Excerpt from Lee Battersby's THE CORPSE-RAT KING


I've been curious about this title ever since the folks at Angry Robot Books told me about it. Lee Battersby's The Corpse-Rat King supposedly defies categorisation. I'm told that it is something with the deft voice of K.J. Parker and the wry humour of Joe Abercrombie, wrapped up in a rather fabulous low-fantasy setting that begs further exploration. For more info about this title: Canada, USA, Europe.

You can visit Lee Battersby's official website here.

Here's the blurb:

Marius dos Hellespont and his apprentice, Gerd, are professional looters of battlefields. When they stumble upon the corpse of the King of Scorby and Gerd is killed, Marius is mistaken for the monarch by one of the dead soldiers and is transported down to the Kingdom of the Dead.

Just like the living citizens, the dead need a King - after all, the King is God’s representative, and someone needs to remind God where they are. And so it comes to pass that Marius is banished to the surface with one message: if he wants to recover his life he must find the dead a King. Which he fully intends to do.

Just as soon as he stops running away.

Enjoy!
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There are some objects in the universe so large, so immense, that they bend the laws of physics to suit themselves. Smaller things, even if they are themselves of such a size as to stagger the imagination, are caught within their gravitational pull, never to be released, and what does manage to escape is either too small to be noticed, or so broken and destroyed as to be useless. Philosophers in the King’s palace had recently announced that the planets orbited the sun in this way, and that light, a substance so large and all-encompassing that it covered the earth like a blanket, was actually held in thrall to the spinning of our own planetary surface. No matter how large, or powerful, there is always something bigger that will suck you in, slave you to its movement, and make you a mere satellite.

Borgho City was such a place.

It is said that wherever a King resides lies the governance of a country, but wherever the largest river meets the sea lies the true power. Borgho City squatted over the largest delta at the mouth of the largest river in the largest country on the continent, and whatever power was held within her massive stone walls was as twisted and incomprehensible as the street system that had grown up over the decades of occupation. Its walls, it was said, had exhausted quarries as far away as the Penate Mountains. In fact, most of the walls were made of rammed earth, deposited in vast hills when the first harbour had been dredged from the silt and sand of the delta mouth, but Borgho City had grown so big that truth and memory were only two of its satellites. A mile from the city walls the road Marius was on crested a rise, before plummeting down towards the nearest gate. Marius paused as he reached the top, found a nearby lump in the surrounding ground, and sat down to watch the traffic as it approached the entrance.

Foolish men, such as those who never have to leave a city, will tell you that the walls surrounding it, and the guards who man them, exist to defend the city from its enemies- to provide a barrier between the riches within and the covetous, barbarian masses without. Wise men know that this is nonsense. Walls exist to contain gates, and soldiers exist that they may stand next to those gates and demand tribute from anyone wishing to enter. Outsiders desire entrance, guards exact a levee, and then spend it on booze, women, and gambling. If they’re good, Gods-fearing men. If not, well, there are a million ways to part a guard and his money, and not all of them have to be approved by a majority of the churches to be fun. Thus the economy is kept vibrant, money moves in the right directions, taxes are manageable, and the whole system runs along as smoothly as a slaughterhouse production line. The truly wise, amongst whom you can count guards, guards mistresses’ and those who didn’t learn their lesson the first time they tried to get into a city, know the truth: there are a million ways to part a guard and his money, so to a guard, money is a useless and transitory thing. If you really want to get into a city unscathed, that is, with your belongings intact and all those special little items you’ve secreted about yourself in the hope the authorities won’t go searching for them, you need to know what your gatekeepers really want. There are as many desires as there are guards to a gate, and the only way to know which one is the most appropriate is to find a good vantage point, pull up a piece of ground, and watch a while.

It is said that the dead are infinitely patient, although it is usually said by the living, and how would they know? Perhaps they are, but only if they have nowhere to be, and nothing to be running from. Marius knew how to be patient. It was part of his craft. Even so, the hours chafed. It was mid-morning when he took his seat. By the time those passing him drew lunches from capes and carts and settled in to eat, his eyes were itching. Still he sat, eyes fixed upon the gate ahead. Carts arrived, arguments took place, and tolls were handed over. Marius paid no attention to them. What was important to him came afterwards, once each supplicant had passed through the gate and the guards were left with whatever bounty they had taken. He watched as lunch came and went, and the afternoon was spent one trudging step after another, one petulant transaction upon the next. The sun began its lazy descent behind the spires and towers of the city, and still he did not move. Shadows became puddles of black, then pools, then one large ocean that stretched from city to hill and up into the sky. The city bells rang for day’s end, then final prayer. Torches were lit along the final approach to the city, and over each gate along the wall, and still Marius sat unmoving. On the road around him, groups of travellers, deciding that one more night could stand between them and the attempt to find lodgings, drew their carts to the edge of the road and climbed inside, or nestled in whatever hollow they could find in the gloom, and drew cloaks over their faces. Marius watched a final few enter the city, and then, though the gates still stood open to receive guests, he watched the guards make ready for the long, empty hours of the night. Only then, when it was clear to him what by the men at the gates prized most dearly, did he allow himself a small laugh. He stood, and listened to the mumbling crowd along the road. Then he set off into the deep darkness, away from the campfires, to make ready.

It is commonly believed that an army marches on its stomach, like some million-headed snail. Marius had been in an army, once, for about six weeks. Long enough to learn the whereabouts of the regimental pay supplies, and separate it those who expected to be paid. He had learned many things during that time, chief amongst them being how far into the mountains he needed to run before he was safe from execution. But he also knew that it is not the stomach which is the most important aspect of a soldier’s existence. Any spear carrier with decent enough cunning and a sympathetic Sergeant can find a meal. What a soldier truly prizes, and considers the greatest skill to be acquired, is sleep. Not sleep as you and I understand it, in a bed, perhaps even in our own homestead, with a cuddly wife or acrobatic mistress besides us. But sleep in the rain, sleep on a mountain pass with hateful foreigners in the rocks above and a two hundred foot fall below, sleep while the legs still march and the ears still hear orders. Sleep, standing at an open gate with a rich, under-defended city at your back. Sleep, undiscovered.

A Sergeant may be sympathetic to many things, but sleeping on duty will never be one of them.

An hour after Marius left his position on the hillock above the final approach he shuffled the last few steps to the mouth of the city gate.

“Hello, lads.”

Twenty minutes amongst sleeping travelers had transformed him. Calfskin gloves covered his hands, and the worn-out shoes he had been wearing since the turn of the year were gone, replaced by a pair of sturdy leather hiking boots that looked as if they had only just embarked upon their first journey. His travel-worn clothes, and more importantly, the nature of his features, lay hidden deep in the folds of a hooded oilskin cape. A thick knobkerrie completed the ensemble, and Marius leant upon it as if it were a cane, surveying the hooded eyes of the guards. He suppressed a smile. Nobody likes being disturbed from dozing, particularly if they’re being disturbed in order to work.

“Gate’s closed for the evening.”

“Looks open to me,” Behind the guards, two wooden doors, twice the height of a man, thick and unadorned and of rough construction, stood open. A corridor the thickness of the wall above, perhaps ten feet in all, led into a short square. Marius could see an open hole in the roof of the corridor. Breach the doors, and the pot that undoubtedly stood above them could pour boiling oil directly onto you before you made the open plaza. Nasty stuff, but a city will do whatever it can to protect the dignity of its Gods-fearing mothers and pure, virgin daughters, even if nobody can remember having met one. He tilted his head to indicate the open passage, grunting slightly as he did so, and leaned further onto his support, shuffling forward a step in the process.

“I said it’s closed, old man.” The guards looked at each other over the top of Marius’ head. “That is, unless you can pay the toll.”

This time, Marius couldn’t help but grin. “Oh, yes. And what that might be?”

“Well,” the older, heavier guard said, resting his hands on his hips and squaring himself up between Marius and the doorway. “That all depends on what you’ve got, doesn’t it?”

Some things never fail, Marius thought. The old teach the young all the mistakes they’ve spent years perfecting, the strong never stop to look closely at the weak, and the prepared always vanquish the stupid.

“Got?” he replied, cheerily. “Oh, lads, I haven’t got a blessed thing.”

“Oh, dear,” the older guard said. “Oh, dear, oh dear. You hear that Jeltho? Not a thing, he says.”

“Yeah, Ej, not a thing.” The younger fellow laughed, a thick, hopeful sound.

“I find that hard to believe, don’t you, Jeltho?”

“Yeah, Ej, yeah.”

Big Ej stepped forward, looming over Marius. “I wonder if you’re not trying to hold out on us, old man. I wonder if I’d not be better off searching you for contraband, and see just what you’re hiding.”

“Is Sergeant Olling still Patrol Master of these gates?” Marius asked softly. Ej stopped, and glanced at his young offsider. “Only, I remember him being Patrol Master when I was in the Guard.”

