yet done with the memory of him.

Witnessing the scene, Hish had recognized its privacy, the lowering of guard, and in their expressions now she thought she could see their disapproval and, perhaps, faint dismay. Raising a gloved hand as she walked her horse closer, she said, ‘I was sheltering from the rain, brothers, when you rode into sight. Forgive my intrusion, it was not intended.’

Silchas Ruin, to whom Hish had given ecstatic adoration for four months a few years ago, before he lost interest, was the first to speak. ‘Lady Hish, we knew we had an audience, but the shadows beneath the tree hid from us your identity. As you say, it was but chance, but be assured, you are always welcome in our eyes.’

Her old lovers were consistently courteous, probably because she never fought to hold on to any of them. The heart thus broken had no strength and even less will, and but crawled away with a weak smile and welling eyes. In their courtesy, she suspected, there was pity. ‘Thank you,’ she replied. ‘I thought only to identify myself, and now I shall ride on and leave you to your remembrance.’

To that, it was Anomander who said, ‘Lady Hish Tulla, you misunderstand our purpose here. We require no cenotaph to remember our beloved father. No, in truth, it was curiosity that brought us to this place.’

‘Curiosity,’ agreed Silchas Ruin, ‘and determination.’

Hish frowned. ‘Lords, I am afraid I do not understand.’

She saw Andarist look away, as if he would claim no part in any of this. She knew he meant her no disrespect, but then, he had no reason to pity her and so cared little for courtesy.

These three brothers had a way of standing apart, even when they stood together. All were tall, and each shared something both magnetic and vulnerable. They could pull entire worlds around their selves, yet not once yield to pride, or arrogance.

White-skinned, red-eyed, Silchas Ruin waved a long-fingered hand, directing her attention to the basalt plinth. ‘By our father’s own command,’ he said, ‘the words carved upon his gravestone hide on the other side, facing in. They were intended for him alone, though he has no eyes with which to see, and no thoughts left to consider.’

‘That is . . . unusual.’

Anomander’s sun-burnished face, the colour of pale gold, now smiled at her. ‘Lady, your touch is no less soft for the years between us.’ Hish felt her eyes widen at those words, though, upon a moment’s reflection, perhaps more at the open affection in his tone. She met his gaze, searchingly, but saw nothing ironic or cruel. Anomander had been the first man she had taken as lover. They had been very young. She remembered times of laughter, and tenderness, and the innocence of the unsure. Why had it ended? Oh, yes. He went to war.

‘We are of a mind to prise loose this stone,’ said Silchas.

At that Andarist turned to his brother. ‘You are, Silchas. Because of your need to know everything. But the words will be Azathanai. To you they will mean nothing, and that is as it should be. They were never meant for us, and to the bite of our eyes they will answer with bitter curse.’

Silchas Ruin’s laughter was soft. ‘These are your days of superstition, Andarist. Understandably.’ So dismissing his brother, he said, ‘Lady Hish, from here we ride on to the building site of Andarist’s new house. And awaiting us there is a stone-carver of the Azathanai, who has arrived with the hearthstone Anomander has commissioned as a wedding gift.’ He gestured again, in that careless way she remembered from years past. ‘This was but a minor detour, an impulse, in fact. Perhaps we will force the stone, perhaps not.’

Impulsive was not a behaviour Hish would associate with SilchasRuin; indeed, not with any of these brothers. If their father chose to gift those words to darkness, it was in honour of the woman he had served all his life. She met Anomander’s eyes again. ‘Upon opening a crypt, you will all draw the breath of a dead man’s air, and that is truth, not superstition. What follows upon that, curse or ill, will be for seers to glean.’ She gathered up her reins. ‘Pray, withhold yourselves for a moment and grant me the time to depart this yard.’

‘You are riding to Kharkanas?’ Silchas asked.

‘I am.’ If he thought she would explain further, he was mistaken. She nudged her mount forward, directing it towards the track that cut over the hump of the hill. The crypts on all sides of this ancient burial ground seemed to crouch, as if awaiting the pounding of yet more rain, and the moss draped over many of them was so verdant it startled the eye.

Hish Tulla felt their regard following her as she rode on; wondered, briefly, at what words they might now pass among them, faintly amused perhaps, or derisive, as old recollections – at least from Anomander and Silchas – awakened, if not regret, then chagrin. But they would laugh, to break free of the discomfort, and shrug away their own impetuous years, now well behind them.

And then, in all likelihood, Silchas would exhort his muscles to prise loose the gravestone, to look well upon the hidden words etched into the black, dusty basalt. He would, of course, be unable to read them, but he might recognize a hieroglyph here, another there. He might glean something of his father’s message to Mother Dark, like catching a fragment of conversation one was not meant to hear.

In the dead man’s breath there would come guilt, bitter and stale, for the three men to taste, and Andarist would know fury – for that taste was not something to bring into a new home for himself and his wife to be, was it? He had every right to be superstitious – omens ever marked great changes in life.

A smell bitter and stale, a smell of guilt. Little different, in fact, from that of a dead rose.

