Scott Lynch and Matthew Stover discuss THE REPUBLIC OF THIEVES and ACTS OF CAINE

Authors Scott Lynch Matthew Stover discuss their latest works in this back-and-forth interview. Here's an excerpt:

Despite the first Gentlemen Bastards novel being titled The Lies of Locke Lamora, it seems to me that Locke and Jean are dual protagonists, true partners rather than hero and sidekick. While this is not unusual in other genres (especially police procedurals, for example), in ours they’re pretty thin on the ground. The only truly legendary fantasy dual-protags that spring instantly to mind are Fafhrd & the Gray Mouser, and they are explicitly portrayed as linked by mythic destiny (“Two halves of a greater hero.”) Locke and Jean, by contrast, are bound by human friendship and deep loyalty – more Butch & Sundance than F&GM.

So I’d like to get your thoughts on what inspired their relationship, and why you chose to write them this way. Were they always to be dual protags? Did Jean start as a sidekick and grow in the writing? Is there something about their friendship that has Super Story Powers?

You’re making me peer back through the hazy mists of memory, man. But the honest truth is that Jean was decidedly a less fleshed-out character, initially, very much vanishing into the ensemble. His role grew in the telling, until I realized that he wasn’t just a foil for Locke but the essential foil. I grasped the benefit of having a sort of external conscience for him, another intimate perspective on Locke that would enable me to sort of hover nearby without peeling back too many layers of his mentation. For all that he’s the protagonist, we don’t spend too much time with unfettered omniscient access to Locke’s thoughts in that first novel; I wanted to express his feelings more through his actions and the responses of those around him than by writing something like, “Locke was sad now.”

You can use a matched pair of major characters to hurdle some inelegant narrative devices. They can narrate to one another through conversation in a way that would be sheer infodump if we were in one of their heads, for example. You can use their dialogue to reason through chains of events and lampshade potential problems without halting the action.

Last but not least, I think there’s a certain dynamism to their pairing that comes from the fact that it’s a humanistic relationship. There’s no magic, no destiny, no prophecy binding them. They’re in the same boat we all are in real life. We get by with a little help from our friends.

Follow this link to read the entire interview.

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