Ej leaned back, and narrowed his gaze. “What about it?”

Marius waved his hand airily. “Oh, it’s nothing, really. It’s just, I can’t believe old Olling would be in charge and tolerate any, well, tithing, shall we say?”

The two soldiers shared another glance, and Marius pressed harder into the silence. “Does he know about the Maria Hole yet?”

“What?”

“Oh, you know, the Maria Hole. Down the wall there, twenty feet or so? Base of the wall, hole like the shape of old Maria Fellaini’s front entrance? I don’t suppose you remember old Maria. Too young, you are. But oh, when she danced the peekaboo, a strong man would have to see the doctor, get a salve to help with the bruises, you know what I mean, hey?” Marius chuckled. “But I can’t believe old Olling’s in charge, and one of you isn’t down there having a kip, out of sight, in the warm. Must be someone else, now.”

The silence between the two men deepened. Marius waited, head tilted, watching their uncertainty with a smile. Slowly, without talking, the guards reached the right decision, as he knew they would.

“You served?” Ej asked.

“Oh, yes. Was here for the Whores Uprising. That was a weekend, let me tell you.”

Ej nodded. “What’s your name, brother?”

It was all Marius could do not to cackle. “Ebbel. Ebbel Samming. Sorry I don’t have anything to offer a former brother in arms. Should have known better. You have a good night, lads.” He turned his back to the gate, began to take a shuffling step away.

“Wait on, now.”

“Sorry?”

There was a hurried exchange of whispers. When Marius turned back, young Jeltho was absent, but the sound of rapidly moving footsteps could be heard, heading off down the outside of the wall.

“No charge for a brother in arms,’” Ej said. “You go on in. You’ve earned the right.”

“You’re sure?”

“Of course,” Ej said. “Only… if you do catch up with the Patrol Master….”

“When did he last stand at a gate, hey?” Marius shuffled forward, leaned into Ej so that they stood, shoulder pressed to shoulder. He patted the bigger man on the arm. “I’m not one to rat out a brother guardsman, my friend. You have a good night.”

“You too, Ebbel.” They parted and Marius limped through the gateway. When he was ten feet or so past the gate, Ej called out.

“Oh, Ebbel.”

Marius froze. He turned slowly, every muscle in his body preparing for flight. “Yes?”

“Try the Mandrake Root. Tell Dettsie I sent you. They’ll have a room for you.”

Marius waved the knobkerrie in salutation. “Thank you, friend. Thank you.”

He shuffled away as fast as his charade would allow. As soon as he rounded the first corner he dispensed with the knobkerrie, and the limp, and began to stride down through a maze of interconnecting alleyways away from the gate. He had spent a time in the Borgho City guard, or at least, as their prisoner. And there was a hole down the wall from the Southern gate, but it neither resembled nor smelled like anyone’s front entrance. It was, however, the reason he wasn’t still under the Guard’s stewardship. It had taken him three months to become trustee of the gaolers’ toilets, and another week to tunnel through the accumulated shit of the city’s sump holes. There wasn’t a bath strong enough to help those two guards tonight.

And, he thought, patting his breeches pocket, Gods help ‘brother’ Ej if he mentioned to anyone that he’d just been speaking to his old companion Ebbel Samming. At least, God help him if he mentioned it to anyone who knew how to curse in Feltish. There are worse insults, but it takes one man to mouth them and another to mime the actions. An open doorway beckoned, and Marius ducked into it, taking a moment to transfer Ej’s coin purse from his breeches to a hidden pocket sewn into the lining of his jerkin. At least three Riner in ‘tolls’, judging by the weight. Enough to start the evening.

Out in the street again, Marius took a moment to get his bearings, before choosing a side lane and setting off at a quick clip. The Mandrake’s Root was a soldier’s haunt, a sturdy old building in the backstreets of the merchant’s quarter: close enough to the food stalls and the prostitutes to be convenient but far enough from the foot traffic for a bit of peace and quiet, so that no casual passerby would interrupt the soldiers in their drinking, and no local would make the detour because they knew better. It was the perfect place for a former soldier to rest, have a tankard or two, and catch up on the gossip and rumour that made up the majority of a serviceman’s conversational skill set. From where he was, Marius estimated it to be no more than a dozen streets to the East. He set his back towards it and headed towards the docks.

Despite the hour, the streets were packed. Like all harbor cities, Borgho never really closed down. Come the night, it merely swapped on set of merchants for another, one form of trade for the next, one class of clientele for the lower. There may be less velvet in the clothing, and the manners may be easier to understand, but the transactions were no less urgent than those conducted in daylight, and the streets no less vibrant with the movements of a big city at work. The streets themselves changed character. Where Marius had entered, they were reasonably broad—enough room to turn a cart, at least—and the buildings that flanked them were white painted and open-fronted, a hearty ‘hello’ to the travelers who entered. But turn left and start moving down the hill towards the docks and the true nature of the city exerted itself. The streets became narrower, more winding; the buildings leaned in more, cutting the sunlight off before it could illuminate the dirt and graffiti that made up the city’s natural colouring. Signs were smaller, the writing upon them more crabbed, the spelling simpler and more often incorrect. Even the language changed. Up high, the Scorban was clear cut and elegant, and words of as many as four syllables could be heard through poured-glass windows by anyone who crouched outside them at night. Down here, though, all languages intertwined in a dance of commerce and aggression, a patois that welcomed all comers and gave each one the opportunity to be dunned in the pidgin of their choice. The world was a darker, dirtier, more openly dishonest place. Marius felt perfectly at home.

He moved along the cobbles with the grace of one who had been born to the streets. In truth, he had spent so long plying his trade amongst the night crawlers of cities from the Bone Coast to the Western Spires that it was part of his nature now. It was the daylight hours where he needed to remind himself of the mores and rituals. Only during the day could he not afford the luxury of relaxing as he walked, and merely taking in the sights, the smells, and the sounds of the city. Here, surrounded by the filth of window-emptied chamber pots, with darkened faces peering out of equally dark alleyways, and with the press of unwashed bodies nudging him and hustling him off his natural stride, he was as relaxed as he had been since before the Jezel Valley had called to him, and Marius Helles had become Marius the Dead. At the thought of his current predicament he shook his head, and lengthened his stride. He had things to do. There would be time for sightseeing later.

It was no more than fifteen minutes walk, to someone who knew the back streets and cut-throughs as intimately as Marius, between the Southern Gate and The Hauled Keel, nestled between a dozen identical taverns at the drinking end of the Borgho Docks. Sailors resemble guardsmen in any number of ways, except that they don’t give a damn who else drinks in their pubs, and their gossip has less to do with who’s rumpling whose bed sheets and more to do with who has the run of the waves, and who went out and never came back. In that time, Marius’ pockets were dipped no less than eight occasions, for a net loss of a dozen rivets, six flat stones, and two small bags of what he hoped were toy knucklebones. Sightseeing he may have been, but only with one eye. Thanks to those same dippers, however, he arrived at the tavern somewhere in the region of nine riner to the good. It would have been more, but dipping a dipper is tricky enough without the impediment of gloves, or dead fingers. Anyone can make a living in the big city, assuming you’re quick enough. The only way to make a living in Borgho City is not to get caught, or if you’re going to get caught, to only get caught by the right type of people.

Marius heard the taverns long before he saw them. The docks are a noisy, twenty four hours in the day, area. But the taverns seem to find an extra hour, and an extra layer of noise, as if those who work outside desire, rather than respite from the endless walls of sound around them, something to block the sounds out. Fights are rare in these pubs- the men have spent all day proving how hard they are. They’ve no need to do it in their down time, and besides, there are better ways to go about it than something that might result in spilled booze. The Hauled Keel’s Krehmlager is one of the best. Hard men drink Krehmlager. The suicidal drink two.

Marius pushed open the door and found a booth towards the back of the smoky, badly lit room, just as it was being emptied of drunken, snoozing bodies. He slid in, and signaled to a passing serving girl.

“A tankard of Krehmlager, a spice roll, and something for your break.” He laid a tenpenny on the table. “If there’s any left, save it for your old age.” Serving girls may not make the world go round, but they give it a much more interesting shape. The girl smiled her thanks and left to fill his order. The beer would come from the heavy end of the barrel, and the roll would be fresh.

She returned in short order and laid his repast before him. Marius placed another coin on the table. “Is Keth in tonight?”

The serving girl eyed him warily, taking in his gloves, the cape and hood that covered all features. “You been away, sir?”

“Why?”

“She, uh…” the girl looked over her shoulder. “She doesn’t do that anymore.”

Marius snorted. “I know. Just tell her… tell her Marius is here, could you?” He pushed the coin forward. The girl took it, and hurried away. Marius stared at his beer until he felt a body slip into the booth opposite him.

