This week's New York Times Bestsellers (September 15th)

In hardcover:

Charlaine Harris' Dead and Gone is down two positions, ending its 18th week on the charts at number 12.

Karen Marie Moning's Dreamfever is down six spots, finishing its third week on the NYT list at number 18.

Stephenie Meyer's The Host is up four positions, ending the week at number 19.

Lev Grossman's The Magicians maintains its position, ending its fourth week on the charts at number 21. For more info about this title: Canada, USA, Europe.

S. M. Stirling's The Sword of the Lady is down ten spots, finishing its second week on the prestigious list at number 23.

Troy Denning's Star Wars: Fate of the Jedi: Abyss is down eleven positions, ending its third week on the bestseller list at number 25. For more info about this title: Canada, USA, Europe.

Terry Goodkind's The Law of Nines is down six spots, finishing its third week on the prestigious list at number 26.

Terry Brooks' A Princess of Landover is down three positions, ending its third week on the NYT list at number 28.

In paperback:

Patricia Briggs' Hunting Ground is down five spots, finishing its second week on the NYT list at number 7. For more info about this title: Canada, USA, Europe.

Jane Austen and Seth Grahame-Smith's Pride and Prejudice and Zombies maintains its position at number 9 for its 23rd week on the bestseller list.

Carlos Ruiz Zafón's The Shadow of the Wind is up two spots, finishing the week at number 19. For more info about this title: Canada, USA, Europe.

Dean Koontz's Frankenstein: Dead and Alive is down ten positions, ending its sixth week on the charts at number 24. For more info about this title: Canada, USA, Europe.

Neal Stephenson's Anathem maintains its position at number 33 for its second week on the NYT list. For more info about this title: Canada, USA, Europe.

Charlaine Harris' eight Sookie Stackhouse novels are on the paperback bestseller list, ranking from number 10 to number 26.

Musical Interlude



Before he was a fucked-up old man, Ozzy was a fucked-up younger man who came up with quite a few terrific songs. Crazy Train is one of my favorites!

Ken Scholes contest winners!

Thanks to the cool folks at Tor Books, our three winners will receive a complimentary copy of Ken Scholes' Canticle. For more info about this title: Canada, USA, Europe. And if you haven't read it yet, do check out the first volume in The Psalms of Isaak sequence, Lamentation (Canada, USA, Europe)

The winners are:

- John Peitzman, from Charlotte, North Carolina, USA

- Tracey Chambers, from Lebanon, Illinois, USA

- Dona Watson, from Temecula, California, USA

Many thanks to all the participants!

Win a copy of Paul McAuley's THE QUIET WAR


Thanks to the kind folks at Pyr, I have four copies of Paul McAuley's The Quiet War for you to win. Some say it's sort of a blend of Peter F. Hamilton and Kim Stanley Robinson. If that's the case, you can't go wrong! For more info about this title: Canada, USA, Europe.

Here's the blurb:

Twenty-third century Earth, ravaged by climate change, looks backwards to the holy ideal of a pre-industrial Eden. Political power has been grabbed by a few powerful families and their green saints. Millions of people are imprisoned in teeming cities; millions more labour on Pharaonic projects to rebuild ruined ecosystems. On the moons of Jupiter and Saturn, the Outers, descendants of refugees from Earth's repressive regimes, have constructed a wild variety of self-sufficient cities and settlements: scientific utopias crammed with exuberant creations of the genetic arts; the last outposts of every kind of democratic tradition.

The fragile detente between the Outer cities and the dynasties of Earth is threatened by the ambitions of the rising generation of Outers, who want to break free of their cosy, inward-looking pocket paradises, colonise the rest of the Solar System, and drive human evolution in a hundred new directions. On Earth, many demand pre-emptive action against the Outers before it's too late; others want to exploit the talents of their scientists and gene wizards. Amid campaigns for peace and reconciliation, political machinations, crude displays of military might, and espionage by cunningly wrought agents, the two branches of humanity edge towards war...

