In hardcover:
Stephen King's Billy Summers maintains its position at number 5.
This week's New York Times Bestsellers (October 10th)
Stephen King's Billy Summers maintains its position at number 5.
US cover art for Mark Lawrence's THE GIRL AND THE MOON
Thatthornguy.com just posted the US cover art for Mark Lawrence's The Girl and the Moon. The cover was done by Bastien Lecouffe Deharme.
Here's the blurb:
The green world exceeds and overwhelms all of Yaz’s expectations. Everything seems different but some constants remain: her old enemies are still two steps ahead, bent on her destruction.
The Corridor abounds with undreamed of plenty and with unsuspected danger. To stand a chance against the eyeless priest, Eular, and the god-like city-mind, Seus, Yaz will need to learn fast and make new friends.
The Convent of Sweet Mercy, like the Corridor itself, is packed with peril and opportunity. Yaz needs the nuns’ help – but first they want to execute her.
The fate of everyone squeezed between the Corridor’s vast walls, and ultimately the fate of those labouring to survive out on ice itself, hangs from the moon, and the battle to save the moon centres on the Ark of the Missing, buried beneath the emperor’s palace. Everyone wants Yaz to be the key that will open the Ark – the one the wise have sought for generations. But sometimes wanting isn’t enough.
The Wheel of Time: Main Trailer
A much better trailer, no question.
I'm still concerned about the fact that it remains extremely Pike-centric and we barely hear the leads say a few words. Moiraine is an important character, but she's not one of the main protagonists.
Those five will make or break the tv series and we have yet to see them act in any meaningful way.
Still, now I'm very, very cautiously optimistic.
This week's New York Times Bestsellers (October 3rd)
In hardcover:
Stephen King's Billy Summers is down two positions, ending the week at number 5.
Joe Abercrombie's The Wisdom of Crowds debuts at number 15.
Dune, part 1
Finally saw Dune last night.
As expected from Villeneuve, it's visually stunning. Also expected, there are pacing issues throughout the movie. Basically every scene is overdone and lasts longer than it should, which makes it hard for the film to maintain any sort of rhythm.
The movie should never have been split in two installments. For something that lasts 155 minutes, not a whole lot actually happens. They might come to regret that decision.
Is it good? Hell yeah! 😃 Is it great? Not even close.
Actor performances are solid throughout and of course I'll be watching the second part as soon as it's released.
As was the case with his version of Bladerunner, I'm afraid that mainstream audiences might find Villeneuve's adaptation of Dune to be overlong and boring at times.
With authors, we talk about mental masturbation when they go on and on and it brings nothing to the plot. With director like Villeneuve, we should call this visual masturbation. The ship is about to crash into the sand. The sequence should last like 30 seconds. It lasts 4 minutes. 😕 Countless scenes are like that.
Should you see it? Hell yeah! 😃 Just don't expect the best thing since sliced bread. If you've seen any of Denis Villeneuve's movies, you should know what to expect by now.
I'm just glad it's finally out.
More inexpensive ebook goodies!
You can now get your hands on the digital edition of Brandon Sanderson's Mistborn: The Final Empire for only 2.99$ here. There is a price match in Canada.
Here's the blurb:
From #1 New York Times bestselling author Brandon Sanderson, the Mistborn series is a heist story of political intrigue and magical, martial-arts action.
For a thousand years the ash fell and no flowers bloomed. For a thousand years the Skaa slaved in misery and lived in fear. For a thousand years the Lord Ruler, the "Sliver of Infinity," reigned with absolute power and ultimate terror, divinely invincible. Then, when hope was so long lost that not even its memory remained, a terribly scarred, heart-broken half-Skaa rediscovered it in the depths of the Lord Ruler's most hellish prison. Kelsier "snapped" and found in himself the powers of a Mistborn. A brilliant thief and natural leader, he turned his talents to the ultimate caper, with the Lord Ruler himself as the mark.