“You wanted to speak to me, sir?” Marius closed his eyes for a moment. Keth’s voice was as warm as he remembered it: mulled wine, with just a hint of a massage later in the evening. He kept his head bowed, and indicated the tankard.

“I want to drink it, but I’m afraid of what’ll happen.”

Keth laughed, and it felt like a long, slow swallow of something wonderful on a cold evening. “You might be right, Mister. Krehmlager isn’t for the foolhardy. I’ve seen bigger men than you made into crying children after a couple of tankards of that stuff, no offence.”

That was an understatement. The Hauled Keel’s special brew had a reputation that far exceeded that of the city’ heroes, and every awestruck whisper of it was deserved. Marius had seen grizzled veterans swearing they could see the Gods, and not the right ones, after no more than three tankards. He himself could usually manage no more than half a draught before he either fell asleep or ran for the nearest exit to be violently sick. He stared at the mug in front of him.

“I’m worried about what’ll happen. If it’ll have any effect. If I’ll even taste it. What’ll I do if it doesn’t, Keth? What if I don’t?”

A tiny line of puzzlement dragged down the inside corners of Keth’s eyebrows.

“There’s only one way to find out, Mister. If you’ll excuse me, I thought Senni mentioned an old friend’s name, but I think she was…”

“It’s me, Keth.”

“I’m sorry?”

“Me. Marius. It’s me.”

Keth stared at him, doubt in every angle. “You’re Marius?”

Marius nodded. “Back of the left knee, about half an inch up, never fails.”

“Oh, God.” Keth sank into her seat, stretched out her arms across the table. Marius reached out gloved hands, and she squeezed them between her strong, warm fingers. “Marius. What happened?”

“You don’t want to see the worst of it, Keth. I’m in real trouble this time.”

“What is it, sweetheart? Is it fire? I’ve seen men after fires. Pox? Spear wounds? Come on, sweetie, I’ve seen it all. You can show me.” With a quick movement she slipped the fingers of her left hand down to the end of his glove and tensed. Marius, realizing what she was about to do, pulled away. It was too late. His arm came backwards. The glove stayed where it was. He and Keth stared down at his exposed hand. Keth swallowed.

“Pull your hood back, sweetheart, won’t you?”

“Keth…”

“Just do it, Marius. Please?”

Slowly, Marius reached up and touched the hem of his cloak.

“Please, Keth. I don’t want you to scream, or be frightened. I don’t want you see this.”

“I’ll be fine, Marius. Please. I have to see it.”

Marius pulled back his hood. Keth didn’t scream, or faint, or beg him to stop. She simply took in his features, her face a mask of blankness, for five or six heartbeats. When she spoke, her voice was very careful, and calm, and very neutral, as if she was speaking to an intruder with a knife.

“Okay, then. Perhaps you’d better put it back over yourself, love. Just in case. Best not scare the customers.”

Marius replaced it, and sank further into his seat. They sat that way for long moments. Marius peered at Keth from the safety of the hood’s depths. She stared at him, her teeth working hard against her upper lip, then her lower, and back to her upper. Finally she reached across, pulled the tankard towards her, and took a moderate sized pull.

“So,” she said when she had recovered her breath.

“So.”

“This is why you haven’t come back before now?” She giggled, then cut it off quickly. They could both hear the panic.

“I almost had it,” Marius said, his gaze falling to the table. “One more time, maybe two.” He shrugged, stared at the table. “Maybe three. Then I’d have enough, and I’d be back, and we’d have enough, and it would all be…” he trailed off, waved his hand limply at nowhere in particular.

“No, you wouldn’t.” Keth smiled sadly. “That’s not you, is it? We’ve learned that.”

“No. I guess not.”

“It’s bad, though, isn’t it? Really bad.”

“Keth.” Marius held up his hand, turned it so she could see both sides. “I think I’m dead.” He picked up the glove and put it back on. “I need to get away.”

“Sweetheart, how can you be dead? You’re walking, and talking, and…” she stared at him, stared at his chest. “Oh, God. You’re not breathing, are you?”

“I need passage, Keth. On a boat, a good sized one, headed to the Far Isles. Something big enough that I can rent a cabin with some privacy.”

“But…”

“You know who’s in and who’s going out. You can find me one. Here.” He reached into his pockets, pulled out his remaining coins. “Take it. That’ll be enough to reserve the cabin. Get a price. I’ll have the rest by the time we ship.”

“Shit.” Keth swept the money into her skirt, fumbled about under the table for a moment, then stood, the money nowhere in sight. “What are you trying to do, waving money about like that? Trying to get us both…” She stopped, raised her hand to her mouth. “I’ll… I’ll try.” She turned away from him, took a step, turned back. “Have you a place?”

“No. Not yet. I…”

“I’m on the second floor. At the end.” She fumbled in her apron, withdrew a key and tossed it on the table. “I’ll be off in a couple of hours.” She nodded at the tankard and the roll. “Take those. No sense in letting them go to waste. I’ve got… I’ve got to go.” She backed away, and pushed through the crowd. In a moment, she was lost to view.

Marius stared at the spot where she had been for countless seconds. Then, slowly, he reached out and gathered the key. He stood, took the food from the table, and sidled towards the staircase at the back of the room.

At the top of the stairs, a short mezzanine led into a dark, sweat-smelling corridor that ran the length of the building. Sconces lined the walls between anonymous, un-numbered doors. Most of them bore scorch marks above, where drunken tenants had stumbled and spat, or worse, upon them. Sailors, especially drunk ones, aren’t picky about their surroundings. A pillow to rest their head and a pot to piss on the floor next to was all they generally required, and as long as they stayed sober enough to tell the difference, they were happy. Marius had seen worse dockside rents-- at least these had their doors on. Anyone who cared to complain about the dirt and the generally seedy air was either a stranger or still sober.

There was one exception. At the far end, directly facing him, a white-painted door with lit sconces at either side stood out like a princess in workhouse. A garland of dried flowers hung from a nail, and a circle of spotlessness surrounded it where the walls had been washed and the wooden floor swept free of dirt and dead insects. Marius snorted in recognition and strode towards it. The key fit on first attempt, and he noted the absence of scratch marks around the hole. Whatever else may be said about them, the clientele of the Hauled Keel had obviously paid attention when warned to leave this room alone. The door swung inwards on oiled hinges, and Marius stepped through.

Inside, the room was clean, but little more. Marius closed the door behind him, made his way across to the dim outline of the bed, and found a lamp sitting upon a table next to it, a pack of lucifers at its base. He lit the lamp, then picked it up and used it to light three others at strategic points around the room. Once a modicum of visibility had been established he made his way to the single chair beneath the window, move the neatly folded clothes onto the bed, and sat, throwing back his hood and running his fingers through his hair in relief. Only then did he take the time to thoroughly examine his surroundings.

Keth had tried, Marius could see that. Somewhere along the line, for whatever reason, she had decided to really try to make a home here. Nothing around him was new. The single bed sagged in the middle, and the wood frame was bowed and warped from years, maybe decades, of water-rich air. But she had piled pillows and blankets upon it, and perhaps the thickness of the padding made up for the shape. Those blankets, and the clothes he had moved from the chair, were clean. Perhaps not freshly laundered, but certainly sooner than the once-a-fortnight swish through a bathtub of cold water that most bedding received in an establishment like the Hauled Keel. The trunk at the bed’s end had been old and battered when Marius had given it to her, but the clasp and hinges were new, and the designs she had painted upon it, flowers and berries on a vine, had been carefully applied. The tiny table and mirror she used as a dresser were uneven, one leg straightened up with a piece of wood, and the mirror itself had a long stain down one side where the silvered backing had tarnished. But everything was neat, and orderly, and such toiletries that lay alongside the metal trough in the corner were newly purchased. More dried flowers, siblings to the bunch on the front door, were nailed to the walls, and from somewhere, the Gods only knew where, she had found a small painting of the Berries Veldt and hung it above the bed head. The overall impression was of care, and a determination to feel at home, and the whole thing saddened Marius more than he cared to admit. He felt out of place in his stolen cape and rotting skin, like leaves blown onto a freshly swept floor, just waiting for someone to notice and push him back out into the gutter. He got up, placed the tankard and spiced roll on the lid of the trunk, and returned to his seat to wait.

Taverns like the Hauled Keel never really close. At best, there is a short gap between one shift of clients reeling away to their beds or the street, and the next lot coming in from their boats or shift at the workhouses and piers to eat, drink, and raise the right level of noise to help forget their lives. The serving girls work long hours, longer than their customers can drink. Then they have to clean up afterwards, sweep away the butt ends and pipe tailings, mop up the spilled beer and vomit, push the last complaining drunkard out the door and point him in the direction of wherever he’s calling home that day. Only then can the takings be tallied, wages apportioned, and each girl find her own way to bed. Keth was luckier than most-- a flight of stairs is a short journey compared to many. Even so, when she pushed the door open and slipped inside, the lines of her body were heavy with fatigue. Marius watched as she slipped off her slippers and knelt to splash water over her face. She glanced at him and he, taking the hint, vacated the chair.