The rules are the same as usual. You need to send an email at reviews@(no-spam)gryphonwood.net with the header "QUIET." Remember to remove the "no spam" thingy.

Second, your email must contain your full mailing address (that's snail mail!), otherwise your message will be deleted.

Lastly, multiple entries will disqualify whoever sends them. And please include your screen name and the message boards that you frequent using it, if you do hang out on a particular MB.

Good luck to all the participants!

They're out!

Tor Books just contacted me regarding the last Glen Cook giveaway, and I just realized that both The Return of the Black Company (Canada, USA, Europe) and Steven Erikson's Bauchelain and Korbal Broach (USA, Europe) were officially released today!

And I haven't received the latest Black Company omnibus yet. . . What's up with that!?!

With the way The Books of the South (Canada, USA, Europe) ended, I'm pretty keen to learn what happens next!

Dan Brown's THE LOST SYMBOL

It's the summer of 2004. . .

It hasn't been a good year for me so far. Two deaths in the family and a shitload of crap forced me to make a decision. I needed to get away and be far from everything and everyone I knew. I boarded a BA flight that fateful day in June with only the stuff that fitted into my bags and a desire to get the hell out of Montréal.

Didn't exactly know at the time that I would spend nearly 4 months in Europe. Nor did I expect to make my way through 14 different countries. No, it wasn't my first time in Europe. Actually, it was the fifth year in a row I was crossing the pond to visit some place new.

Dan Brown was already big at that time, but it hadn't reached the crazy point where his books somewhat became larger than life. The dumbass fuckwits from around the Bible Belt had yet to create the uproar that would come, people were not reading The Da Vinci Code like a textbook, and the Vatican remained silent on the issue. Back in those days, you read Dan Brown because the guy wrote exciting thrillers.

And no matter where I went, it seemed that every single backpacker who knew how to read was reading a Dan Brown novel. I hadn't brought any books with me, what with me not wanting to deal with dead weight in my packs. But it reached a point where I had to give this author a shot. I mean, everybody was reading his books!

I bought Angels and Demons and The Da Vinci Code at the WH Smith in Paris following the most boring train ride between Luxembourg City and Paris. I came close to opening my veins, so I knew I needed some reading material. Robert Langdon became a trusted companion for many train rides afterward. I bought Deception Point in Zurich, and The Digital Fortress in Budapest later on.

They were all page-turning, fantastic reads. What thrillers are supposed to be, in my opinion. In the end, they became such a big part of my trip that I brought all four books back home with me. They were dead weight for a few months, but I just couldn't bear to see them go.

So this morning I placed my order for Dan Brown's The Lost Symbol (Canada, USA, Europe). At 50% off, I can't go wrong! And I can't wait to read it, no matter what people say about the author. No, he's not the best writer to ever see the light. But the man certainly knows how to keep you turning those pages.

It will feel mighty weird not to be discovering what Robert Langdon is up to while the countryside of various European countries is passing me by on the other side of the window while the train is taking me to my next destination. . .

NFL SHOWDOWN: GRRM vs Pat (week1)

Yes, I like to suffer! Yes, I never learn! But perseverance is a virtue, right!?! So George R. R. Martin and I will be going at it again this year.

The stakes: If the Dallas Cowboys finish ahead of the New York Giants at the end of the NFL season, GRRM will base a character on me and make me die a gruesome death in the next ASOIAF installment. If the G-Men end up on top, GRRM gets to choose three books for me to read and review during the off-season.

For those new to this, George R. R. Martin won this wager the last two seasons. . . Bastard!:p

Dallas Cowboys: 34
vs
Tampa Bay Buccaneers: 21

Washington Redskins: 17
vs
New York Giants: 23

Both our teams are 1-0, but the Coyboys are playing the Giants next Sunday. Someone's 0 will have to go. . .

