King of Kings


The level of incompetence, idiocy, naivety, and wishful thinking that characterized the Carter administration in what led to the overthrow of the Shah and then the Iranian revolution defies comprehension.

Scott Anderson's King of Kings is a fascinating, if often frustrating and bewildering read that will appeal to anyone who wishes to understand how and why the relationship between Iran and the USA became what it is today.

Here's the blurb:

PULITZER PRIZE FINALIST • A NEW YORK TIMES NOTABLE BOOK • NEW YORK TIMES BESTSELLER • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR NONFICTION • KIRKUS PRIZE WINNER • From the author of the landmark bestseller Lawrence in Arabia comes a stunningly revelatory narrative history of the Iranian Revolution, one of the most momentous events in modern times. This groundbreaking work exposes the jaw-dropping stupidity of the American government and traces the rise of religious nationalism, offering essential insights into today's global unrest.

On New Year’s Eve, 1977, on a state visit to Iran, President Jimmy Carter toasted Shah Mohammad Reza Pahlavi, King of Kings, Light of the Aryans, Shadow of God on Earth, praising Iran as “an island of stability “ due to “your leadership and the respect and admiration and love which your people give to you.” Iran had the world’s fifth largest army and was awash in billions of dollars in oil revenues. Construction cranes dotted the skyline of its booming capital, Tehran. The regime’s feared secret police force SAVAK had crushed communist opposition, and the Shah had bought off the conservative Muslim clergy inside the country. He seemed invulnerable, and invaluable to the United States as an ally in the Cold War. Fourteen months later the Shah fled Iran into exile, forced from the throne by a volcanic religious revolution led by a fiery cleric named Ayatollah Khomeini. The ensuing hostage crisis forever damaged America’s standing in the world. How could the United States, which had one of the largest CIA stations in the world and thousands of military personnel in Iran, have been so blind?

The spellbinding story Scott Anderson weaves is one of a dictator blind to the disdain of his subjects and a superpower blundering into disaster. Scott Anderson tells this astonishing tale with the narrative brio, mordant wit, and keen analysis that made his bestselling Lawrence of Arabia one of the key texts in understanding the modern Middle East. The Iranian Revolution, Anderson convincingly argues, was as world-shattering an event as the French and Russian revolutions. In the Middle East, in India, in Southeast Asia, in Europe, and now in the United States, the hatred of economically-marginalized, religiously-fervent masses for a wealthy secular elite has led to violence and upheaval – and Iran was the template. King of Kings is a bravura work of history, and a warning.


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Here's the blurb:

It rises from the depths of the Pacific Ocean, awakened by the fallout of our atomic weapons! It terrorizes ships, islands, cities, and continents, but its actual motives might not be what we expect. As for what we do in response, we're the human race! We're not always the sharpest instruments in the drawer. The race against planetary destruction is on, and the skyscraper-sized monster from the stars might be the least of our real problems...

"Kaiju Agonistes" is a wry, cynical, darkly satiric sci-fi novelette from the pen of Scott Lynch, internationally best-selling author of The Lies of Locke Lamora, bringing the sharp dialogue and sarcastic wit he's famous for. In this alternate history of the Cold War, a kaiju has a job to do- cities will be flattened, bridges will be knocked down, people will make bad decisions, and Richard Nixon will be subjected to vast amounts of undignified abuse. What more could one ask?

"Kaiju Agonistes," originally published in the January 2025 issue of Uncanny Magazine, is a nominee for the 2026 Hugo Awards in the Best Novelette category. This Author's Enhanced Edition includes not just an expanded text but an essay titled "Stealing Our Most Precious Hallucination," in which Lynch discusses his writing process and the story's relationship to the work of the late Clifford D. Simak.