“I spoke to a fellow just in off a trader,” she said, settling into the chair and sighing. “It looks like the very job for you. Be a love.” She pointed to the food on the trunk. Marius retrieved it and passed it over. She bit into the roll, followed it with a sip of krehmlager, and sighed. “Fresh.”

“What did he say?”

“He’s serving on a 50 ton barque called the Minerva. They’ve been docked three days, taking on supplies for a run to the Faraway Islands. Reckons they’ll be out three, maybe four months, then as many back, trading iron and cloth for the usual stuff. They’re waiting for the right tides, but he’s due back on board in the morning so he thinks they’ll be off in no more than two days. They’ve got cabins.”

“What type?”

“Are you fussy, now?”

Marius shrugged, abashed. “No, of course not. Just so long as they’re private.”

“They will be. As private as you’ll get on a working boat.” She bit into the roll again and swallowed. “When did you last eat?”

“I don’t need to eat.”

She looked at him for several seconds. “I don’t need to cuddle, but it’s still nice every now and again. Have some.” She offered the tankard and roll. Marius hesitated, and she shook them slightly. “To be polite, if nothing else.”

Marius took them, bit into the roll and followed it with a mouthful of the lager. They tasted... nice. He blinked, swallowed, and took another bite and drink.

“Hey! Save some for a worker.”

Marius twitched, then handed them back. “Sorry. I... I don’t understand. I could taste them.”

“Don’t look at me. It’s your story.” Keth eyed him up and down. “It’s done you the world of good. You look better. Not, you know, you, but better.”

Marius snuck a glance in the mirror. Keth was right. He did look better. Not himself, no, not alive, but less... deadish. A hint of animation around the eyes, maybe. A touch of colour at the edges of his lips. “I don’t understand this at all. Gerd said...”

“Gerd?”

“A... companion. Guard dog, more like.”

“And is he dead?”

Marius smiled. The face in the mirror drew its lips up into a rictus. “We’re everywhere, don’t you know?” He grabbed the tankard from Keth, took a swallow, handed it back. “So what now?”

“Well it’s only a one person bed.”

“That never bothered you before.”

“You were a person.”

He snorted. “Fair point. I don’t need to sleep...” He caught himself. “Or cuddle.” Keth laughed, then levered herself out of the chair. “Well, I need to wash and lie down. You can go out into the hallway for five minutes or you can promise not to look. What will it be?”

Marius placed his hand over the still skin of his heart. “I promise.”

“Liar.” She smiled and knelt down in front of the pail. “Go on. Turn around.”

Marius turned and faced the simple drapes over the window. There was a slither of clothing, and then splashing as Keth performed her ablutions. Marius resisted peeking, and tried not to remember how she looked naked. Not that such thoughts would do him any good now, anyway, he thought. Better to stay away from them. He did not need to add a lack of reaction to a naked woman to all the other signs of his continuing death.

“Tell me about this place,” he said in order to give himself something else to think about. “Why all the effort?”

“It’s mine.”

“I know that. But why go to all this trouble? Surely when you move on...”

“No,” Marius heard Keth climb into bed, and risked turning round. Only her face was in view, her long hair brushed out of its braids and spread out over the blankets. If Marius could have cried, the lack of stirring in his groin would have driven him to it. “You’re not listening. It’s mine. I own this room.”

“But...”

“I bought it from the Waldens six months ago. They’re the managers. Everything in here.” A long white arm emerged from the beneath the sheet and waved at their surroundings. Marius stared at the arm, and waited for a sign from below. Nothing. God damn it. “I own it.”

“What? You mean forever?”

Keth giggled. “Maybe. Or maybe not. I don’t know.”

“But why...?” Marius looked around at the dismal collection of furniture, the sad little decorations, the desperate attempts to add dignity to what looked like nothing more than a collection of cast offs.

“Because I can.” Keth sat up, a flush of anger spreading across her skin. The blanket fell away, exposing her body down to the waist, but Keth was too angry to notice. Marius did, and almost smiled. Not so dead after all. But Keth was biting out words, and he realised there was nothing to smile about at all. “Do you have any idea how hard it’s been to get all this? To convince someone to sell me even this lot, never mind this fucking room? Because I’m a woman, in this city? Do you have any concept how precious it is to know I can finish my shift and come home, safely, to somewhere that belongs to me? A woman, in this city, owning anything? Do you have any idea how hard I’ve worked for this? Don’t you dare look down on what I have, Marius Helles.”

“But... you could have...”

“Could have what?” Keth glanced down at how she was sitting, and gathered the blankets about her. “What, Marius? Waited for you? Been kept by you? How was that ever going to work?”

“But I...” Marius turned away from her in confusion, saw the tankard and picked it up. “I could have given you better than this.”

“God damn it, you don’t understand a thing. It’s not the having, Marius. It’s not even the money. Look at all this. Look at it.” She gathered up a handful of blanket and shook it at him. “I own this. It doesn’t matter what it looks like, or that it’s not made of velvet or smells of lavender. It’s mine. I have it, and nobody can take it away from me. Everything in this room. This room. Do you know how many women own even a room in this city, for themselves? It’s not about money, Marius. It never was. I can work, and own things, and have my own life.”

Marius stared at her, saw the pride in her eyes, and the anger. And the words came before he had time to regret them, and realise what he was placing between them. “How much of it did you earn on your back?”

She stared at him for longer than he could bear. When she spoke, she did so quietly, and her voice was the deadest thing in the room.

“Get out, Marius. Get out of my home.”

There was nothing he could say. Marius walked to the door, opened it, and made sure to shut it behind him. He stood a moment, waiting. She hadn’t even cried. Marius hung his head and walked back down the hallway, away from Keth. He was at the top of the stairs before he remembered to pull his hood back over his head. It was only when it struck him on the face that he discovered he was still holding the tankard.

“Ow.” He rubbed the where the tankard had hit, looked at it, and then took a long, deep draught. There was no taste at all. Marius stared at it, then let it drop to the floor. “Fuck.”

He was halfway down the steps before he doubled over and threw up.

Whoa!!!


Holy crap!!!

Just realized that my last post was the 4000th in the history of Pat's Fantasy Hotlist! Now that's a lot of drivel and vapid content, if I may say so myself! :P

Yeah, that's me. Proudly wasting technology since January 2005!!! ;-)

Many thanks to you guys for your support over the last 7+ years! =)

Guy Gavriel Kay news

This from Guy Gavriel Kay's Facebook page:

I can report the finished manuscript of RIVER OF STARS is now delivered to all editors and agents, and I've begun my (slow) revision process. With publication date in April, timing is actually already a bit tight. Helps that we have a cover done, one that everyone loves. I plan to start another Tour Journal in the late summer or fall, after first marketing meetings.

Music to my ears!! =)

Exclusive cover reveal for Myke Cole's SHADOW OPS: FORTRESS FRONTIER


Thanks to Myke Cole, here's an exclusive first look at the US cover art for the upcoming Shadow Ops: Fortress Frontier (Canada, USA, Europe), sequel to what remains, in this house at least, the speculative fiction debut of 2012, Shadow Ops: Control Point (Canada, USA, Europe).

Here's the blurb:

The Great Reawakening did not come quietly. Across the country and in every nation, people began to develop terrifying powers—summoning storms, raising the dead, and setting everything they touch ablaze. Overnight the rules changed... but not for everyone.

Colonel Alan Bookbinder is an army bureaucrat whose worst war wound is a paper-cut. But after he develops magical powers, he is torn from everything he knows and thrown onto the front-lines.

Drafted into the Supernatural Operations Corps in a new and dangerous world, Bookbinder finds himself in command of Forward Operating Base Frontier—cut off, surrounded by monsters, and on the brink of being overrun.

Now, he must find the will to lead the people of FOB Frontier out of hell, even if the one hope of salvation lies in teaming up with the man whose own magical powers put the base in such grave danger in the first place—Oscar Britton, public enemy number one...

Pat's Fantasy Hotlist finally on Facebook

After years of holding back because I felt it wouldn't make much of a difference in terms of traffic, I finally caved in and created a Facebook page for the Hotlist. This will supposedly put even more asses in the seats. We'll see. . .

If it does allow me to reach out to a broader audience, I might consider posting exclusive stuff on Facebook from time to time. So you might want to keep an eye on that page. . . ;-)

You can check it out here.

Extract from Tad Williams' THE DIRTY STREETS OF HEAVEN


Thanks to Tad Williams and his lovely wife Deborah, here's a another teaser extract from the forthcoming The Dirty Streets of Heaven. For more info about this title: Canada, USA, Europe.

