You can now download Elizabeth Moon's Oath of Fealty for only 1.99$ here.
Here's the blurb:
BONUS: This edition contains an excerpt from Elizabeth Moon's Kings of the North.
For the first time in nearly twenty years, Elizabeth Moon returns to the thrilling realm of her superb Deed of Paksenarrion trilogy.
Thanks to Paks’s courage, the long-vanished heir to the half-elven kingdom of Lyonya has been revealed as Kieri Phelan, a formidable mercenary who earned a title—and enemies—in the neighboring kingdom of Tsaia, where Prince Mikeli suddenly faces the threat of a coup. Acting swiftly, Mikeli strikes at the powerful family behind the attack: the Verrakaien, magelords steeped in death and evil. Mikeli’s survival—and that of Tsaia—depend on the only Verrakai whose magery is not tainted with innocent blood. Two kings stand at a pivotal point in the history of their worlds. For dark forces are gathering against them, knit in a secret conspiracy more sinister and far more ancient than they can imagine.
Here's the blurb:
Adapted for a magnificent George Roy Hill film three years later (perhaps the only film adaptation of a masterpiece which exceeds its source), Slaughterhouse-Five (1969) is the now famous parable of Billy Pilgrim, a World War II veteran and POW, who has in the later stage of his life become ""unstuck in time"" and who experiences at will (or unwillingly) all known events of his chronology out of order and sometimes simultaneously.
Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralmafadorians who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).
The ""unstuck"" nature of Pilgrim's experience may constitute an early novelistic use of what we now call Post Traumatic Stress Disorder; then again, Pilgrim's aliens may be as ""real"" as Dresden is real to him. Struggling to find some purpose, order or meaning to his existence and humanity's, Pilgrim meets the beauteous and mysterious Montana Wildhack (certainly the author's best character name), has a child with her and drifts on some supernal plane, finally, in which Kilgore Trout, the Tralmafadorians, Montana Wildhack and the ruins of Dresden do not merge but rather disperse through all planes of existence.
Slaughterhouse-Five was hugely successful, brought Vonnegut an enormous audience, was a finalist for the National Book Award and a bestseller and remains four decades later as timeless and shattering a war fiction as Catch-22, with which it stands as the two signal novels of their riotous and furious decade.