Child of Fire


As always, I read the blurb of Harry Connolly's Child of Fire when the ARc showed up in my mailbox. It sounded interesting, but in the end it was the Jim Butcher quote that made me put it near the top of my "books to read" pile. As you know, urban fantasy isn't always my favorite subgenre, but I've been trying to mix it up a bit more this year. Hence, Connolly's debut appeared to be a relatively safe bet.

Barely out of jail, Ray Lilly finds himself in the role of driver for eccentric Annalise Powliss, a member of the Twenty Palace Society, a mysterious cabal of powerful sorcerers devoted to hunting down rogue magic-users. The problem is, Ray betrayed Annalise in the past, and she's now looking for an excuse to kill him, or make sure that someone or something else conveniently do it in her stead. Ray is acutely aware that he is living on borrowed time. But when their mission goes wrong and Annalise is nearly killed, it's up to Ray to try to complete her assignment. And the more he learns about the truth of what is occurring in Hammer Bay, the more he realizes that he's willing to die to destroy the source of the nefarious magic at work.

Every urban fantasy protagonist seems to have his or her own stomping grounds, and it appears that the state of Washington will be where Ray Lilly's misadventures take place. I feel that Connolly did a good job with his portrayal of small-town concerns and politics in Hammer Bay.

The author introduces a number of cool concepts, but basically sheds no light on any of them. I'm well aware that this is the first volume of a sequence of several installments, yet at times -- even though it's a standalone novel -- Child of Fire feels like the introduction of an introduction. Be that as it may, it doesn't take anything away from the overall reading experience. The narrative reels you in, and I can't wait to discover what happens next.

With a first-person narrative, the characterisation focuses on Ray Lilly. This character may not be as endearing as Butcher's Harry Dresden, but this ex-con is well-drawn and genuine. I'm looking forward to learning more about him. My main complaint would be that we learn close to nothing about the secretive Annalise and the Twenty Palace Society. More information in that regard would have added another dimension to the tale.

Harry Connolly paced his debut almost perfectly. The story grabs hold of you and sucks you in from the start, forcing you to always read yet another chapter. And before you know it, you reach the last page. There's not a dull moment to be found, and I felt that the books could have been a bit longer. More "meat" would have given the novel more depth, without influencing the crisp rhythm.

There is a decidedly high bodycount in Child of Fire, which came as an unexpected surprise. Harry Connolly understands that one cannot tackle with the supernatural without some collateral damage.

All in all, Child of Fire is an exciting and intriguing urban fantasy debut. Del Rey promises new adventures for Ray Lilly and the Twenty Palace Society in the spring of 2010, and I'm really curious to see where the series is headed. Child of Fire should appeal to fans of Jim Butcher and Simon R. Green.

The final verdict: 7.5/10

For more info about this title: Canada, USA, Europe

Win a set of Gary Gibson's The Shoal Sequence

I have three sets of Gary Gibson's The Shoal Sequence up for grabs, compliments of the nice folks at Pan MacMillan. The prize pack includes:



- Stealing Light (Canada, USA, Europe)

In the 25th century, only the Schindleria possess the secret of faster-than-light travel (FTL), thus exerting an economic stranglehold on all interstellar travel. For a century and a half, mankind has operated within their influence, till now there are at least a dozen human colony worlds scattered along Schindlerian trade routes.

Sonja Merrick, while serving as a military pilot, has witnessed atrocities for which this alien race is responsible. Now piloting a civilian cargo ship, she is currently ferrying an exploration team to a star system containing a derelict starship. From its wreckage, her passengers hope to salvage a functioning FTL drive of mysteriously non-Schindlerian origin. But the Schindleria are not yet ready to relinquish their monopoly of a technology they acquired through ancient genocide.