Here's the blurb:

Bobby Dollar would like to know what he was like when he was alive, but too much of his time is spent working as an extremely minor functionary in the heavenly host judging recently departed souls.

Until the day a soul goes missing, presumed stolen by ‘the other side’.

A new chapter in the war between heaven and hell is about to open. And Bobby is right in the middle of it, with only a desirable but deadly demon to aid him
.

Enjoy!
-----------------

I liked my situation less and less by the moment -- in fact, the whole thing stank. Why was I being called back to the Walker house? If my bosses wanted to quiz me beyond what the fixer/minister had already done, why not just summon me to Heaven? Temuel had called me in for nothing more important than chatting about young Clarence, so something like this obviously rated a visit to the House.

Another question that was still itching me: who had called in the shock troops so quickly? As soon as Edward Walker's soul turned up missing, worker bees from both sides had descended on the scene before either Grasswax or I could check in with our bosses -- or at least that was how it had looked. My team and the Opposition are both very into procedure, as I had learned many times to my sorrow. What happened this time?

And to muddy the waters even further, only hours later Grasswax was dead and I was apparently wanted back on the scene for more questioning -- but I was the one who had questions that needed answering. Who had bothered to kill Grasswax's mortal form? It's not like it would shut him up about anything: earthbound employees of both sides wound up dead all the time. I've been there myself. We get debriefed about what happened and then decanted into another body.

Altogether, the affair had more loose ends than Swinger's Night in a bucket of worms, so I had a lot to think about as I skittered down the Bayshore through a canyon of glowing high-rise windows to the Palo Alto district, then made my way along the tree-lined streets until I was back in front of the Walker residence.

I parked as close to the house as I could. The street was still full of police vehicles and news trucks even though the death had happened this morning and by now the streetlights had come on. I'd already heard the story on the car radio -- "Scientist and Philanthropist Takes His Own Life," was the basic gist, featuring several quotes from Walker's friends and family about how they had no idea he was despondent or even worried, although there were also unsubstantiated rumors that he might have been ill with something serious.

Anyway, it wasn't the real-world version of the Walker place that I wanted (although I was beginning to have a few questions about that as well.) I opened a Zipper and the few police technicians still lingering around the open garage tented with white plastic froze into immobility as I stepped Outside, but I scarcely noticed because what I stepped into on the far side of the Zipper was your basic hive of activity. Opposition minions were everywhere, dozens of types, some indistinguishable from deformed humans, others so unpleasantly different I couldn't look at them for very long.

Only one member of our team was waiting for me there, but he was enough all by himself. I think it was the same Fixer as before -- certainly the bizarre plague-mask seemed the same, but it's hard to tell with the higher angels: outward appearances mean very little except to someone like me who's influenced by the meat body he's been lugging around.

Anyway, the minister was waiting for me and he didn't stand on ceremony, either: I scarcely had time to get both my feet on the Outside ground before he started asking me questions. The first were the obvious ones, many of which I'd already answered for him -- what had happened here earlier today, what had I seen, what had Grasswax said, and so on. But then he started asking me what happened after I left him, and about the Compasses crew, especially Sam and his new pup, Clarence. I answered everything as honestly as I could, of course: I don't even know if it's possible to lie to a minister at work, and I certainly wouldn't try it under any remotely normal circumstances.

When the fixer had grilled me for what seemed like most of an hour he suddenly clammed up, then after a pause long enough that it seemed he might be conferring with someone else I couldn't see, he said, "Come with us."

He led me along the side of the house, me walking (even Outside it's hard to make a human body do anything but act like a normal body) and him sort of gliding in front of me like an upright floor polisher with no one holding the handle.

"What we are about to do is irregular, Angel Doloriel, but so are the circumstances," he said. "Remember, you will give no answer until we indicate you may do so." I had no idea what he was talking about since he'd already asked me dozens of questions. Then we stepped into the Outside version of the Walker back yard and I got the shock of my afterlife. I definitely owed Clarence an apology.

See, normally what I'd told him was right -- people like us don't get killed, only our earthly bodies do; the Opposition is just as good as we are at plugging the disembodied soul into a new sack of meat -- then voila! Instant resurrection. Like I said, I've been through it a few times myself, leaving a corpse behind each time. And here was Grasswax's mortal body -- the earthly, flesh-and-blood version of him -- lying beside the pool in a puddle of chlorinated water, covered with a police blanket. And normally that would have been all -- just a defunct carcass and the real Grasswax's slimy but immortal soul off to the Opposition's Tijuana-style tuck and roll body shop. But as I stood looking through the frame of a little ivy-covered arbor in Edward Walker's backyard, I could also see the Other Side version of Grasswax -- the real Grasswax, just like it's the real Doloriel talking to you now -- and what had happened to him was a lot less pretty than just drowning in a suburban pool. In fact, it was disgusting and horrifying.

The ancient Norsemen used to have a punishment for traitors called the Blood Eagle, where they chopped through a guy's back ribs and pulled his lungs out through the holes to make bloody wings. That would have been an unpleasant way to go, but the bully-boys of Hell had an even better method they called the Bloody Net. I won't go into details, but it has to do with carefully pulling out the victim's nerve bundles and blood vessels with sharp tools -- while he's still alive, of course -- then hanging him up by that network of shrieking tissue and dumping nasty little things called Nerve-Chewers on him to gnaw on the exposed bits until the lucky fellow finally expires. I'd heard of it but I have to admit I never dreamed it was real. I also don't understand how you do that to someone's supposedly immortal form, but damn me if these guys hadn't managed.

The real Grasswax had been mostly reduced to fibers strung between two trees at opposite ends of the yard, a sagging, shiny red hammock. What was left of the most important bits -- and remember, this was the real Grasswax, the Outside Grasswax -- still hung there, and I will never forget the expression on the remains of his face. I had never felt sorry for a minion of Hell before, but I did then. Remember, there's no time Outside -- it might have taken him days or even weeks to die.

"Shit," I said quietly. The minster was standing behind me, staring imperturbably at the ghastly mess as though he saw worse all the time. Maybe he did, and if so, I was definitely scratching "fixer" off my list of potential career moves.

"Remember what we told you," the angelic thing with the white mask told me. "Answer each question only after we give permission."

I barely registered what he was saying because at that moment something very tall and misshapen tottered out of the Walker house. It was a dull, shiny black like a beetle's shell and trailed sticky black fibers from every limb. It had quite a few limbs. Its eyes looked like clots of blood illuminated from inside the lump that must have been its head. It was altogether ghastly, the more so because every now and then it moved in an almost human way. Almost.

"Thizzz izzz the advoc-c-c-cate Doloriel?" it asked. If you recorded a shrieking chain saw and then slowed it down until it sounded like it was playing through syrup, you'd have the voice, pretty much. The buzzing got into my bones and guts; just standing next to it made my stomach try to climb up my esophagus and flee the vicinity -- I mean, it felt bad. This was no ordinary employee of Hell.

"Yes, Chancellor." The minister said it politely, but I don't think he liked being outranked by the Opposition. "We are pleased to cooperate in your investigation. You may ask your questions." The minister's voice floated into my thoughts. "This is Chancellor Urgulap of the Second Hierarchy. He is investigating the murder of Prosecutor Grasswax. We are extending him a professional courtesy." I don't remember much of what the buzzing thing asked me, to be honest -- just standing in front of was one of the mosts unpleasant things I'd ever experienced (and I've seen a lot of nasty things.) Most of the questions seemed fairly ordinary, though, not that different from what the minister had just asked me. I looked to the fixer each time before I answered, and each time he gave me a little mental nudge that meant, "Yes, you may." It was only after one question that he seemed reluctant to give his permission.

"And have you zzzzzpok-k-ken to any of your masterzzz or comradzzz about thizz matter?"

The heavenly minister hesitated at this one -- I could feel it. He relented a moment later but now I was a little spooked. I didn't want to drop anyone else into danger, certainly not Sam or even his rookie tagalong. "Not really. Just my supervisor, Temuel." After all, it would have been weird if I hadn't discussed it with the Mule, and it sure wasn't my job to protect middle management.

The chancellor stared at me with those squashed neon berries as if sensing my incomplete honesty. At last it turned and limped away. It must have opened a Zipper but I never saw it: one moment the Chancellor was there, a thing like a giant, melted bug standing upright on the patio beside the pool, then it was just gone. I can't begin to describe the physical relief that came with its absence.

"Thank you for your assistance, Angel Doloriel," the masked fixer said. "As you see, we are cooperating with the Opposition in all ways possible in this matter. If anyone else contacts you about this, or in any way shows inappropriate interest, you will immediately alert us. God loves you. You may go."