Kelsier recruited the underworld's elite, the smartest and most trustworthy allomancers, each of whom shares one of his many powers, and all of whom relish a high-stakes challenge. Only then does he reveal his ultimate dream, not just the greatest heist in history, but the downfall of the divine despot.
But even with the best criminal crew ever assembled, Kel's plan looks more like the ultimate long shot, until luck brings a ragged girl named Vin into his life. Like him, she's a half-Skaa orphan, but she's lived a much harsher life. Vin has learned to expect betrayal from everyone she meets, and gotten it. She will have to learn to trust, if Kel is to help her master powers of which she never dreamed.
This saga dares to ask a simple question: What if the hero of prophecy fails?
You can also download John Scalzi's Old Man's War for only 2.99$ by following this Amazon Associate link. There is a price match in Canada.
Here's the blurb:
John Perry did two things on his 75th birthday. First he visited his wife's grave. Then he joined the army.
The good news is that humanity finally made it into interstellar space. The bad news is that planets fit to live on are scarce-and aliens willing to fight for them are common. The universe, it turns out, is a hostile place.
So: we fight. To defend Earth (a target for our new enemies, should we let them get close enough) and to stake our own claim to planetary real estate. Far from Earth, the war has gone on for decades: brutal, bloody, unyielding.
Earth itself is a backwater. The bulk of humanity's resources are in the hands of the Colonial Defense Force, which shields the home planet from too much knowledge of the situation. What's known to everybody is that when you reach retirement age, you can join the CDF. They don't want young people; they want people who carry the knowledge and skills of decades of living. You'll be taken off Earth and never allowed to return. You'll serve your time at the front. And if you survive, you'll be given a generous homestead stake of your own, on one of our hard-won colony planets.
John Perry is taking that deal. He has only the vaguest idea what to expect. Because the actual fight, light-years from home, is far, far harder than he can imagine-and what he will become is far stranger.
At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.
Here's the blurb:
The Year’s Best African Speculative Fiction (2021) is a reprint anthology and the first ever Year’s Best African speculative fiction anthology, edited by Oghenchovwe Donald Ekpeki. It contains speculative fiction stories by some of the most exciting voices, old and new, from Africa and the diaspora, published in the 2020 year. It features twenty-nine stories, by twenty-five writers.
This week's New York Times Bestsellers (September 26th)
In hardcover:
Stephen King's Billy Summers is down one position, ending the week at number 3.
This week's New York Times Bestsellers (September 19th)
In hardcover:
Stephen King's Billy Summers maintains its position at number 2.
Andy Weir's Project Hail Mary is up two positions, ending the week at number 13.
V. E. Schwab's The Invisible Life of Addie LaRue maintains its position at number 14.
Mini Reviews
Hey guys,
My mom finally passed away a couple of weeks ago. As sad as it is for our family, the time had come and it's better this way.
Understandably, I haven't had time to read a whole lot and must resort to mini reviews once more.
- Son of the Storm by Suyi Davies Okungbowa (Canada, USA, Europe)
DNF at 80%.
I so really wanted to like this novel. I felt that its predecessor, David Mogo, Godhunter, featured lots of cool ideas and concepts, and I was looking forward to Suyi Davies Okungbowa's new series with Orbit.
But Son of the Storm is a slog. The characterization, especially, leaves a lot to be desired. Too YA, too black and white, with no shades of gray to speak of.
I persevered, hoping to at least finish the book. But in the end, I simply couldn't do it. =(
- Ender's Game by Orson Scott Card (Canada, USA, Europe) 8.5/10
As a matter of course, I read this novel back in the day. I picked up a copy at a hostel's book exchange a few years back, planning to reread it and see if this classic had aged well.
I brought it with me on a hiking trip last month and went through it in no time. God knows that a lot of science fiction doesn't age well at all. But Card's debut is still as good today as it was back in the 80s. Probably because it's a story about kids and how they develop and not about science and technology. The only thing that is at time obsolete is the language, what with the fart-face and other fart-something insults.