- Nova War (Canada, USA, Europe)

In Stealing Light, Dakota discovered the Shoal's dark and dangerous secret, now she works towards stopping not only the spread of this knowledge, but also the onset of the Nova war. Found adrift near a Bandati colony world far away from Consortium space, Dakota and Corso find themselves prisoners of the Bandati. It becomes rapidly clear to them, that the humanity's limited knowledge of the rest of the galaxy - filtered through the Shoal - is direly inaccurate. The Shoal have been fighting a frontier war with a rival species, the Emissaries, with their own FTL technology for over fifteen thousand years. Realising that the Shoal may be the Galaxy's one chance at sustained peace, Dakota is forced to work with Trader to prevent the spread of deadly knowledge carried on board the Magi ships. But it seems that the Nova War is inevitable.

The rules are the same as usual. You need to send an email at reviews@(no-spam)gryphonwood.net with the header "SHOAL." Remember to remove the "no spam" thingy.

Second, your email must contain your full mailing address (that's snail mail!), otherwise your message will be deleted.

Lastly, multiple entries will disqualify whoever sends them. And please include your screen name and the message boards that you frequent using it, if you do hang out on a particular MB.

Good luck to all the participants!

Has anyone seen this movie???



The movie "9" looks visually impressive, but many reviews claim that the flick is pretty thin storywise and lacks in character development.

So is it worth seeing on the silver screen, or should I wait for the DVD?

Peter F. Hamilton contest winner!

Thanks to the folks at Subterranean Press, this lucky winner will get his hands on an ARC of the limited edition of Peter F. Hamilton's The Reality Dysfunction (Canada, USA, Europe). For more info about this collector's item, check out the Subpress website.

The winner is:

- Joel Simard, from Montréal, Québec, Canada

Thanks to all the participants!

Excerpt from L. E. Modesitt, jr.'s IMAGER'S CHALLENGE


As you know, I very much enjoyed L. E. Modesitt, jr.'s first volume in the Imager Portfolio sequence, Imager (Canada, USA, Europe) last winter. And I'm eager to read the sequel, Imager's Challenge (Canada, USA, Europe), which will be released next month.

Here's an extract from Imager's Challenge, courtesy of the author.

Enjoy!
---------------

… I hurried to the dining hall, early enough that most of the primes and seconds weren’t there. I slipped into a seat next to the gray-haired Maitre Dyana, because any other seat I would have taken would have suggested I was avoiding her.

“Good morning,” I offered.

“Next time, don’t scan the table when you’re close enough to have your eyes read.” Her bright blue eyes pinned me in my seat. As always, she wore a colorful scarf above her imager grays, and this one was a brilliant green, with touches of an equally bright violet. Her unlined face suggested she was far younger than did her hair and experience.

I laughed, if apologetically. “Every time I see you, I learn something.”

“Good. You might even learn enough to survive your abilities, young Rhenn. Commander Artois has a good brain encumbered by solid grasp of protocol and procedure. He might listen to you if you can avoid offending him. The easiest way to offend him is to flaunt protocol and ignore procedures.” She handed me the platter of sausages and scrambled eggs. “You’d best eat. You don’t have much time, not if you don’t want to arrive sweating and flustered.”

I took her advice and drank my tea and ate quickly, then set out for my first day at the Civic Patrol, adjusting the gray visored cap that imagers wore when on duty off Imagisle.

Although the headquarters of the Civic Patrol of L’Excelsis was slightly less than a mille from the south end of Imagisle, there wasn’t a bridge there. Instead, I had to take the Bridge of Hopes across the River Aluse and then walk almost two milles along the East River Road, before turning east on Fedre and walking another half mille.

The two story headquarters building was of undistinguished yellow brick, with brown wooden trim and doors. There were three doors spaced across the front. The left one clearly was for a working patroller station, because I could see patrollers in their pale blue uniforms hurrying in and out, the mark of a shift change. The right door looked disused, as if it were locked. So I took the middle door, or rather the right-hand door of the set of double doors in the square archway above two worn stone steps leading up from the sidewalk. The left hand door was locked.

Inside was a table desk, with a graying patroller seated behind it. He took in my imager’s uniform and the silver imagers’ pin. “You’re here to see Commander Artois, sir?”

“Yes… if you’d direct me.”

“Second floor, up those steps and to the right. You can’t miss it.”