* * *

‘To this day,’ Anomander muttered, ‘my heart swells at the sight of her.’

‘Just your heart then, brother?’

‘Silchas, will you ever listen well to what I say? I choose my words with precision. Perhaps, in truth, you speak only of yourself.’

‘It seems that I do, then. She remains lovely to my eyes, I admit, and if I find myself desiring her even now, there is no shame in admitting it. Even now, I think, we but spin in her wake, like leaves from a fallen tree.’

Andarist had listened in silence to this, unable to share in any tender memories of the beautiful woman who had ridden out from the shadows beneath the tree. Yet, in that moment, he saw an opportunity to draw out his brothers, in particular Silchas – and perhaps it would be enough to dissuade him from his intentions. So he faced Silchas and said, ‘Brother, why did you end it with her?’

Silchas Ruin’s white face bore droplets and streaks of rain as would a visage carved in alabaster. He preceded his reply with a sigh, and then said, ‘Andarist, I wish I knew. No, I think I realized that she was . . . ephemeral. Like a wisp of fog, I could not grasp hold. For all that she lavished attention upon me, it seemed there was something missing.’ He shook his head, shrugged helplessly. ‘Elusive as a dream, is Hish Tulla.’

‘And is this unchanged in her?’ Andarist asked. ‘She has taken no husband.’

‘I imagine her suitors have all given up,’ Silchas answered. ‘Each draws near, only to see too sharply this own failings, and in shame pulls away, never to return.’

‘You may well be right,’ Anomander mused.

‘She seems to have suffered nothing in her solitude,’ Silchas observed, ‘nor do I see any weakness in her attention to grace and perfection. In elegant remoteness, she arrives like a work of high art, and you may well desire to edge ever closer, seeking flaws in the maker’s hand, but the closer you get, the more she blurs before your eyes.’

Andarist saw that Anomander was studying Silchas intently, yet when he spoke it was clear that his thoughts had travelled tracks other than those consuming Silchas. ‘Brother, do you see Hish Tulla as a potential ally?’

‘In truth, I cannot say,’ Silchas replied. ‘She seems the definition of neutrality, does she not?’

‘She does,’ Anomander admitted. ‘Well, let us consider it again, at a later time. For now, will you have at this gravestone?’

Eyes closing, Andarist awaited his brother’s answer.

Silchas was a moment before replying. ‘I see more rain, and we have another league before us. The valley floor promises mud and treacherous footing. I suggest we set this matter aside for now, as well. Be at ease, Andarist. I would do nothing to endanger your future, and though I have little time for omens and such, I do not await what awaits you. So, if you’ll forgive my occasional amusement, let us not cross the lame dog’s path.’

‘I thank you,’ Andarist replied, glancing over to meet Silchas’s warm gaze. ‘And will endeavour to think no ill of your amusement, irritating and patronizing as it may be.’

The smile on Silchas’s face now split into a grin, and he laughed. ‘Lead us on, then. Your brothers would meet this famous mason and look well upon his offering.’

‘Famous,’ muttered Anomander, ‘and damned expensive.’

Drawing their horses round, they set off.

Andarist looked across at Anomander. ‘One day I hope to answer your sacrifice, brother, with one as worthy and as noble as yours.’

‘Where love is the coin, no sacrifice is too great, Andarist. And with that wealth, who among us would hesitate? No, I but teased with you, brother. I trust I will be well pleased with the giving of this gift, and I hope you and your bride find the same pleasure in its receiving.’

‘I am minded,’ Andarist said after a moment, ‘of our father’s gift to us. Mother Dark has rewarded his loyalty through the elevation of his sons, and you, Anomander, have been lifted the highest among us.’ ‘And the point you wish to make?’

‘Would you have permitted Silchas the desecration of Father’s tomb?’

‘Desecration?’ Silchas said in shocked disbelief. ‘All I sought was—’

‘The sundering of a seal,’ Andarist finished. ‘What else could it be called?’

‘The moment is past,’ Anomander said. ‘There will be no more said on the matter. Brothers, we approach a precious time. Let us value it as it should be valued. The blood ever flows between us, and ever shall, and that is our father’s greatest gift to us – would either of you argue against that?’

‘Of course not,’ Silchas replied in a growl.

‘And though I am now elevated to First Son of Darkness, I will not stand alone. I see you both with me, at my side. Peace shall be our legacy – we will achieve it together. What must be done I cannot do alone.’

After a long moment of riding, Silchas seemed to shake himself, and then he said, ‘Hish Tulla looks fondly upon you, Anomander. She will see the nobility in what you seek.’

‘I hope so, Silchas.’

And Andarist said, ‘Though I do not know her as well as either of you, by reputation alone she is known for affability and a certain . . . integrity, and not once have I heard a word of spite directed towards Hish Tulla, which is in itself remarkable.’

‘Then shall I approach her?’ Anomander asked, looking from one brother to the other.

And both nodded.