Say what you will about Card, Ender's Game remains a terrific novel!
- The Year’s Best African Speculative Fiction (2021), edited by Oghenechovwe Donald Ekpeki (Canada, USA, Europe) 8.5/10
This is a follow-up to last year's Dominion, the first anthology of speculative fiction and poetry by Africans and the African Diaspora. You may recall that I absolutely loved that anthology, so I was really looking forward to discovering what the 2021 collection would look like.
Now that I went through it, I can tell you that The Year’s Best African Speculative Fiction (2021) is as good as its predecessor. If anything, it might even be a little better!
Once again this year, Ekpeki Oghenechovwe Donald compiled short fiction tales that cover the length and breadth of everything that falls under the speculative fiction umbrella. As was the case with Dominion, such a convergence of genres and subgenres makes for captivating reading. Though most of the pieces are not culturally familiar in style, tone, or context to Western SFF readers, they all have something that can appeal to a broader audience. I was a bit surprised that this anthology contained a couple of pieces that were found in its predecessor. Though they're good, I'm not sure why they were included instead of original short stories.
If you only read one SFF anthology this year, make it this one! =)
- Isolate by L. E. Modesitt, jr. (Canada, USA, Europe) 6/10
When I was invited to read Modesitt's first installment in a brand new gaslamp political fantasy series, I knew I couldn't say no!
Here's the blurb:
Industrialization. Social unrest. Underground movements. Government corruption and surveillance.
Something is about to give.
Steffan Dekkard is an isolate, one of the small percentage of people who are immune to the projections of empaths. As an isolate, he has been trained as a security specialist and he and his security partner Avraal Ysella, a highly trained empath are employed by Axel Obreduur, a senior Craft Minister and the de facto political strategist of his party.
When a respected Landor Councilor dies of “heart failure” at a social event, because of his political friendship with Obreduur, Dekkard and Ysella find that not only is their employer a target, but so are they, in a covert and deadly struggle for control of the government and economy.
Steffan is about to understand that everything he believed is an illusion.
The blurb totally hooked me and I was intrigued by the Victorian setting.
Problem is, I don't think there was enough material to warrant a full novel here. Isolate features a political tale and a love story, both of which struggling to get out. Unfortunately, the bulk of the book focuses on the excruciating minutia of Steffan's day-to-day life, from what he has for breakfast every morning, to his reading petitions and answering letters, to what he does before going to bed at night. God knows that Modesitt isn't known for his fast pace, but Isolate makes the Recluce volumes feel like balls-to-the-wall affairs. And there's only so much every day minor detail one can take. Of the 608 pages, there can't be more than 200 pages that have to do with the story itself.
As a big Modesitt fan, you should know that rhythm is seldom an issue with me. I'm used to the pace of his novels and I can live with the slow-moving sections of his books. But it felt as though Isolate was the introduction to a multilayered tale that was then padded with a vast amount of extraneous and repetitive material to make it a novel. When, in truth, it should have been the first portion of book and not a novel-length project, in and of itself.
Unless you already are a Modesitt fan, I doubt that you'll want to wade through Isolate. Which is too bad, because there's a lot of good stuff in there. It's just buried deeply underneath a ton of superfluous details that bring little or nothing to the story. . .
You can read an extract here.
My mom finally passed away a couple of weeks ago. As sad as it is for our family, the time had come and it's better this way.
Understandably, I haven't had time to read a whole lot and must resort to mini reviews once more.
DNF at 80%.
I so really wanted to like this novel. I felt that its predecessor, David Mogo, Godhunter, featured lots of cool ideas and concepts, and I was looking forward to Suyi Davies Okungbowa's new series with Orbit.
But Son of the Storm is a slog. The characterization, especially, leaves a lot to be desired. Too YA, too black and white, with no shades of gray to speak of.