“Thank you.”

The wide steps weren’t stone, but time-worn dark oak. I arrived on the second floor of the anteroom that led to the Commander’s private study just before eighth glass. There were two small writing desks in the anteroom facing the wall on each side of the door through which I’d entered. Each had a straight-backed chair behind it, and two backless oak benches were set against the wall, facing each desk. Between the desks was a door, presumably to the Commander’s private study. At the left desk sat another graying patroller.

“Master Rhennthyl?”

“Yes. I’m here – ”

“To see the commander. You can go in. He’s expecting you.”

I opened the door and stepped into the study, a space no more than four yards deep and six wide. Artois had risen and stepped around an ancient walnut desk set at end of the study closest to the river. To his right, on the innermost wall, was a line of wooden cases. On the wall opposite the desk was a tall and narrow bookcase, filled with volumes. Facing the desk were four straight-backed chairs. Two wide windows, both open, were centered on the outer wall and offered a view of the various buildings on the north side of Fedre and some beyond, but not so far as the Boulevard D’Imagers. There were no pictures or anything else hung on the walls, and only a pair of unlit oil lamps in wall sconces flanking the desk.

Artois was three or four digits shorter than I was and wire-thin. Under short-cut brown hair shot with gray, his brown eyes seemed flat, the kind that showed little emotion.

“Our latest Imager Liaison.” He nodded. “Young… doubtless powerful and shielded, and with Namer-little understanding of the Civic Patrol.”

“Yes, sir. That’s an accurate summary.”

“Are you being sarcastic, Master Rhennthyl?”

“No, sir. I’ve studied the procedures, but I’ve only worked briefly with one patroller. I do think I can learn, and there are situations where I might be helpful..”

“Outside of being an imager, what do you know?”

“I was a journeyman artist for three years after a seven-year apprenticeship, and my family is in the wool business. So I know something about art and the guilds, and about factoring and commerce. I’ve been trained to take care of myself.” I doubted that there was much else I could say that he didn’t know.

“Do you know accounting?”

“I used to do ledger entries.”

“You’ve killed men in the line of duty. How many and under what circumstances?”

I had to think for a moment. Diazt, the first assassin, the Ferran, Vhillar, and at least two others. “At least six, sir.”

“At least? You don’t remember?”

“When the Ferran envoy’s assassins tried to attack, I blew up their wagon. There were at least three people killed, but I got knocked unconscious. So I don’t know if there were more.”

“Let me put it another way. How many have you killed face-to-face at different times?”

“Three.” That was counting Vhillar.

“You realize that many patrollers have never killed anyone. That’s not our task.”

“Many imagers have not, either, sir, but even more people would have died if I had not acted.”

“How many did you attack first, before they did anything?”

“None, sir. One of them tried to kill me three times before I killed him.”

“Three times?”

“Yes, sir.”

“I doubt they were all reported.”

“The first and last times were.” I paused. “I don’t know that. Patrollers were there the first and last times. I don’t know what they reported.”

Artois smiled, faintly. “Don’t you trust our finest?”

“It’s not a question of trust, sir. I don’t know what they did. I reported to Master Dichartyn. He was my superior.”

Those words actually got a nod, a grudging one, I thought.

“Do you know why we agree to have imager liaisons, Rhennthyl?”

“I’ve been told why the Collegium wants me here; I haven’t been told why you agree to it, and it would be only speculation on my part to say.”

“Only speculation.” Artois repeated my words, sardonically. “Would you care to speculate?”

“No, sir. I’d rather know than speculate.”

“You are here because you are potentially a powerful imager. Powerful imagers can cause great problems if they do not understand how L’Excelsis works. The Civic Patrol is a key part of the city. We want you to understand how matters really work. Occasionally, you will be helpful. Until you have a better idea of how, just stand back, protect yourself, and watch.”

“Yes, sir.”

“You will actually report to Subcommander Cydarth, and he will rotate you through observing various patroller operations. When and if you finish your initial rotations, you will use the empty desk in the outer study here. That won’t be for some time.”