And go I did. After all, Grasswax's hideously mangled form was still hanging between the trees, the sightless eyes watching me with what seemed like disappointment.

Don't know what you were expecting from me, Brother Demon, I thought as I stepped back into the world of time. I don't want anything to do with the heavy-hitters, either my side's or yours. Before I got to the Walker house I had been pretty certain I would drop by the Compasses on my way back, but now I felt unsettled right down to the soles of my feet and I just wanted to go home and bathe myself in holy water. Since I didn't have any holy water, vodka would have to serve, and the bath would have to be on the inside rather than the outside, but I kept a bottle of 42 Below in the freezer for just these kinds of spiritual emergencies.

* * *

Monica had left a message on my phone wanting to know how things had gone and I also had a reminder from Sam that we were getting together after work tomorrow for our monthly dinner (an old custom of ours I'll tell you about another time) but I didn't really want to talk to anyone. I wanted to get quickly and quietly blotto because I felt like a garage full of car alarms right after a major earthquake.

When I got through the door of my apartment I pulled out the vodka, cracked the cap, then poured myself a couple of fingers in a glass and put on some Miles as thinking music. As So What began to curl around my living room like cigarette smoke I took a fiercely cold swallow and tried to make sense out of everything that had happened in the last day, from the unheard-of absence of Edward Walker's soul to the sudden passing of Prosecutor Grasswax in the grisliest fashion imaginable.

My old boss Leo used to say that when you're working for any gigantic and corrupt bureaucracy, whether it's the British East India Company, the Politburo, or the NCAA, the first lesson is this: Don't wait to find out exactly how they're going to screw you before you start protecting yourself -- get to work when you spot the first signs of trouble. This whole Walker thing was full of holes, and from long experience I felt sure more weird things were going to be crawling out of those holes very soon.

In fact this particular little clusterfuck, with its missing souls and dead demon-prosecutors, had all the warning signs of one of the worst snafus in recent memory, and if I wasn't smack in the middle of it I was close enough to feel the heat most unpleasantly. It was time to start the counter-offensive -- if I could do so without making things worse for myself, that is.

I poured myself another glass of numbness and thought about where to start.

About an hour later I noticed I had finished my third drink but had never poured myself a fourth. I got up to rectify that, noted that Miles had gone quiet, and put on some Robert Johnson. Me and the Devil Blues. Seemed like an appropriate night for Mr. Johnson and his crossroads bargain.

"Early this mornin', when you knocked upon my door

Early this mornin', ooh, when you knocked upon my door

And I said, 'Hello, Satan, I believe it's time to go.' "

Even in a body that wasn't one hundred percent my own, I couldn't repress a shiver. It looked like I'd be doing a lot of things I wouldn't much like in the next few days, including having a conversation with my best friend Sam about why he wasn't being entirely honest with me. Because Alice in the office had said when she gave me the case that Edward Walker was supposed to be Sam's client, and if our situations had been reversed I certainly would have explained to my old buddy by now why I missed taking a client that landed him deep in the shit.

The more I thought about it, the more I realized I needed more information about everything -- about dead Mr. Walker, even about Grasswax. But information about Hell's labor force wasn't easy to come by through regular channels. I was going to have to pay a visit to Fatback.

This week's New York Times Bestsellers (August 6th)

In hardcover:

Deborah Harkness’s Shadow of Night is down four spots, finishing the week at number 8. For more info about this title: Canada, USA, Europe.

George R. R. Martin's A Dance With Dragons is down two positions, ending the week at number 10. For more info about this title: Canada, USA, Europe. This marks the 52nd consecutive week that ADWD has ranked on the NYT bestseller list!

Kelley Armstrong’s Thirteen debuts at number 15.

Karen Thompson Walker’s The Age of Miracles is down three positions, ending the week at number 20. For more info about this title: Canada, USA, Europe.

Carlos Ruiz Zafón's The Prisoner of Heaven is down three spots, finishing the week at number 23. For more info about this title: Canada, USA, Europe.

Orson Scott Card & Aaron Johnston’s Earth Unaware is down sixteen spots, finishing the week at number 30. For more info about this title: Canada, USA, Europe.

In paperback:

Stephen King's 11/22/63 debuts at number 5 (trade paperback).

George R. R. Martin's A Game of Thrones is down two spots, finishing the week at number 6.

Erin Morgenstern's The Night Circus is down one position, ending the week at number 6 (trade paperback).

Deborah E. Harkness' A Discovery of Witches is down one spot, finishing the week at number 7.

George R. R. Martin's A Storms of Swords is up one position, ending the week at number 7.

George R. R. Martin's A Clash of Kings is up one position, ending the week at number 8.

George R. R. Martin's A Feast for Crows is up one position, ending the week at number 10.

Orson Scott Card's Ender's Game is up six spots, finishing the week at number 12.

George R. R. Martin's A Game of Thrones is up three spots, finishing the week at number 18 (trade paperback).

Seth Grahame-Smith's Abraham Lincoln: Vampire Hunter is up six positions, ending the week at number 23.

Seth Grahame-Smith's Abraham Lincoln: Vampire Hunter is down ten positions, ending the week at number 28 (trade paperback).

Ernest Cline's Ready Player One is down five positions, ending the week at number 33.

Quote of the Day


Painting is the silence of thought and the music of sight.

- ORHAN PAMUK, My Name Is Red (Canada, USA, Europe)

After coming very close to opening up my veins to reach the end of Gabriel García Márquez's One Hundred Years of Solitude, I was a bit wary of reading the work of another winner of the Nobel Prize in Literature so soon. Yet I'm loving the novel which earned Pamuk the Nobel Prize! Awesome thus far!

Here's the blurb:

From one of the most important and acclaimed writers at work today, a thrilling new novel—part murder mystery, part love story—set amid the perils of religious repression in sixteenth-century Istanbul.

When the Sultan commissions a great book to celebrate his royal self and his extensive dominion, he directs Enishte Effendi to assemble a cadre of the most acclaimed artists in the land. Their task: to illuminate the work in the European style. But because figurative art can be deemed an affront to Islam, this commission is a dangerous proposition indeed, and no one in the elite circle can know the full scope or nature of the project.

Panic erupts when one of the chosen miniaturists disappears, and the Sultan demands answers within three days. The only clue to the mystery—or crime?—lies in the half-finished illuminations themselves. Has an avenging angel discovered the blasphemous work? Or is a jealous contender for the hand of Enishte’s ravishing daughter, the incomparable Shekure, somehow to blame?

Orhan Pamuk’s My Name Is Red is at once a fantasy and a philosophical puzzle, a kaleidoscopic journey to the intersection of art, religion, love, sex, and power.

Win a copy of Terry Brooks' WARDS OF FAERIE


I'm giving away my review copy of Terry Brooks' Wards of Faerie to one lucky winner! For more info about this title: Canada, USA, Europe.

Here's the blurb:

When the world was young, and its name was Faerie, the power of magic ruled—and the Elfstones warded the race of Elves and their lands, keeping evil at bay. But when an Elven girl fell hopelessly in love with a Darkling boy of the Void, he carried away more than her heart.

Thousands of years later, tumultuous times are upon the world now known as the Four Lands. Users of magic are in conflict with proponents of science. Elves have distanced their society from the other races. The dwindling Druid order and its teachings are threatened with extinction. A sinister politician has used treachery and murder to rise as prime minister of the mighty Federation. Meanwhile, poring through a long-forgotten diary, the young Druid Aphenglow Elessedil has stumbled upon the secret account of an Elven girl’s heartbreak and the shocking truth about the vanished Elfstones. But never has a little knowledge been so very dangerous—as Aphenglow quickly learns when she’s set upon by assassins.

Yet there can be no turning back from the road to which fate has steered her. For whoever captures the Elfstones and their untold powers will surely hold the advantage in the devastating clash to come. But Aphenglow and her allies—Druids, Elves, and humans alike—remember the monstrous history of the Demon War, and they know that the Four Lands will never survive another reign of darkness. But whether they themselves can survive the attempt to stem that tide is another question entirely.

The rules are the same as usual. You need to send an email at reviews@(no-spam)gryphonwood.net with the header "FAERIE." Remember to remove the "no spam" thingy.

Second, your email must contain your full mailing address (that's snail mail!), otherwise your message will be deleted.

Lastly, multiple entries will disqualify whoever sends them. And please include your screen name and the message boards that you frequent using it, if you do hang out on a particular MB.

Good luck to all the participants!

Scourge of the Betrayer


When I found out that Jeff Salyards' Scourge of the Betrayer was being compared to Glen Cook's Black Company series, my curiosity was immediately piqued. Night Shade Books have really been pushing the envelope for the last couple of years, so I wanted to find out if this was going to be another novel/series which would have that distinctive vibe that can only be found in Night Shade Books titles these days.