Anomander had done well, Andarist reflected, in reminding them of what awaited them in the time ahead. A struggle was coming, and in Mother Dark’s name they would find themselves at the very centre of it. They could afford no divisiveness or contention between them. Through the branches of the trees lining the track, the sky was clear, the glare of the sun like molten gold on the leaves.

‘It seems,’ said Silchas, ‘the way ahead has seen no rain, Andarist. I imagine your builders are well pleased at that.’

Andarist nodded. ‘It is said that the Azathanai have power over both earth and sky.’

‘These are Tiste lands,’ Anomander countered. ‘Purake lands. I do not recall my invitation extending to the extravagant use of sorcery. Though,’ he added with a half-smile, ‘I find I cannot entirely object to a cloudless sky over us.’

‘We shall arrive with steam rising from us,’ Silchas observed, laughing, ‘like children born of chaos.’

Tuesdays With Morrie


While in Yerevan, Armenia, through CouchSurfing I met someone special with whom I connected in a profound way. It's funny how you can sometimes meet strangers and after an hour or so spent in their company feel as though you've known them for years. She's a writer and a journalist, and of course at some point during our first meeting we talked about books. Curious, with an inquisitive mind, that girl seemed to want to know everything about me!

Love each other or die.

I didn't know at the time, but it appears that Morrie Schwartz and I share the same philosophy regarding what life is supposed to be all about. Which is probably why she asked me if I had read Mitch Albom's bestselling Tuesdays with Morrie. When I replied that I hadn't, she immediately offered to give it to me as a present. Interestingly enough, over the years some friends had asked her to borrow the book, but she always refused to lend it to them. And there I was, newly arrived in town, a guy she had met in front of the metal bull at the Moskva cinéma complex a couple of hours before, and she insisted that I accept this gift. Not knowing what to say, I reluctantly agreed.


When you learn how to die, you learn how to live.

Truth be told, I was kind of hoping that she would forget about the whole thing. Meeting locals through CouchSurfing while you travel can be a very special thing and I always feel bad when they offer me presents of any kind, or if they insist on buying me lunch/dinner, or pay for our drinks, etc. I'm the traveler, the one lucky enough to have them accept to meet me and show me around, so I should be paying for those things. In any case, when we reached the rooftop terrace overlooking Republic Square of the Diamond bar, she took the small book out of her purse and that was that. The maple syrup candies I handed her in exchange felt woefully inadequate. Even more so now that I've read this incredible work.


Make peace. You must make peace with yourself and everyone around you.

Indeed, only a few pages into it, I was acutely aware that Albom's Tuesdays With Morrie would be the sort of work that stays with you long after you've read the last page and put the book down.


You can't substitute material things for love or for gentleness or for tenderness or for a sense of companionship.

Here's the blurb:

Maybe it was a grandparent, or a teacher, or a colleague. Someone older, patient and wise, who understood you when you were young and searching, helped you see the world as a more profound place, gave you sound advice to help you make your way through it.

For Mitch Albom, that person was Morrie Schwartz, his college professor from nearly twenty years ago.

Maybe, like Mitch, you lost track of this mentor as you made your way, and the insights faded, and the world seemed colder. Wouldn't you like to see that person again, ask the bigger questions that still haunt you, receive wisdom for your busy life today the way you once did when you were younger?

Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man's life. Knowing he was dying, Morrie visited with Mitch in his study every Tuesday, just as they used to back in college. Their rekindled relationship turned into one final "class": lessons in how to live.

Tuesdays with Morrie is a magical chronicle of their time together, through which Mitch shares Morrie's lasting gift with the world.

After four years on the New York Times bestseller list, Tuesdays with Morrie is at last available in paperback.

You can read an extract from the book here.


Forgive yourself before you die. Then forgive others.

And old man, a young man, and life's greatest lesson. Thus begins what could well be the most touching and thought-provoking book I have ever read.

For weeks before Morrie's death, every Tuesday Albom would fly from Detroit to meet with his old professor to discuss a variety of topics, such as the world, regrets, death, family, emotions, love, the fear of dying, our culture, forgiveness, and much, much more.


So many people walk around with a meaningless life. They seem half-asleep, even when they're busy doing things they think are important. This is because they're chasing the wrong things. The way you get meaning into your life is to devote yourself to loving others, devote yourself to your community around you, and devote yourself to creating something that gives you purpose and meaning.

As you can see, I've included a number of quotes from the book in this review. I've never encountered a work that made me think, analyze, and reassess the way we live our lives as much as Tuesdays With Morrie did. The reading experience is so special that I forced myself to read it slowly. I wanted to take it all in, to let Morrie Schwartz's words of wisdom truly sink in. Far be it from me to claim that this work will change your life. But believe you me: It will change your outlook on life as we live it in North America and elsewhere in the Western World.


Aging is not just decay...It's growth.

Touching and rewarding moments on basically every page or so, Tuesdays With Morrie is a wonderful book.


At Brandeis, he taught classes about social psychology, mental illness and health, group process. They were light on what you'd now call "career skills" and heavy on "personal development.

The final verdict: 10/10

For more info about this title: Canada, USA, Europe