I persevered, hoping to at least finish the book. But in the end, I simply couldn't do it. =(
- Ender's Game by Orson Scott Card (Canada, USA, Europe) 8.5/10
As a matter of course, I read this novel back in the day. I picked up a copy at a hostel's book exchange a few years back, planning to reread it and see if this classic had aged well.
I brought it with me on a hiking trip last month and went through it in no time. God knows that a lot of science fiction doesn't age well at all. But Card's debut is still as good today as it was back in the 80s. Probably because it's a story about kids and how they develop and not about science and technology. The only thing that is at time obsolete is the language, what with the fart-face and other fart-something insults.
Say what you will about Card, Ender's Game remains a terrific novel!
This is a follow-up to last year's Dominion, the first anthology of speculative fiction and poetry by Africans and the African Diaspora. You may recall that I absolutely loved that anthology, so I was really looking forward to discovering what the 2021 collection would look like.
Now that I went through it, I can tell you that The Year’s Best African Speculative Fiction (2021) is as good as its predecessor. If anything, it might even be a little better!
Once again this year, Ekpeki Oghenechovwe Donald compiled short fiction tales that cover the length and breadth of everything that falls under the speculative fiction umbrella. As was the case with Dominion, such a convergence of genres and subgenres makes for captivating reading. Though most of the pieces are not culturally familiar in style, tone, or context to Western SFF readers, they all have something that can appeal to a broader audience. I was a bit surprised that this anthology contained a couple of pieces that were found in its predecessor. Though they're good, I'm not sure why they were included instead of original short stories.
If you only read one SFF anthology this year, make it this one! =)
- Isolate by L. E. Modesitt, jr. (Canada, USA, Europe) 6/10
When I was invited to read Modesitt's first installment in a brand new gaslamp political fantasy series, I knew I couldn't say no!
Here's the blurb:
Industrialization. Social unrest. Underground movements. Government corruption and surveillance.
Something is about to give.
Steffan Dekkard is an isolate, one of the small percentage of people who are immune to the projections of empaths. As an isolate, he has been trained as a security specialist and he and his security partner Avraal Ysella, a highly trained empath are employed by Axel Obreduur, a senior Craft Minister and the de facto political strategist of his party.
When a respected Landor Councilor dies of “heart failure” at a social event, because of his political friendship with Obreduur, Dekkard and Ysella find that not only is their employer a target, but so are they, in a covert and deadly struggle for control of the government and economy.
Steffan is about to understand that everything he believed is an illusion.
The blurb totally hooked me and I was intrigued by the Victorian setting.
Problem is, I don't think there was enough material to warrant a full novel here. Isolate features a political tale and a love story, both of which struggling to get out. Unfortunately, the bulk of the book focuses on the excruciating minutia of Steffan's day-to-day life, from what he has for breakfast every morning, to his reading petitions and answering letters, to what he does before going to bed at night. God knows that Modesitt isn't known for his fast pace, but Isolate makes the Recluce volumes feel like balls-to-the-wall affairs. And there's only so much every day minor detail one can take. Of the 608 pages, there can't be more than 200 pages that have to do with the story itself.
As a big Modesitt fan, you should know that rhythm is seldom an issue with me. I'm used to the pace of his novels and I can live with the slow-moving sections of his books. But it felt as though Isolate was the introduction to a multilayered tale that was then padded with a vast amount of extraneous and repetitive material to make it a novel. When, in truth, it should have been the first portion of book and not a novel-length project, in and of itself.
Unless you already are a Modesitt fan, I doubt that you'll want to wade through Isolate. Which is too bad, because there's a lot of good stuff in there. It's just buried deeply underneath a ton of superfluous details that bring little or nothing to the story. . .
You can read an extract here.
The Wheel of Time: Winespring Inn scene
You recall that I wasn't impressed by the trailer. Well, after seeing one of the opening scenes, I'm even more underwhelmed. . . =(