Salyards' fantasy debut is interesting and different, yet that doesn't always work in its favor. The comparison with Glen Cook works only so far as the structure of the tale is concerned. Indeed, both the Black Company installements and Scourge of the Betrayer are military fantasy offerings narrated by the protagonist chronicling the deeds of their respective military outfits. But that is where the similarity ends.

Scourge of the Betrayer is a relatively short work. Weighing in at only 255 pages, as the first volume in a series, one would have thought that it would be a page-turning tale laying the groundwork and setting the stage for what would occur in the rest of the series. Unfortunately, Jeff Salyards plays his cards way too close to his chest, forcing readers to wade through the better part of this book in near-total mystery, unaware of what is going on and where the story is going.

Here's the blurb:

A gritty new fantasy saga begins . . .

Many tales are told of the Syldoon Empire and its fearsome soldiers, who are known throughout the world for their treachery and atrocities. Some say that the Syldoon eat virgins and babies–or perhaps their own mothers. Arkamondos, a bookish young scribe, suspects that the Syldoon’s dire reputation may have grown in the retelling, but he’s about to find out for himself.

Hired to chronicle the exploits of a band of rugged Syldoon warriors, Arki finds himself both frightened and fascinated by the men’s enigmatic leader, Captain Braylar Killcoin. A secretive, mercurial figure haunted by the memories of those he’s killed with his deadly flail, Braylar has already disposed of at least one impertinent scribe . . . and Arki might be next.

Archiving the mundane doings of millers and merchants was tedious, but at least it was safe. As Arki heads off on a mysterious mission into parts unknown, in the company of the coarse, bloody-minded Syldoon, he is promised a chance to finally record an historic adventure well worth the telling, but first he must survive the experience!

A gripping military fantasy in the tradition of Glen Cook, Scourge of the Betrayer explores the brutal politics of Empire–and the searing impact of violence and dark magic on a man’s soul.


Interestingly enough, there is virtually no worldbuilding to speak of throughout the novel. Other than a few brief revelations regarding the Syldoon toward the end, Salyards introduces a number of what appears to be fascinating concepts and ideas, but he never follows through and elaborate on any of them. This could be construed as a major flaw, but I reckon it has more to do with the fact that the tale is told through the first person narrative of Arkamondos, a cowardly scribe who has seldom been out and about, and who seems to have little knowledge of the world around him. Innocent and a nerdy sort of dumbass, Arkamondos, as the POV character through whose eyes the entire tale unfolds, cannot offer any kind of perspective. Which results in a very bland brand of worldbuilding. And yet, as I mentioned, there are a few very interesting concepts such as the Deserters, the Godveil, the Memoridons, and the Syldoon themselves. But as the narrator knows close to nothing about each aspect, readers are basically left in the dark regarding each and every one of them.

First person narratives can be tricky things. Indeed, since there is only one POV protagonist through which every single facet of the story is channeled, that character can make or break the book. And it's with the characterization that any comparison with Glen Cook ends. The Black Company novels featured the narrative of the unforgettable Croaker. The man has been the company's doctor and annalist for years and is always part of the action. As an insider, Croaker's commentary regarding the dynamics between members of the Black Company and their deeds is one of the highlights of the series. On the other hand, Arkamondos doesn't have much going for him. He's an outsider and about as big a pussy as one can be. As you can imagine, as a cowardly scribe, he is not made welcome by the Syldoon warriors. Thankfully, Jeff Salyards refuses to take the path of least resistance, and Arkamondos remains true to himself and his convictions throughout the novel. Trouble is, readers might have some problems identifying with someone like that. I'm aware that it's all part of the premise to have such an innocent protagonist chronicle and narrate what is essentially a dark and violent tale of military fantasy. But in the end, I'm not entirely sure it always works well. Especially since Scourge of the Betrayer features a couple of very intriguing characters like Captain Braylor Killcoin, Lloi, and Hewspear. I feel that the story needs Arkamondos' POV to be what the author envisioned to be. Having said that, I'm persuaded that the book would have benefited from one or two more POVs, if only to give readers a different sense of perspective.

In terms of rhythm, I wouldn't say that Salyards' debut is a slow-moving novel. What made it appear slow was the fact that so very little information is disclosed that readers are forced to plow through the better part of the novel without understanding what is going on, what are the characters' motivations, and where exactly the story is going. Like poor Arkamondos, readers are forced to wade through, unaware of what is taking place, feeding on the tiny morsels of information we are occasionally provided with. There is a sudden and unexpected change of pace during the last hundred pages or so. After a very dark and brooding beginning, during which an oppressive mood was set, the finale features action-packed choreographed battle scenes à la R. A. Salvatore that felt a bit out of place.

Though it features a narrator that's not always the sharpest tool in the shed and though I feel that Jeff Salyards kept his cards too close to his chest throughout this book and didn't reveal nowhere near enough, I found Scourge of the Betrayer to be interesting and captivating enough for me to want to discover more about what happens next. Not for what made it into the novel, but for everything that the author left out. Here's to hoping that Salyards will be more forthcoming in the sequel.

To learn more about Jeff Salyards and his work, check out his official website.

The final verdict: 7.25/10

For more info about this title: Canada, USA, Europe.

Musical Interlude

Here's a double dose of John Williams!



"The Imperial March" performed by the Vienna Philharmonic Orchestra and conducted by Franz Welser-Möst during the Summer Night Concert 2010. Experiencing this track during Star Wars in Concert in a Bell Centre packed to the rafters a few years ago sent shivers down my spine. But this performance set in such an incredible setting is simply awesome.



Another live performance, this time for "Duel of the Fates." These two tracks could well be John Williams' best creations ever!

Excerpt from Jasper Kent's THE PEOPLE'S WILL

Jasper Kent, author of the excellent Danilov Quintet, has just posted an extract from the upcoming fourth installment in the series, The People's Will.

Follow this link to read the first chapter from the novel.

The People's Will should be published in early 2013.

Stephen King's THE DARK TOWER is still being considered. . .


This from A. V. Club:

To date it seems as though Ron Howard's unwieldy adaptation of The Dark Tower has as much forward momentum as Blaine The Mono sitting in the Cradle—a reference that people who haven't read the books may never get, because Howard's three Dark Tower movies and two limited-run TV series are probably never going to get made. Today's update offers a few changes to that story but, much like The Dark Tower series itself, no satisfying conclusion: Deadline reports that Warner Bros. is still considering whether it really wants to commit to the project it rescued from Universal's rejection pile, and its final decision (likely to be made within the next couple of weeks) now apparently hinges on whether Russell Crowe will sign on to star.

Crowe would be stepping in for Javier Bardem—who abandoned the role of gunslinger Roland Deschain after growing impatient with all the waiting around, just starring in James Bond movies and sleeping with Penelope Cruz to fill the hours—and already Howard, screenwriter Akiva Goldsman, and producer Brian Grazer are using their A Beautiful Mind connection to lean on him. Of course, Crowe's also got plenty to do already (starring in Noah, maybe directing a Bill Hicks biopic, trying to get this damn beehive off his paw and get to the sweet, sweet honey), and it would certainly be a tall order to ask him to commit to a part that could consume the next five years or so of his life, and all but define his career thereafter. Suffice it to say, it's not a great position to be in to have your stalled, hugely ambitious project hanging on a kind word from Russell Crowe, but maybe Howard will get lucky.

Here's to hoping!

US cover art for the paperback edition of Saladin Ahmed's THRONE OF THE CRESCENT MOON


Much better than the 80s YA sword and sorcery cover that graced the hardcover edition of Saladin Ahmed's Throne of the Crescent Moon (Canada, USA, Europe).

Win a copy of Brent Weeks' THE BLINDING KNIFE


I have a copy of Brent Weeks' The Blinding Knife for you to win, compliments of the folks at Orbit. For more info about this title: Canada, USA, Europe.

Here's the blurb:

Gavin Guile is dying.

He'd thought he had five years left - now he's got less than one. With fifty thousand refugees, a bastard son and an ex-fiancee who may have learned his darkest secret, Gavin's got problems on every side.

As he loses control of his magic, all magic is running wild, threatening to destroy the Seven Satrapies. The old gods are being reborn. Their army of color wights is unstoppable and the only salvation may be the brother whose freedom and life Gavin stole sixteen years ago.

The rules are the same as usual. You need to send an email at reviews@(no-spam)gryphonwood.net with the header "BLINDING." Remember to remove the "no spam" thingy.

Second, your email must contain your full mailing address (that's snail mail!), otherwise your message will be deleted.

Lastly, multiple entries will disqualify whoever sends them. And please include your screen name and the message boards that you frequent using it, if you do hang out on a particular MB.

Good luck to all the participants!

This week's New York Times Bestsellers (July 30th)

In hardcover:

Deborah Harkness’s Shadow of Night is down three spots, finishing the week at number 4. For more info about this title: Canada, USA, Europe.