“Yes, sir.”

“You need to meet the Subcommander.” Without another word, Commander Artois turned and walked past me, opening the door.

I followed him out through the anteroom and to the right to the next door, where we entered a slightly smaller anteroom arranged in a similar fashion to that of the one outside the commander’s study, save that there was only one desk, and no one was seated there. Artois pushed open the study door, already ajar, and stepped inside.

Subcommander Cydarth was standing beside his desk, looking out the window. He turned. He was taller than the commander and had black hair and a swarthy complexion. Part of his upper right ear was missing.

“Cydarth, here’s your liaison, Maitre D’Aspect Rhennthyl.” Commander Artois nodded to me. “I’ll leave you in the most capable hands of the Subcommander.” He left the study without a word.

“The Commander can often be abrupt, but he’s quite effective.” Cydarth’s voice was so low it actually rumbled. I’d read of voices that deep, but I’d never heard one before.

“That is what Master Dichartyn said.”

“I doubt he said it quite that way.” Cydarth’s smile belied the sardonic tone of his words.

I waited.

“There’s one thing I want to emphasize before we get you settled. Most patrollers will call you ‘sir’ or ‘Master Rhennthyl.’ That is a courtesy, in the sense that you are not their superior. You cannot order even the lowest patroller to do anything. Do you understand that?”

“Yes, sir. Master Dichartyn made that clear.”

“He would have. He understands a bit of what we do.”

I managed to keep a pleasant smile on my face, but I had no doubts that Master Dichartyn understood far more than either the Commander or the Subcommander realized.

“For the next few days, you’ll be assigned to observe the charging desk here in headquarters. I want you to study every person charged, and then read whatever past records we have on them, not that there will be many.” He looked at me. “Do you know why?”

“To note on their charging record, because those who have committed a single major offense will either be executed or will spend the rest of their life in a penal workhouse. Those who have more than three minor offenses will be spending years in the penal manufactories or on road or ironway maintenance.”

“Exactly…. except for one thing. Do you know what it is?”

I had no idea. “No, sir.”

“What if they’re of common appearance and have changed their name?”

“Aren’t major offenders branded on their hip?”

“They are, but there are minor offenders who move to another city after serving time for one offense and then change their names. You’ll learn to recognize that type.” He gestured toward the door. “Let’s get you settled in with First Patroller Gulyart. He runs charging downstairs.”

Again, I found myself following as Cydarth walked swiftly to a narrow staircase at end of the hall and headed down it…

This week's New York Times Bestsellers (September 8th)

In hardcover:

Charlaine Harris' Dead and Gone is up two positions, ending its 17th week on the charts at number 10.

Karen Marie Moning's Dreamfever is down nine spots, finishing its second week on the NYT list at number 12.

S. M. Stirling's The Sword of the Lady debuts at number 13.

Troy Denning's Star Wars: Fate of the Jedi: Abyss is down seven positions, ending its second week on the bestseller list at number 14. For more info about this title: Canada, USA, Europe.

Terry Goodkind's The Law of Nines is down ten spots, finishing its second week on the prestigious list at number 20.

Lev Grossman's The Magicians is down five positions, ending its third week on the charts at number 21. For more info about this title: Canada, USA, Europe.

Stephenie Meyer's The Host is down two spots, finishing the week at number 23.

Terry Brooks' A Princess of Landover is down ten positions, ending its second week on the NYT list at number 25.

Sherrilyn Kenyon's Bad Moon Rising is down nine spots, finishing its fourth week on the bestseller list at number 28.

In paperback:

Patricia Briggs' Hunting Ground debuts at number 2. For more info about this title: Canada, USA, Europe.

Jane Austen and Seth Grahame-Smith's Pride and Prejudice and Zombies maintains its position at number 9 for its 22nd week on the bestseller list.

Dean Koontz's Frankenstein: Dead and Alive is down ten positions, ending its fifth week on the charts at number 14. For more info about this title: Canada, USA, Europe.