George R. R. Martin's A Dance With Dragons maintains its position at number 8. For more info about this title: Canada, USA, Europe. This marks the 52nd consecutive week that ADWD has ranked on the NYT bestseller list!

Orson Scott Card & Aaron Johnston’s Earth Unaware debuts at number 14. For more info about this title: Canada, USA, Europe.

Karen Thompson Walker’s The Age of Miracles maintains its position at number 17. For more info about this title: Canada, USA, Europe.

Carlos Ruiz Zafón's The Prisoner of Heaven debuts at number 20. For more info about this title: Canada, USA, Europe.

Charlaine Harris' Deadlocked is down four positions, ending the week at number 26.

Stephen King's The Dark Tower: The Wind Through the Keyhole is down two positions, ending the week at number 35. For more info about this title: Canada, USA, Europe.

In paperback:

George R. R. Martin's A Game of Thrones is up one spot, finishing the week at number 4.

Erin Morgenstern's The Night Circus maintains its position at number 5 (trade paperback).

Deborah E. Harkness' A Discovery of Witches is up one spot, finishing the week at number 6.

George R. R. Martin's A Storms of Swords maintains its position at number 8.

George R. R. Martin's A Clash of Kings maintains its position at number 9.

George R. R. Martin's A Feast for Crows is down one position, ending the week at number 11.

Orson Scott Card's Ender's Game is down five spots, finishing the week at number 18.

Seth Grahame-Smith's Abraham Lincoln: Vampire Hunter is down one position, ending the week at number 18 (trade paperback).

George R. R. Martin's A Game of Thrones is down eight spots, finishing the week at number 21 (trade paperback).

Ernest Cline's Ready Player One is up one position, ending the week at number 28.

Seth Grahame-Smith's Abraham Lincoln: Vampire Hunter is down fourteen positions, ending the week at number 29.

What should I read next???


Since I'm still waiting for my review copies of Tad Williams' The Dirty Streets of Heaven ((Canada, USA, Europe), Mark Lawrence's King of Thorns (Canada, USA, Europe), And James S. A. Corey's Caliban's War (Canada, USA, Europe), I felt that the time was just about right for a new survey regarding novels that I'm considering reading.

I need a break from speculative fiction for a short while, so in the near future I'll be reading James Clavell's Shogun (Canada, USA, Europe) and Carlos Ruiz Zafón's The Prisoner of Heaven (Canada, USA, Europe). In addition, during my trip to Turkey I was intrigued by the works of author Orhan Pamuk, winner of the Nobel Prize, and bought two of his novels. My Name is Red (Canada, USA, Europe) is pretty high on my list of books to read.

As we speak, I'm plowing through Gabriel Garcia Marquez's One Hundred Years of Solitude (Canada, USA, Europe), but I'm afraid that Mitch Albom's Tuesdays With Morrie (Canada, USA, Europe) totally killed that novel for me. Indeed, after reading such a touching and thought-provoking work, Marquez's masterpiece feels trite. . . I'm also halfway through Jeff Salyards' Scourge of the Betrayer (Canada, USA, Europe), which is kind of a mix of Joe Abercrombie and Glen Cook.

There are quite a few other speculative fiction titles vying for my attention, so let's find out which one of these nominees you'd like to see me read and review in the near future.

You can vote in the top left corner of the homepage!

The nominees are:


- Stormdancer by Jay Kristoff (Canada, USA, Europe)

A dystopian steampunk fantasy with a flavour of feudal Japan.

Griffins are supposed to be extinct. So when Yukiko and her warrior father are sent to capture one for the Shōgun, they fear that their lives are over. Everyone knows what happens to those who fail him.

But the mission proves less impossible and more deadly than anyone expects. Soon Yukiko finds herself stranded: a young woman alone in her country’s last wilderness, with only a furious, crippled griffin for company. Alhough she can hear his thoughts, and saved his life, all she knows for certain is he’d rather see her dead than help her. Yet trapped together in the forest, Yukiko and Buruu form a surprising and powerful bond.

Meanwhile, the country verges on collapse. A toxic fuel is choking the land, the machine-powered Lotus Guild is publicly burning those they deem Impure, and the Shōgun cares for nothing but his own dominion. Authority has always made Yukiko uneasy, but her world changes when she meets Kin, a young man with secrets, and the rebel Kagé cabal. She learns the horrifying extent of the Shōgun’s crimes, both against her country and her family.

Returning to the city, Yukiko and Buruu are determined to make the Shōgun pay – but what can one girl and a flightless griffin do against the might of an empire?



- Great North Road by Peter F. Hamilton (Canada, USA, Europe)

In Newcastle-upon-Tyne, AD 2142, Detective Sidney Hurst attends a brutal murder scene. The victim is one of the wealthy North family clones – but none have been reported missing. And the crime’s most disturbing aspect is how the victim was killed. Twenty years ago, a North clone billionaire and his household were horrifically murdered in exactly the same manner, on the tropical planet of St Libra. But if the murderer is still at large, was Angela Tramelo wrongly convicted? Tough and confident, she never waivered under interrogation – claiming she alone survived an alien attack. But there is no animal life on St Libra.

Investigating this alien threat becomes the Human Defence Agency’s top priority. The bio-fuel flowing from St Libra is the lifeblood of Earth’s economy and must be secured. So a vast expedition is mounted via the Newcastle gateway, and teams of engineers, support personnel and xenobiologists are dispatched to the planet. Along with their technical advisor, grudgingly released from prison, Angela Tramelo. But the expedition is cut off, deep within St Libra’s rainforests. Then the murders begin. Someone or something is picking off the team one by one. Angela insists it’s the alien, but her new colleagues aren’t so sure. Maybe she did see an alien, or maybe she has other reasons for being on St Libra ...


- Be My Enemy by Ian McDonald (Canada, USA, Europe)

Everett Singh has escaped with the Infundibulum from the clutches of Charlotte Villiers and the Order, but at a terrible price. His father is missing, banished to one of the billions of parallel universes of the Panoply of All World, and Everett and the crew of the airship Everness have taken a wild, random Heisenberg Jump to a random parallel plane. Everett is smart and resourceful, and, from a frozen earth far beyond the Plenitude, he plans to rescue his family. But the villainous Charlotte Villiers is one step ahead of him.

The action traverses the frozen wastes of iceball earth; to Earth 4 (like ours, except that the alien Thryn Sentiency occupied the moon in 1964); to the dead London of the forbidden plane of Earth 1, where the emnants of humanity battle a terrifying nanotechnology run wild—and Everett faces terrible choices of morality and power. But Everett has the love and support of Sen, Captain Anastasia Sixsmyth, and the rest of the crew of Everness—as he learns that the deadliest enemy isn't the Order or the world-devouring nanotech Nahn—it's yourself.


- Infidel by Kameron Hurley (Canada, USA, Europe)

The only thing worse than war is revolution. Especially when you're already losing the war...

Nyx used to be a bel dame, a government-funded assassin with a talent for cutting off heads for cash. Her country's war rages on, but her assassin days are long over. Now she's babysitting diplomats to make ends meet and longing for the days when killing people was a lot more honorable.

When Nyx's former bel dame "sisters" lead a coup against the government that threatens to plunge the country into civil war, Nyx volunteers to stop them. The hunt takes Nyx and her inglorious team of mercenaries to one of the richest, most peaceful, and most contaminated countries on the planet -- a country wholly unprepared to host a battle waged by the world's deadliest assassins.

In a rotten country of sweet-tongued politicians, giant bugs, and renegade shape shifters, Nyx will forge unlikely allies and rekindle old acquaintances. And the bodies she leaves scattered across the continent this time... may include her own.

Because no matter where you go or how far you run in this world, one thing is certain: the bloody bel dames will find you.


- The Watchers by Jon Steele (Canada, USA, Europe)

Beneath Lausanne Cathedral, in Switzerland, there is a secret buried before time began, something unknown to angels and men, until now...

Marc Rochat watches over the city at night from the belfry of the cathedral. He lives in a world of shadows and "beforetimes" and imaginary beings. Katherine Taylor, call girl and daydreamer, is about to discover that her real-life fairy tale is too good to be true.

Jay Harper, private detective, wakes up in a crummy hotel room with no memory. When the telephone rings and he's offered a job, he knows he has no choice but to accept.

Three lives, one purpose: save what's left of paradise before all hell breaks loose.

Steven Erikson contest winners!

Our three winners will receive complimentary copies of Steven Erikson's Forge of Darkness, courtesy of the kind folks at Transworld. For more info about this title: Canada, USA, Europe.

The winners are:

- Kevin Murphy, from Belfast, Northern Ireland

- Richard Grant, from Wigston, Leicestershire, England

- Chris Burnside, from Darlington, County Durham, England

Many thanks to all the participants!