Carlos Ruiz Zafón's The Shadow of the Wind is up one spot, finishing the week at number 21. For more info about this title: Canada, USA, Europe.

Neal Stephenson's Anathem debuts at number 33. For more info about this title: Canada, USA, Europe.

Charlaine Harris' eight Sookie Stackhouse novels are on the paperback bestseller list, ranking from number 10 to number 26.

Win a copy of Harry Connolly's CHILD OF FIRE


I have three copies of Harry Connolly's debut, Child of Fire, up for grabs, courtesy of the kind folks at Del Rey. For more info about this title: Canada, USA, Europe.

Here's the blurb:

Ray Lilly is living on borrowed time. He’s the driver for Annalise Powliss, a high-ranking member of the Twenty Palace Society, a group of sorcerers devoted to hunting down and executing rogue magicians. But because Ray betrayed her once, Annalise is looking for an excuse to kill him–or let someone else do the job.

Unfortunately for both of them, Annalise’s next mission goes wrong, leaving her critically injured. With the little magic he controls, Ray must complete her assignment alone. Not only does he have to stop a sorcerer who’s sacrificing dozens of innocent lives in exchange for supernatural power, he must find–and destroy–the source of that inhuman magic.

Just finished this one, and it's a pretty good read. If you like urban fantasy with an interesting protagonist instead of a chick dressed as a stripper fighting demons, this one's for you! And it comes with a body count that would make authors like GRRM and Joe Abercrombie nod in approval. . .

The rules are the same as usual. You need to send an email at reviews@(no-spam)gryphonwood.net with the header "RAY." Remember to remove the "no spam" thingy.

Second, your email must contain your full mailing address (that's snail mail!), otherwise your message will be deleted.

Lastly, multiple entries will disqualify whoever sends them. And please include your screen name and the message boards that you frequent using it, if you do hang out on a particular MB.

Good luck to all the participants!

Lev Grossman contest winners!

Thanks to the folks at Viking, our winners will get their hands on a copy of Lev Grossman's The Magicians. For more info about this title: Canada, USA, Europe.

The winners are:

For the signed copy:

- David Lovely, from Chicago, Illinois, USA

For regular copies:

- Ben De Bono, from Ramsey, Minnesota, USA

- Paul Bartel, from Calgary, Alberta, Canada

- Sharon Berger, from Albuquerque, New Mexico

Thanks to all the participants!

The Sandman: Preludes & Nocturnes


I mentioned before that I was never able to get into Neil Gaiman's The Sandman comics back in the early 90s. This was not due to any fault of the author or his collaborators. In retrospect, it is evident that I wasn't ready for something like The Sandman back then. After all, I was caught in the throes of the Image Comics revolution, and visually The Sandman couldn't compete with the works of Todd McFarlane, Jim Lee, Marc Silvestri, etc. I wanted some ass-kicking action, and felt that nothing much happened in Morpheus' story. At least compared to various X-Men titles, The Punisher, Spawn, etc.

Those days are long gone, and I was forced to sell my 1000+ collection for a mere fraction of its market value when I lost my job well over a decade ago. For some reason, I've never read any other comic books since then. . .

Not surprisingly, there is a vast overlap between the SFF books and the comic books fandoms. And many Hotlist readers have always been a bit perplexed by the fact that I could love Neil Gaiman's novels to such a degree, while I could never bring myself to give The Sandman a second chance.

So when GRRM put me in touch with people at DC Comics so I could fulfill my obligations for losing that NFL bet, I asked about the possibility to read and review The Sandman series. The idea was to give the sequence exposure to Gaiman fans who, like me, aren't or have never been into comics. Hence, I was quite pleased when I received a package contained the entire series.

The Sandman: Preludes & Nocturnes is an omnibus containing the first eight issues of The Sandman. They were illustrated by Sam Kieth, Mike Dringenberg, and Malcolm Jones III, while Neil Gaiman penned the story. The amazing covers are the work of artist Dave McKean.


The pace of the story, in this omnibus at least, is a bit slow-moving, reminding me why a younger Pat had trouble with it and moved on to other comic books. Yet you can see that this first story arc is meant to set the stage, and Gaiman seems to gain confidence and momentum with each issue. He also knows how to set the mood, which bodes well for things to come.

While "The Sleep of the Just," "Imperfect Hosts," "Dream a Little Dream of Me," "A Hope in Hell," and "Passengers" are all right, I felt that the tale really takes off with "24 Hours," which was fantastic. "Sound and Fury" brought this story arc to a close, but "The Sound of Her Wings" caps it off perfectly. Can't help but love the Death character!

Visually, the art from those first issues of The Sandman is a world aways from what I used to love in comic books such as Spawn, etc. But for a dark and moody piece like this, I feel that it works beautifully. And the McKean covers are incredible. Can't wait to read the second volume, The Sandman: The Doll's House (Canada, USA, Europe).

So there you have it. I took the bait, and I'm going for it! Looks like I'll be enjoying my second attempt at reading what helped put Neil Gaiman on the map! If, like me, you love Gaiman's novels, movies, and other projects, but you have yet to give The Sandman a chance, now's the time to do it. It's kind of cool to discover how it all began. . .

For more info about this title: Canada, USA, Europe

A bit of humor

It's been a crappy couple of days. Life's been dishing loads of shit on Yours Truly lately, and I haven't slept much in the last three days. But these videos brought a silly grin on my face. The Star Wars rap made me cry with laughter, and I had to wipe the tears from my eyes.

Maybe things are looking up...



Posted by Betsy Wollheim (no less!) on Facebook. I love Daft Punk, and I've always been a sucker for Disney's animated features...



Sesame Street will never be the same...



Yoda saying "beyatch" and "pass me the blunt." This is the funniest thing I've seen in quite a while! It's the V to the A to the D-E-R. Come on, sing along!:p

BY BLOOD WE LIVE contest winners!

Each of our three winners will receive a complimentary copy of By Blood We Live, edited by John Joseph Adams, courtesy of the folks at Nightshade Books. For more info about this title: Canada, USA, Europe.

The winners are:

- Jaime Huff, from Phoenix, Arizona, USA

- Melissa Tabon, from Amelia, Ohio, USA (Kiara on dragonmount.com)

- Jeanie Ryan, from Dover, Delaware, USA (lunasea on Kelley Armstrong's Otherworld forum)

Thanks to all the participants!

Win a copy of Ken Scholes' CANTICLE


Thanks to the cool folks at Tor Books, I have three copies of Ken Scholes' Canticle for you to win. For more info about this title: Canada, USA, Europe.

Here's the blurb:

Come back to the Named Lands in this compelling sequel to Ken Scholes amazing novel Lamentation.

It is nine months after the end of the previous book. Many noble allies have come to the Ninefold Forest for a Feast in honor of General Rudolfo’s first-born child. Jin Li Tam, his wife and mother of his heir, lies in childbed.

As the feast begins, the doors of the hall fly open and invisible assassins begin attacking. All of Rudolfo’s noble guests are slain, including Hanric, the Marsh Queen’s Shadow. And on the Keeper’s Gate, which guards the Named Lands from the Churning Waste, a strange figure appears, with a message for Petronus, the Hidden Pope.

Thus begins the second movement of The Psalms of Isaak, Canticle.

The rules are the same as usual. You need to send an email at reviews@(no-spam)gryphonwood.net with the header "CANTICLE." Remember to remove the "no spam" thingy.

Second, your email must contain your full mailing address (that's snail mail!), otherwise your message will be deleted.

Lastly, multiple entries will disqualify whoever sends them. And please include your screen name and the message boards that you frequent using it, if you do hang out on a particular MB.

Good luck to all the participants!

Musical Interlude



What better way to start your day following a long weekend than by listening to Kate Bush's best song ever!?!

Enjoy!=)